"Paul Levinson's It's Real Life is a page-turning exploration into that multiverse known as rock and roll. But it is much more than a marvelous adventure narrated by a master storyteller...it is also an exquisite meditation on the very nature of alternate history." -- Jack Dann, The Fiction Writer's Guide to Alternate History
Showing posts with label Peyton List. Show all posts
Showing posts with label Peyton List. Show all posts

Thursday, June 25, 2020

Colony 3: Ascending, in More Ways than One


I'm a little late reviewing the third season of Colony - well, more than two years late - because I missed its initial airing on the USA Network and then I couldn't find it anywhere for free until I happened upon it the other day on Netflix.  And I thought it was so excellent, so fine a season of science fiction television, so much better than its first two seasons, that I regret I didn't shell out the few bucks to see this third season much sooner.

[Spoilers follow]

In addition to the whole season being top-notch, there were two especially effective and memorable turning points.

One was the death of Charlie, killed in a hail of grey-hat bullets.   The grey-hat commandos had been called in by "Uncle" Alan, and Will understandably holds him responsible, even though Will, Katie, and Bram were about to be killed by a firing squad, when the grey-hats arrived and violently disrupted those proceedings.  Charlie's death was a daring, terribly transforming event for both Bowmans and the audience, upsetting the previous givens of the series, and letting us know that anything was possible.

The other turning point flows from Charlie's death.  Will is determined to kill Alan, who, conniving as he always is, feels genuine grief about what happened to Charlie.  In a sequence that lasts at least ten minutes, Will later in the season has a gun pointed at Alan, and later his head in a bucket of filthy water, and struggles with himself over whether he can do this.  Peter Jacobson gives a tour-de-force performance as Alan, alternately trying to reason with Will and screamingly pleading for his life, and the combination plus whatever Will has inside him gets him to let Alan go.   Some of what Alan said, especially that without the grey-hat attack Will, Katie, and Bram would have died, apparently got through the Will.  I was on the edge of my seat, the whole time, as this scene played out.

In addition to Jacobson, the acting by the rest of the cast was good, especially, again, Josh Holloway as Will, Sarah Wayne Callies as Katie, and Tory Kittles as Broussard, and it was fun to see Peyton List from Frequency on the science fiction screen again.  The plot was fairly complex, with two outer-space entities at war with each other and we humans caught in the middle, but it all made sense through the end, with some kind of alien attack ensuing in the sky above Seattle.  It would have been great to find out more about this in a season 4 of Colony, but--

The geniuses at the USA Network failed to renew the series, for who knows what reason, so we're left high and dry, or maybe under the clouds of battle in the sky would be a better metaphor.  Hey, if it helps, I'll pay money to any streaming service to see another season of this series which, because of this third season, now ranks as one of the better science fiction series ever to have been on television, above Falling Skies and Revolution, its two closest competitors in theme.






Thursday, October 13, 2016

Frequency 1.2: All About the Changes

The question whenever a TV series is made out of a movie is whether the series can continue to tell a riveting story, or a story much longer than the movie.  So far, as of its second episode on the CW tonight, Frequency is doing a very good job.

The essential theme of the movie is how changing the past to prevent something bad can work, but with the price of making other things bad.  In the first episode of the TV series, Raimy learns this lesson, twice.   She saves her father but her mother dies.  And, just for good measure, she loses her fiance in the bargain.

Tonight's episode serves us another unwanted consequence.   Raimy's mere investigation of the serial killer who murdered her mother in the new reality results in him moving away and out of Raimy's radar in 2016.   The specific way this happens is neat, and a good example of how little differences can lead to big changes in time travel.  Frank, urged on by Raimy from the future, goes to the home of the likely serial killer.  The very visit sets in motion a series of events that get him to leave, which in turn leaves Raimy with no suspect at hand in the future.

And the lesson brings home to Raimy something she already knew: that anything she does to change the past to improve the future could also make things worse in the future, too.  This puts Raimy in a difficult situation which makes for an appealing narrative: she has to weigh every single change she contemplates.   Grasping completely the contradictory indications of any change in time, because she remembers all the original and changed timelines,  makes Raimy (well played by Mad Men's Peyton List)  the perfect time-traveled character - and she's not even traveling, just sending information from the future to her father in the past.

At this point, it's clear that the consequences of what Raimy is doing, and for that matter her actions in every episode, are unpredictable - or exactly what we want to see on television.

See also Frequency 1.1: Closely Spun Gem


                       more time travel

Monday, September 29, 2008

Mad Men 2.9: Don and Roger

Don and Roger have had a complex love/hate relationship in the past year and a half of the Emmy-winning Mad Men - mostly professional friendship, which is what I mean by love above, not hate - and in tonight's Episode 2.9 it has never been more compellingly portrayed.

The ostensible theme of the episode was Fred's getting fired - he passes out pissed (literally) and drunk before an important meeting with clients. Pete takes over, puts in Peggy at the client pitch, she does great, and Pete tells Roger. He concludes Fred's gone "over the line," and, against Don's decent objections, says Fred has to go.

But the deeper action takes place as Roger and Don take Fred out for one last fling, over dinner, drinks, and gambling, to tell he's fired. Roger has seen Don coming in too early - this tips him off - and he tries repeatedly to talk to Don about it. Like Don, Roger is an original mix of compassion and coldness, and tonight Roger was about as good as boss/friend could be.

Don is as inscrutable - and thus fascinating - as ever. He tells Roger he has no feelings, other than relief, about being apart from Betty. But he clearly loves his kids ... and, I don't know, I think he loves Betty, too. So why is he is saying he feels nothing about the separation. A front for Roger? No, it didn't seem like that.

Meanwhile, back at the office the next day, Peggy's been promoted to Fred's job, and confronts horrible Pete about why he told Roger about Fred. Peggy accepts Pete's explanation - is she slowly becoming conditioned to the soulless part of this advertising life?

And Don learns that Roger's new fling in the office is Jane! That's something I can well understand - Peyton List plays her perfectly, and Jane, maybe because she's the most modern, is the most irresistible woman in the office. Don wants her fired. But I think we'll be seeing her on Mad Men for a good while...



See also: Mad Men Returns with a Xerox and a Call Girl ... 2.2: The Advertising Devil and the Deep Blue Sea ... 2.3 Double-Barreled Power ... 2.4: Betty and Don's Son ... 2.5: Best Montage Since Hitchcock ... 2.6: Jackie, Marilyn, and Liberty Valance ... 2.7: Double Dons ... 2.8: Did Don Get What He Deserved? ... 2.10: Between Ray Bradbury and Telstar ... 2.11: Welcome to the Hotel California ... 2.12: The Day the Earth Stood Still on Mad Men




And listen to my fabulous 20-minute interview last Fall with Rich Sommer (Harry Crane) at Light On Light Through



The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!

Sunday, September 7, 2008

Mad Men 2.7: Double Dons

We already know that Don Draper is really Dick Whitman, who took Draper's identity in the Korean War. Pete knows this, too, and so does Cooper. And, as we saw last season, Pete's attempt to blackmail Don about this fell flat - the inscrutable Cooper took it all in, and left Don and Pete still employed in his company.

The double life of Don continues, and sandwiches the story in Mad Men 2.7 tonight. About to buy a Cadillac in 1962, Don flashes back to the early 1950s, and his first appearance as Don Draper since the war - selling used cars. Fast forward to the end of 2.7, in which Bobbi's husband, comedian Jimmy, lets Betty know Don that has been schtupping his wife, and lets Don know that he doesn't appreciate it, not one bit. The episode ends with another uncomfortable scene in the car between Don and Betty.

Meanwhile, still in the arena of double lives, Ken has caught Salvatore's eye, and in another scene of surface relationships hiding true identities Salvatore and his wife have Ken over for dinner on Sunday, to talk about Ken's latest story (he sold one to Atlantic last year - everyone in the office was jealous, as was I). Salvatore's wife picks up something about his special interest in Ken and lack of interest in her, but their marriage may well last longer than Don and Betty's. (Good to see Aaron Staton as Ken and Bryan Batt as Salvatore figure a little more prominently in an episode.)

And last but not least in the sandwich is Don's new secretary Jane Siegel - the peak of 1962 secretarial beauty. Joan wouldn't like her for that reason alone, but Jane gives Joan the perfect reason to fire her, when she breaks into Cooper's office with the boys to look at his abstract painting. Will her firing hold up? What do you think - this is Sterling Cooper we're talking about, Jane (well played by Peyton List - great name for the times) looks too good to be fired....

No movies in the episode this week, but I think I did walk by a 1962 Cadillac a lot like Don's when I was a kid in the Bronx back then...

See also: Mad Men Returns with a Xerox and a Call Girl ... 2.2: The Advertising Devil and the Deep Blue Sea ... 2.3 Double-Barreled Power ... 2.4: Betty and Don's Son ... 2.5: Best Montage Since Hitchcock ... 2.6: Jackie, Marilyn, and Liberty Valance ... 2.8: Did Don Get What He Deserved? ... 2.9: Don and Roger




And listen to my fabulous 20-minute interview last Fall with Rich Sommer (Harry Crane) at Light On Light Through



The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book


more about The Plot to Save Socrates...

Get your own at Profile Pitstop.com



Read the first chapter of The Plot to Save Socrates
.... FREE!
InfiniteRegress.tv