Geraldo Rivera, fresh from his heated exchange in real life with Bill O'Reilly, appeared in tonight's episode as a talk show host interviewing guests about who will be the next mob leader. (Actually, this was likely taped for The Sopranos before Geraldo and O'Reilly went at it - which was probably somewhat staged, too - but it's fun to think that what we were watching on The Sopranos tonight was happening in real time.)
And the director Sydney Pollack was a pleasure to watch, not as himself, but as a doctor who murdered his wife serving time in Johnny Sack's cancer ward in prison. This had little to do with the central story, but had some of the best scenes in this magnificent episode, anyway. Johnny Sack - played masterfully by Vincent Curatola - has been one of my favorite characters in the series.
The media-on-media that did animate the central story tonight, and indeed spilled over into Soprano lives - as all good media-on-media stories do - was the realization of Christopher's Cleaver movie. "Godfather meets Saw," as Christopher put the story of the movie, is just what it sounds like. Baldwin plays a slightly hefty mob boss who gets his just desert from an axe-wielding monster.
Now, Tony might have enjoyed this homage to himself, and in fact did, at a screening attended by the whole Soprano extended family. (I could relate to this - not that anyone has made a movie about me - but I've attended at least two similar screenings for movies produced by my wife's cousin.) But Carmela, no dope, notices that the Tony character played by Baldwin is having an affair with a sexy young thing.
As Carmela of course explains to Tony, the axing of Tony/Baldwin at the end of the movie is Christopher acting out his true feelings about Tony in the making of this film: Christopher wants Tony dead.
And, as we can see clearly in a great psych session with Tony and Melfi, the media-on-media story has come full cycle. Christopher made this movie and now, in real life, it is starting to eat at Tony, kindling misgivings he already had, maybe even leading him to believe that Christopher is a threat to him.
The final hug at the christening of Christopher's baby carries the delicious, unsettling ambiguity of some of the great, pivotal hugs we have seen in gangster movies at christenings and weddings and funerals over the years...
Naked Bodies, Three Showings a Week, No Commercials:
The Sopranos as a Nuts-and-Bolts Triumph of Non-Network TV my 2002 article, published in David Lavery's This Thing of Ours: Investigating The Sopranos
reviews of other episodes this final season: The Sopranos: First of Nine, Third of Nine, Fourth of Nine, Fifth of Nine, Sixth of Nine, Seventh of Nine, Eighth of Nine, Ninth of Nine
O'Reilly v. Rivera: look again, not what you think
listen to free podcast of this review, and reviews of all the other final nine episodes