"Paul Levinson's It's Real Life is a page-turning exploration into that multiverse known as rock and roll. But it is much more than a marvelous adventure narrated by a master storyteller...it is also an exquisite meditation on the very nature of alternate history." -- Jack Dann, The Fiction Writer's Guide to Alternate History

Friday, September 7, 2018

Paul McCartney at Grand Central Station: Unique, Memorable, Gratifying, and Priceless


left to right, front: Rusty Anderson, Paul McCartney, Brian Ray
left to right, back: Wix Wickens, Abe Laboriel, Jr,
"I've Got a Feeling" - tonight at Grand Central Station

My wife and I saw Paul McCartney and his band perform at the Nassau Coliseum a year ago.  We loved it.  Thought it was the best concert we'd ever attended.  Tonight's nearly surprise concert at Grand Central Station, which we just saw live streaming on YouTube, was even better.  I'm not kidding.  I'd intended to live tweet it at least a little, but the music was too good to do anything other than watch and listen.  I managed a couple of snapshots at the beginning, then even that was too much of a distraction from this wonderfully astonishing performance.

It's often said that the Beatles invented all kinds of trends in music, which McCartney continued doing after the group split up.  "Helter Skelter" presaged heavy metal.  Tonight McCartney and his band  (Brian Ray and Rusty Anderson guitars, Abe Laboriel Jr. drums, Paul "Wix" Wickens keyboard) - always fabulous - gave it an extraordinary performance, with Wickens picking up a guitar to join McCartney and his other two guitarists for a four-guitar rendition.

Speaking of guitars (by the way, this review is just about what most struck me, and is not in order of the songs performed), Paul and his two guitarists did that priceless three-way guitar duel in the "Carry that Weight" medley just pefectly.  And just about every song was that way - unique, memorable, gratifying, and priceless.

The mini-early Beatle set, in which McCartney did "From Me to You" and "Love Me Do" was a heart-tugging form of time-travel, with the songs sounding almost just the way I first heard them, or remember first hearing them, in the early-mid 1960s.   "Let It Be" - a song which McCartney wrote for Aretha (she turned it down, but later recorded it after the Beatles) - was profound and tender.

The new songs, from the just released Egypt Station, were great, too. I've already heard a lot of "Come On To Me" on The Beatles Channel on Sirius XM Radio, and it's already a favorite.  I liked the live performance even more than the recording. "Fuh You" and, especially, "Who Cares?" - a put down of bullies - were outstanding.

The Beatles were far and away the best in their time.  Paul McCartney continues to be that to this very day, with new albums and concerts.  We're lucky indeed to have him on our planet.

Hey, the concert is still up on YouTube at this moment - you can watch it here.  See also Paul McCartney's Two New Songs, Paul McCartney at Nassau Coliseum, and A Vote for McCartney.  Also The Village Voice Goes Silent.





Paul McCartney, "I've Got A Feeling," tonight at Grand Central Station


nothing to do with McCartney, but a lot about Grand Central Station

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