Chuck Todd interviews me about alternate histories
Showing posts with label Joshua Jackson. Show all posts
Showing posts with label Joshua Jackson. Show all posts

Tuesday, May 30, 2023

Fatal Attraction (2023, the TV series), Season One: Welcome to the Jung-le



Fatal Attraction -- the new 2023 series -- finished its 8-episode first season on Paramount on Sunday.  Yes, it's the same story as the 1987 pathbreaking movie, retold and refigured in all kinds of significant and even profound ways, which I think largely succeeded.

[And there will be spoilers ahead ... ]

First, I saw and much enjoyed the 1987 movie, though I don't recall many of the important details.  The TV series is half a retelling of that story, and half a narrative that takes place 15 years in the future, when Dan Gallagher is released from prison after serving his time for killing Alexandra.  As we soon learn, though, he lied when he told he the parole board that he understood the evil he had done in murdering Alex -- he lied to get his freedom, which he intends to use to prove his innocence and find out who really did do the murder.

So that's a pretty strong set-up for a new take on this story, and it's enhanced with an increasing focus on Ellen (Dan and his wife's Beth's daughter), 15 years older, now in college, and immersed in the cognitive joys of discovering the theories of Carl Jung, second only to Freud as the inventor of modern psychology.  Jung has popped up in all kinds of places in our popular culture, but none as explicitly and effectively as with Ellen, who is attracted to Jung's concept of the shadow, and in the final stunner of the TV series becomes an embodiment of the concept, as her shadow takes her over and she becomes the new Alex. 

But who killed the original Alex?  The answer gives us the other shocker of the TV series.  The killer is indeed not Dan, and nor is it Beth, who did the deed in the movie.  I was thinking throughout the series that the killer might be Mike, but it turns out to be Arthur, friend of the Gallaghers, whose wife is dying of cancer, and who will later become Beth's partner.    I thought this worked -- his wife dying was a plausible foundation for taking such a drastic action -- but it was the weakest part of the new story.  First, too much time was devoted to Arthur before he killed Alex, so much, indeed, that I began to suspect that he was going to be the killer, or why spend so much time on him?  And, unless I missed it, I didn't see any foretelling of Arthur's propensity for violence earlier in the series.

But, all in all, I found the TV series daring and intelligent, and well worth viewing.  The acting was superb, with  Joshua Jackson as Dan, Lizzy Caplan as Alex, Amanda Peet as Beth, and Alyssa Jirrels as Ellen especially outstanding.  And hats off to showrunner Alexandra Cunningham (see Jackie Strause's interview with her in the Hollywood Reporter).

Whether there will be a second season is unknown at this point.  I certainly hope there is.  Indeed, Ellen's story itself could well take more than one season to be properly told.




Sunday, August 5, 2018

The Affair 4.8: I Don't Believe It



This review of The Affair 4.8 will have a spoiler from the hour that upended the entire series - so, seriously, if you don't want to know that, don't read on.

I entitled this review "I Don't Believe It" because I find it hard to believe that Alison is dead.  But for her not to be dead, the only thing I can think of was that Noah was lying when he identified her in the morgue.  And we've seen no motivation for him to do that.  So, although there is a slim possibility that we'll discover what that motivation is, I can't hold out much hope it.  (His crying in the dinner in his own very brief segment would then be crying for what he did to Cole, if Noah was lying in the morgue and after.  But much as I'd like to believe that, it seems very unlikely.) (Nice call-back in that scene, by the way, of how Alison ad Noah first met, with the attractive waitress bantering with Noah.) (And great acting by Joshua Jackson and Dominic West throughout the hour - good to see the two of them riffing off each in other in so many scenes.)

But back to the matter at hand: I find it even harder to believe that Alison committed suicide.  This is certainly what Cole believes - that Alison wasn't a suicide. But if Alison didn't take her own life, who did?  I can think of three suspects - I'll list them in order of most likely, first -

  1. Alison's father.  We know the least about him, and his motive could be that Alison refused to give him her kidney.   He seemed shocked when he got the news that Alison was dead, but he could have been putting on an act.
  2. Ben.  He's a liar for sure.  But a killer?  We've seen no evidence of any violence in him on a level of murdering someone.  Possibly he could have flown into a rage in a scenario in which Alison refused to continue her relationship with him.  I wouldn't be stunned if he killed her.  But his denial to Cole and Noah was pretty convincing.
  3. My wife suggested Luisa.   She has a strong motive - Alison alive is getting in the way of both her relationship with Cole, and her getting documented on the strength of being Joanie's adoptive mother.  But ... of the three suspects, she seems the least likely to kill Alison.
So with three suspects, none of them terribly likely, maybe we should consider the logic of Alison's suicide.   She had her heart broken by Cole, Noah, and now Ben.  Plus, her father broke her heart in a different way.  That's a lot of heartbreak.  But ... sufficient for suicide, for leaving Joanie without her biological mother?

Tough call.  But I'm going to go with murder, at this point.


And see also The Affair 3.1: Sneak Preview Review ... The Affair 3.2: Sneak Preview Review: Right Minds ... The Affair 3.3: Who Attached Noah? ... The Affair 3.4: The Same Endings in Montauk ... The Affair 3.5: Blocked Love ... The Affair 3.6: The Wound ... The Affair 3.7: The White Shirt ... The Affair 3.8: The "Miserable Hero" ... The Affair 3.9: A Sliver of Clarity ... The Affair 3.10: Taking Paris

And see also The Affair 2.1: Advances ... The Affair 2.2: Loving a Writer ... The Affair 2.3: The Half-Wolf ... The Affair 2.4: Helen at Distraction ... The Affair 2.5: Golden Cole ... The Affair 2.6: The End (of Noah's Novel) ... The Affair 2.7: Stunner ... The Affair 2.8: The Reading, the Review, the Prize ...The Affair 2.9: Nameless Hurricane ... The Affair 2.10: Meets In Treatment ... The Affair 2.11: Alison and Cole in Business ... The Affair Season 2 Finale: No One's Fault



the Sierra Waters time-travel trilogy

Monday, June 25, 2018

The Affair 4.2: Meanwhile, Back on the Island



Episode 4.2 of The Affair last night, was a pretty good, even excellent, standalone episode, though it had little to do with the central themes which animated the three previous seasons.   If an overall series is a book, and each season a chapter, Cole and Alison's half hours felt like chapters in a new book, a sequel, published some years later.

The two different takes on the same story still worked well, though actually there weren't too many scenes in which Cole and Alison were together, making 4.2 almost two half-hour standalone stories.  But my favorite was Alison saying "fuck" in her rendition, with the expletive absent in Cole's.

Alison's story was the more compelling and unusual.  In her half hour, which came second, we see her at work in a center that offers peer-to-peer counseling for parents who lost a child.  She meets a guy who saves her from a father suffering from a kind of PTSD - literally saves her life, from the guy who is choking her - and this proves to be the beginning of a longterm romance (also literally longterm, since the guy is in a program, too, which won't let him have romantic erotic relationships for another five months and x number of days and hours).   Hey, were it me, I'd have left the program to go out with Alison - but, then, I wouldn't have joined such a program in the first place.  Not drinking is one thing.  Not being allowed to have relationships is ... well, I'd say counterproductive at best.

It's gratifying to see Alison in such good shape - the best she's been in the entire series, I'd say, and much better than Cole, who seemed more pathetic than usual last night.  I'm with his wife - what's he so unhappy about?  I know, he was a harrowing backstory, too.  But, hey, man, get over it - you have a good life now, including on the verge of being a millionaire.  Does he love and unconsciously miss being with Alison that much?  Maybe.

Very well acted as always by Ruth Wilson as Alison and Joshua Jackson as Cole, and I forgot to say the same for Dominic West as Noah and Maura Tierney as Helen last week, because that was true, too.  The Affair was always a unique series, and I think I'm going to like the new turn it's taken this year.


And see also The Affair 3.1: Sneak Preview Review ... The Affair 3.2: Sneak Preview Review: Right Minds ... The Affair 3.3: Who Attached Noah? ... The Affair 3.4: The Same Endings in Montauk ... The Affair 3.5: Blocked Love ... The Affair 3.6: The Wound ... The Affair 3.7: The White Shirt ... The Affair 3.8: The "Miserable Hero" ... The Affair 3.9: A Sliver of Clarity ... The Affair 3.10: Taking Paris

And see also The Affair 2.1: Advances ... The Affair 2.2: Loving a Writer ... The Affair 2.3: The Half-Wolf ... The Affair 2.4: Helen at Distraction ... The Affair 2.5: Golden Cole ... The Affair 2.6: The End (of Noah's Novel) ... The Affair 2.7: Stunner ... The Affair 2.8: The Reading, the Review, the Prize ...The Affair 2.9: Nameless Hurricane ... The Affair 2.10: Meets In Treatment ... The Affair 2.11: Alison and Cole in Business ... The Affair Season 2 Finale: No One's Fault



the Sierra Waters time-travel trilogy

Thursday, October 8, 2015

The Affair 2.2: Loving a Writer

I was going to wait until Sunday to watch the next episode of The Affair, but I realized there may not be Showtime where I'll be, so I watched episode 2.2 last night on Showtime On Demand.  I'm glad I did. It was superb, continuing its compelling mix of great acting, cinematography, and storyline, with Alison's and Cole's stories this time.   The Affair this season will be presenting four points of view - not only Noah and Alison, but Helen and Cole - and, so far, that's enriched the story.

Joshua Jackson's performance as Cole in 2.2 was Emmy worthy. The subtle, under-the-surface, powerful but contained display of hurt, hate, pain, love, fatigue with the world, and, in that last scene, just a hint of satisfaction at seeing Noah charged in court, was just masterful.   This was about the best performance I've ever seen of a man after his wife has left him.

Of course, Cole is nothing but considerate to Alison in his take, in contrast to being disruptive, even frightening in her rendition of the same story.  Ruth Wilson also puts in a fine performance, down to the expression in her eyes when Noah comes home after the lousy day in New York City that we saw in episode 2.1.   After he grouses and leaves the room, the camera twice shows Alison looking at something with concern, uncertainty, and a touch of bracing in her eyes - perfect camera work - and it turns out that's Noah, who apologizes and takes Alison in his arms.   The love they feel for each other is vibrant.

Alison's day in the vivid green of Cold Spring is notable in other ways, especially with Yvonne, who gets off one of the best lines in the episode, remarking to Alison that it's a "horrible thing to love a writer".  Alison learns that Yvonne is head of Bradford Publishing.   Are they Noah's publisher? Probably.  We know that Harry - Noah's editor - arranged for Noah and Alison to stay in the beautiful house in the country, which we now learn is owned by Yvonne and her husband.   There are important connections to be explored.

There's poetry in almost every scene of this drama, including in the taxi with Cole driving Noah's soon to be erstwhile father-in-law, who paints an appealing picture of how Montauk used to be - getting Cole to almost roll his eyes in the front seat - including "the way the ocean changes like a moody woman".

A hallmark of great narrative is how even the minor characters are memorable.   The Affair has all of that, and I'm looking forward to more.




podcast review of every 2nd season episode


podcast review of every 1st season episode





Monday, December 8, 2014

The Affair 1.8: "I Love You / I Love You, Too"

It was good to see The Affair 1.8 tonight - I missed it last week.   The episode could have been titled "Noah to the rescue," which was the way Alison sees Noah, in her attempt to deal with her self-possessed mother and her grandmother's impeding death and after.

Significantly, Cole is as always wrapped up in his business - selling the ranch - and gives Alison almost no support - the support she needs and wants from him - in her struggle to come to terms with her grandmother's fate.  Cole of all people should understand why this is so painful and important to Alison, putting her in touch, as it does, with how she felt and still feels about the loss of their son.  But Cole is what he is, and even being good and loving in bed doesn't make him what Alison so keenly requires at this point in her life.

But Noah is.  In contrast to Cole's unaware remoteness,  Noah in one of his best scenes in the series seeks to comfort Alison by telling her the crucial truth that the loss of a parent or grandparent, wounding as it might be, is not in league with the anguish of losing a child.   Noah never lost a child (as far as we know).  But he's just a more sensitive person than Cole, and because of that he is what Alison most needs at this moment.

Since all of this occurs in Alison's story, what we're seeing here is her good opinion of Noah, and how he came through for her.  They don't (yet) sleep together again, but this will be the foundation of why they soon will, even though Noah was the one who ended that affair of the summer and Alison thus has every reason not to want to ever see him again, let alone in bed. The crucial exchange here is where Noah softly tells Alison, "I love you," and she replies, "I love you, too."  That says it all.

Meanwhile, we get a long view of Helen tonight - that is, how Noah sees Helen in the aftermath of his confession.  She doesn't accept his gift, and in the psychologist's office - played by Blair Brown (of recent Fringe fame, along with Joshua Jackson) - we learn that she married Noah because she thought he was "safe" - something which he certainly can't be happy to hear.

The conversation between Noah and his father-in-law Bruce is also important, because, like in A Christmas Carol, it gives Noah a glimpse of his future, and what he might well feel if he lets Alison vanish from his life.

The police detective is in menacing presence at the ends of both half hours. As I've previously said, I find this part of the story usually the least compelling.  The great strength of The Affair is its profound human drama, and I'm looking forward to more of that next week.





podcast review of every 1st season episode

Monday, November 24, 2014

The Affair 1.7: True Confessions

A very different episode of The Affair tonight - 1.7 - with barely a scene in either story of Noah and Alison together.   But the episode was one of the best in the series so far, and broke all kinds of new ground.

In a nutshell, Noah and Alison each confess their affair, to Helen and Cole, for very different reasons. Noah is being blackmailed by Oscar about the affair, and Alison tells Cole the whole truth - after a partial truth - because Cole wants to know if the guy Alison was sleeping with stole Cole's drugs.

It was great night for both Maura Tierney and Joshua Jackson, who each put in their best performances in the series so far.   Jackson as Cole was especially remarkable, after seeming like he cared about more the loss of his drugs than he did about Alison, but pivoting into the warmest and deepest we've seen him so far this season.

Noah, as he does often, comes out the worst in the two accounts, including his.  At very least, he's insensitive to Cole about the loss of Cole's son, and his closing the curtains in his Brooklyn brownstone to Alison, standing outside, was a low moment.    Alone and vulnerable, however, Alison is now more open to a re-uniting with Cole.

The series - or this season of the series - could well be heading to aftermath territory, in which the affair in over, and Alison and Noah repair their marriages, with the greatest threat coming from the detective, whose most interesting appearance is at the beginning of Noah's episode, reading Noah's book.   But the marriages are not quite equal.   Noah and Helen have four children, which gives them more reason to stay together.   But Cole seems to have gotten over what Alison did far more than Helen with Noah.   And I have a feeling we've not seen the last of Alison and Noah together by any means - if not this season, then likely next.

The series story has moved into the end of the summer, or the beginning of the Fall, and in our world it's taking off a week for Thanksgiving.  I'll be back here in two weeks with another late night review.




podcast review of every 1st season episode

Tuesday, October 7, 2014

The Affair Premiere: Sneak Preview Review

Just saw The Affair's first episode, nearly a week before show time on Showtime, thanks to Showtime On Demand, for everyone who has that.   The following review has spoilers.

The first episode is neatly split into two parts - two, mirror stories - a he-said, she-said, about the beginning of the affair, or how Noah and Alison first met.  This is a good piece of writing, with agreement on all the events, but differences on who initiated conversations and suggestions, such as who suggested that Noah take an outdoor shower - Noah or Alison.

The background is also appealing.  Noah is a grade-school teacher and an author of - so far - just one novel.  As his rich father-in-law obnoxiously tells him, most people have one book in them, and that's it.   Noah, of course, wants more.  He's happily married, with four kids, but life isn't the best it could be for him.  Not only has his first book not been all that successful - good enough to get a contract and advance for the second, but no best-seller - but with four kids he's lucky if he has a chance to make love to his wife.  At least, that's how he sees things.  He's an attractive man, in his story, who is somewhat unappreciated by his wife but wanted by other women.

Alison's story is more profound, certainly more tragic.  She and her husband (or partner) lost their six-year old son.   Her husband is beginning to get over the pain, but not yet Alison.  He wants to sleep with her, but she's not comfortable making love with their son still so much on her mind.   She's attracted - a bit, in her vision - to Noah, but not as much as Noah thinks she's attracted to him in his vision.

Both stories are presented to a police detective, at some future time - years in the future - as Noah and Alison are being separately interviewed.  In this sense, The Affair resonated with True Detective.   At this point, it's not clear what the interviews are about - apparently the death of one of their partners, likely Alison's, which may be a murder.

The acting is excellent.   Dominic West is his customarily superb - and I'm impressed, as always, not only with his acting but his American accent, which I first took note of in my reviews of The Wire. Joshua Jackson is back in his first major series since Fringe, but the character he plays in The Affair - Alison's partner Cole - is so far a lot less likable than Peter on Fringe.   Maura Tierney as Noah's wife is good in this part, as is Ruth Wilson as Alison in hers.

The filming is Long Island seashore evocative, and the mixture of the infidelity with some kind of likely murder makes The Affair an attractive contender off to a strong start.

See also The Affair 1.2: Time Travel! ... The Affair 1.3: The Agent and the Sleepers ... The Affair 1.4: Come Together ... The Affair 1.5: Alison's Episode ... The Affair 1.6: Drugs and Vision  ... The Affair 1.7: True Confessions ...  The Affair 1.8: "I Love You / I Love You, Too" ... The Affair 1.9: Who Else on the Train? ... The Affair Season One Finale: The Arrest and the Rest

 
a different kind of affair and murder

#SFWApro  #SHO_TheAffair


podcast review of every 1st season episode

Saturday, January 26, 2013

Fringe Evita

There was no Fringe to see tonight, so my wife and I went to see September - aka Michael Cerveris - in  the next-last-evening in the fine Broadway revival of Evita.   Our daughter, who is not a Fringe fan, bought us the tickets - because she knows my wife and I love Evita.  I'd say it's one of best musicals ever on Broadway, one of the best plays, period, on a par with with works of Shakespeare and the ancient Greeks.  I've used Evita and "Don't Cry for Me Argentina" in my graduate courses in Propaganda.  The Fringe connection was thus icing on the cake, and a superb icing it was.   September lives on in Evita - for at least one more night.

Ricky Martin as Che was the headliner, and he was fabulous tonight.   Not quite as wise as Mandy Patinkin's Che in the original Evita - which we saw back in 1979 - but he more than made up for it in style, voice, sass, and dance, and was better than Antonio Banderas in the movie.  Elena Roger as Evita did not sing as electrifyingly as Patti LuPone in the original or as well as Madonna in the movie, but she did offer a compelling interpretation, especially her "New Argentina" rendition, which was part rabble-rousing speech and part song.

Cerveris was the best Juan Peron I've seen.  The Peron in the original music was so unremarkable I can barely remember him and his performance.   Jonathan Pryce was better in the movie.   But Cerveris, much as he did in Fringe, commanded the stage every time he was on it in Evita, making Peron more of a partner than a supporting character in the story.

There's something about Fringe that seems to connect to the theater.  My wife and I saw Joshua Jackson and Patrick Stewart - in retrospect, Peter meets Picard - on the stage in London in 2005 in "A Life in the Theater".   Let me know if you hear about Walter or Olivia in any Broadway shows, and we'll be there.




See also Fringe 5.1: Paved Park and Shattered Memories ... Fringe 5.2: Saving Our Humanity ...Fringe 5.4: Ghosts of Fringes Past ... Fringe 5.5: "You Don't Even Know What You Don't Know ... Fringe 5.6: "Dad" ... Fringe 5.7: Father and Son ... Fringe 5.8: Love Triumphant ...Fringe 5.9: The Boy Observer in the Age of Aquarius ... Fringe 5.10: Montage Revelation ... Fringe 5.11: September with Hair ... Fringe Finale: A Review

See also Fringe Returns for Season 4: Almost with Peter ... Fringe 4.2: Better and Worse Selves... Fringe 4.3: Sanity and Son ... Fringe 4.4: Peter's Back, Ectoplasm, and McLuhan ... Fringe 4.5: Double Return ... Fringe 4.6: Time Slips ... Fringe 4.7: The Invisible Man ... Fringe 4.8: The Ramifications of Transformed Alternate Realities ... Fringe 4.9: Elizabeth ... Fringe 4.10: Deceit and Future Vision ... Fringe 4.11: Alternate Astrid ... Fringe 4.12: Double Westfield / Single Olivia... Fringe 4.13: Tea and Telepathy ... Fringe 4.14: Palimpsest ... Fringe 4.15: I Knew It! ... Fringe 4.16: Walter Likes Yiddish ... Fringe 4.17:  Second Chances ... Fringe 4.18: Broyled on Both Sides ... Future Fringe 4.19 ... Fringe 4.20: Bridge ... Fringe 4.21: Shocks ... Fringe Season 4 Finale: Death and Life

See also
 Fringe 3.1: The Other Olivia ... Fringe 3.2: Bad Olivia and Peter ... Fringe 3.3: Our/Their Olivia on the Other Side ... Fringe 3.5: Back from Hiatus, Back from the Amber ... Fringe 3.7: Two Universes Still Nearing Collision ... Fringe 3.8: Long Voyages Home ... Fringe 3.10: The Return of the Eternal Bald Observers ... Flowers for Fringenon in Fringe 3.11 ... Fringe 3.12: The Wrong Coffee  ... Fringe 3.13: Alternate Fringe ... Fringe 3.14: Amber Here ... Fringe 3.15: Young Peter and Olivia ... Fringe 3.16: Walter and Yoko ... Fringe 3.17: Bell, Olivia, Lee, and the Cow ... Fringe 3.18: Clever Walternate ... Fringe 3.19 meets Inception, The Walking Dead, Tron ... Fringe 3.20: Countdown to Season 3 Finale 1 of 3 ... Fringe 3.21:  Ben Frankin, Rimbaldi, and the Future ...Fringe Season 3 Finale: Here's What Happened
 ... Death Not Death in Fringe  


See also reviews of Season 2: Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon ... New Fringe on Monday Night: In Alternate Universe? ... Fringe 2.12: Classic Science Fiction Chiante ... Fringe 2.13: "I Can't Let Peter Die Again" ... Fringe 2.14: Walter's Health, Books, and Father ... Fringe 2.15: I'll Take 'Manhatan' ... Fringe 2.16: Peter's Story ... Fringe 2.17: Will Olivia Tell Peter? ... Fringe 2.18: Strangeness on a Train ... Fringe 2.19: Two Plus Infinity ... Fringe the Noir Musical ... Fringe 2.21: Bring on the Alternates ... Fringe 2.22:  Tin Soldiers and Nixon Coming ... Fringe Season 2 Finale: The Switch

See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ...17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ...Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best

                                                     

"As a genre-bending blend of police procedural and science fiction, The Silk Code delivers on its promises." -- Gerald Jonas, The New York Times Book Review

"A thinking person's time travel story... I felt like I was there." - SF Signal


Friday, January 27, 2012

Fringe 4.10: Deceit and Future Vision

One of the things I'm really enjoying about this 4th season of Fringe is how every episode in some significant way moves along the central story.  Tonight in 4.10 we get a tender, sad story about a girl who can see bad things slightly or  a little more into the future.  She thinks her visions are unalterable. But Olivia and Peter et al stop a courthouse from blowing up as per her vision, just in time.  They're unable to stop, however, her own death via a stroke, but -

An Eternal Bald Observer told Olivia, at the end of the episode before last, that he saw her death, which will be unavoidable in all time lines.   What does the future-seeing girl see about Olivia?  Not clear, but -

At very least, she has been looked into by Massive Dynamics aka Nina Sharp, whom we last saw at the end of last week's episode, knocking Olivia out, and planning to do something to her unconscious body, which will leave her with a headache.  My guess is install some kind of tracking device.

This week, Olivia is indeed suffering from headaches, and goes to Nina for advice about the girl who can see the future.  She provides none, but shows up to Olivia's place to make her some soup (Nina is the closest person to a mother for Olivia in this reality), and order some medicine for Olivia's headaches.  Likely the last thing that Olivia needs.

Broyles is doing the best he can to look out for Olivia, and so is Peter. but unfortunately Olivia doesn't (yet) feel comfortable enough to be completely truthful with him.  He sees her looking at photos of the EBOs - earlier, she was looking at them with Broyles - and he tries to explain to her what the EBOs do.  Of special interest to Olivia, or course, is can they see the future, like the young doomed heroine in this episode.  Peter explains that they experience all times simultaneously, rather than time travel or see the future and past. (Great nonverbal acting by Joshua Jackson in this scene, by the way, where his body language and facial expressions convey as much as his words.)  But when Peter asks Olivia if one of the Observers has "reached out" to her, she says no.

Peter no doubt sees through that.  It's heart warming to see these two working together.   Olivia's best chance at survival will be Peter.    Her and Peter's ability to stop the girl's visions from coming true is no comfort to her about being able to do anything to stop what the EBO saw from coming true - since he didn't really see it, he experienced it ...

Hey, check out my essay The Return of 1950s Science Fiction in Fringe in this new anthology




See also Fringe Returns for Season 4: Almost with Peter
... Fringe 4.2: Better and Worse Selves ... Fringe 4.3: Sanity and Son ... Fringe 4.4: Peter's Back, Ectoplasm, and McLuhan ... Fringe 4.5: Double Return ... Fringe 4.6: Time Slips ... Fringe 4.7: The Invisible Man ... Fringe 4.8: The Ramifications of Transformed Alternate Realities ... Fringe 4.9: Elizabeth

See also Fringe 3.1: The Other Olivia ... Fringe 3.2: Bad Olivia and Peter ... Fringe 3.3: Our/Their Olivia on the Other Side ... Fringe 3.5: Back from Hiatus, Back from the Amber ... Fringe 3.7: Two Universes Still Nearing Collision ... Fringe 3.8: Long Voyages Home ... Fringe 3.10: The Return of the Eternal Bald Observers ... Flowers for Fringenon in Fringe 3.11 ... Fringe 3.12: The Wrong Coffee  ... Fringe 3.13: Alternate Fringe ... Fringe 3.14: Amber Here ... Fringe 3.15: Young Peter and Olivia ... Fringe 3.16: Walter and Yoko ... Fringe 3.17: Bell, Olivia, Lee, and the Cow ... Fringe 3.18: Clever Walternate ... Fringe 3.19 meets Inception, The Walking Dead, Tron ... Fringe 3.20: Countdown to Season 3 Finale 1 of 3 ... Fringe 3.21:  Ben Frankin, Rimbaldi, and the Future ... Fringe Season 3 Finale: Here's What Happened ... Death Not Death in Fringe 
 
See also reviews of Season 2: Top Notch Return of Fringe Second Season ... Fringe 2.2 and The Mole People ... Fringe 2.3 and the Human Body as Bomb ... Fringe 2.4 Unfolds and Takes Wing ... Fringe 2.5: Peter in Alternate Reality and Wi-Fi for the Mind ... A Different Stripe of Fringe in 2.6 ... The Kid Who Changed Minds in Fringe 2.7 ... Fringe 2.8: The Eternal Bald Observers ... Fringe 2.9: Walter's Journey ... Fringe 2.10: Walter's Brain, Harry Potter, and Flowers for Algernon ...  New Fringe on Monday Night: In Alternate Universe? ... Fringe 2.12: Classic Science Fiction Chiante ... Fringe 2.13: "I Can't Let Peter Die Again" ... Fringe 2.14: Walter's Health, Books, and Father ... Fringe 2.15: I'll Take 'Manhatan' ... Fringe 2.16: Peter's Story ... Fringe 2.17: Will Olivia Tell Peter? ... Fringe 2.18: Strangeness on a Train ... Fringe 2.19: Two Plus Infinity ... Fringe the Noir Musical ... Fringe 2.21: Bring on the Alternates ... Fringe 2.22:  Tin Soldiers and Nixon Coming ... Fringe Season 2 Finale: The Switch

See also reviews of Season One Fringe Begins ... Fringe 2 and 3: The Anthology Tightrope ... 4: The Eternal Bald Observer ... 7: A Bullet Can Scramble a Dead Brain's Transmission ... 8. Heroic Walter and Apple Through Steel ... 9. Razor-Tipped Butterflies of the Mind ... 10. Shattered Pieces Come Together Through Space and Times ... 11. A Traitor, a Crimimal, and a Lunatic ... 12, 13, 14: Fringe and Teleportation ... 15: Fringe is Back with Feral Child, Pheromones, and Bald Men ... 17. Fringe in New York, with Oliva as Her Suspect ... 18. Heroes and Villains across Fringe ... Stephen King, Arthur C. Clarke, and Star Trek in Penultimate Fringe ... Fringe Alternate Reality Finale: Science Fiction At Its Best


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The Plot to Save Socrates

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"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book




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