Chuck Todd interviews me about alternate histories
Showing posts with label Louis Armstrong. Show all posts
Showing posts with label Louis Armstrong. Show all posts

Wednesday, July 27, 2022

No Time to Die: Quibbles about that Death



My wife and I finally saw the new (to us) final Daniel Craig as James Bond movie -- on Amazon Prime. We very much enjoyed it.  In fact, although it has its flaws, I'd say No Time to Die is certainly among best James Bond movies ever made.

[Spoilers follow, of course.]

Let's begin with that shocker of an ending: Bond dies.  I didn't like to see that as it was happening --not at all -- but it is a highly original way of ending a Bond movie, and deserves credit for that.  It does explode or reveal as a myth the fact that Bond never dies.  Those around him die, and he must suffer that.  But not Bond himself.

The words on the screen at the end of the movie assure us that we'll see Bond again, and this will no doubt occur the way it's been presented in every transition to a newly acted Bond since it first happened back in Sean Connery's reign, actually twice, once for one time with George Lazenby, and then for a new series of Bond movies with Roger Moore.  In those and every subsequent case, the new Bonds were introduced with no mention of the fact that they looked different from their predecessor.  The same logic says the new post-Craig Bond can be introduced with no reference to his predecessor being killed.  What this, I suppose, means is that Bond's death at the end of No Time to Die is no big deal -- even though it meant the world in the context of that movie.

I did have two quibbles about the two characters must crucial to that death.  Rami Malek was superb as the arch-villain Safin who engineered Bond's death -- no one can match Malek's way of delivering powerful lines in a soft voice and a nearly expressionless face.  But given the profundity of Bond's death, I would have rather seen it done by a life-long adversary, like Blofeld, who's not able to step up to that role because he's earlier been killed by Bond in another nefarius Safin move on the lethal chessboard.  Similarly, although Madeleine (well-played by Léa Seydoux) with a most worthy love of Bond's life. we unfortunately don't meet her until the beginning of this very movie.  I would have rather seen someone we already got to know in previous movies.  Of course, since Vesper was already killed, it would have been difficult to pull someone out of the earlier Craig as Bond movies, but, nonetheless, that would have added a special gravitas in No Time to Die.  Bond's daughter was a really nice part of this movie, and had a gravitas of its own, but a mother with a history of Bond loving her before this story began would have added more.

Otherwise, I thought every other aspect of the movie was outstanding.  I especially loved the reprise of Louis Armstrong's "We Have All the Time in the World" at the end of No Time to Die.  The reprise, of course, was from Her Majesty's Secret Service, where it was also played at the end of the movie.  In other words, the death of Bond's true love, and then all these years later, the death of Bond, get the same musical aftermath.  Unless you're made of stone, that song is bound to bring a tear to your eyes.

Thinking about what the next Bond movie will bring, we have  the question of how many of the agents and administration in No Time to Die with survive.  I see no reason why all of them can't, deprived of course of any grief at the loss of the Bond played by Craig.  I've seen and really enjoyed every Bond movie ever made, pretty much in the year in which they were released, and I'm looking forward to more.




See also The New James Bond -- Without the Golden Pun ... It's Not HBO -- It's a Quantum of Solace

Tuesday, November 17, 2020

Joel Iskowitz at the Atlantic Gallery

As many of you know, I've had the great fortune of having Joel Iskowitz design the covers for many of my books, ranging from the Sierra Waters time travel trilogy (pictured above -- and note that the third novel, Chronica, written in 2015, makes reference to Joe Biden as President!) to Marilyn and Monet (pictured at the end of this post).  Isky, as I call him, has been my friend since the 5th grade in the Bronx, where we conspired about how to impress girls, and I first became aware of his talent for illustration.   More recently, he has guest lectured in some of my classes at Fordham University, I interviewed him on my Light On Light Through podcast, and he introduced me to John Glenn (subject of several Iskowitz portraits), whom I interviewed just a year before his passing for Touching the Face of the Cosmos: On the Intersection of Space Travel and Religion (for which Isky also did the cover) (here's an audio of the interview).

So, I was truly delighted to learn about Joel Iskowitz's first solo show, Icons of Inspiration, at the Atlantic Gallery in New York City.  Our continuing caution about COVID kept Tina and me from attending in person, but, happily, you can see all of Isky's works online at the virtual show, right over here.  

My favorites are just about all of them, but here are some that really hit the spot for me: Bob Dylan, Edgar Allan Poe, Louis Armstrong (with Bogey and Bacall), George Gershwin, and of course John Glenn.

Prints are available of many of these -- they'd light up any wall, just as they light up the soul.



Monday, May 9, 2011

Treme 2.3: Crime and Music

Well, it's been clear, and I've been mentioning in previous reviews, that crime is rearing its ugly head much higher in this season of Treme than in last season.   In Treme 2.3, the worst crime we've seen so far dominated the episode,  as Ladonna is raped, robbed, and badly beaten.

It's not clear what Ladonna remembers, but the medical examination confirms the rape.  She has not yet told her husband - or anyone - and it's also not clear whether she's taking the "Plan B" (morning after) pills she's given in the hospital, in case she's now pregnant.

Ladonna did put in a call to the police, when she was first approached by a suspicious character as she was locking up her bar.   The cops, at very least, certainly did not respond with alacrity.   What will Lt. Colson do when he finds about this insufficient police response?  Presumably he'll be livid, and launch some kind of investigation, as indeed he should.   Sooner or later, there'll be at least three people hunting Ladonna's attackers:  Colson, Antoine, Ladonna's husband ... and likely Toni, too.

In other difficult but happier stories, it's good to see Janette back in New Orleans.   But her house has been looted and trashed - more crime - and she's having no easy time of it with the officials (that's because she came in without an appointment, but even so).

Musically, it's great to see Antoine progressing with his band, and the hilarious banter around his feeling that they're missing a beat.   It's soon realized that what the band is really missing is a guitar, and it's good to see Sonny on his way to filling that position.

And my favorite music in Treme 2.3 is Louis Armstrong's "Mack the Knife" - hey, the Kurt Weill-Bertolt Brecht song has always been one of my all-time favorites, ever since I heard Bobby Darin's hit version in 1959.   Darin's was a #1 song, Satchmo's only got to #20, but it was released 3 years earlier, giving it a little precedence.  (Good to see Steve Earle out on the streets, too, in another number.)

And here's a taste of Louis Armstrong's Mack the Knife ...



5-min podcast review of Treme

See also Treme Is Back! ... Treme 2.2: Bounce and Jazz

And also Treme! ... Treme 1.2: "If you ain't been to heaven" ... Treme 1.3: Fine Sweet and Sour ... Treme 1.4: New Orleans, New York, Nashville ... Treme 1.5: Delicious! ... Treme 1.8: Passions and Dreams ... Treme 1.9: Creighton ... Treme Season One Finale: Happy Sad Life

And: My Favorite Moment in Treme (Season One)



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The Plot to Save Socrates


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