"Paul Levinson's It's Real Life is a page-turning exploration into that multiverse known as rock and roll. But it is much more than a marvelous adventure narrated by a master storyteller...it is also an exquisite meditation on the very nature of alternate history." -- Jack Dann, The Fiction Writer's Guide to Alternate History

Monday, April 16, 2007

The Tudors Continues: The Penalty of Royalty

The Tudors
People often say that in today's mediated world, celebrities have no privacy. Whether in politics or entertainment, once you've been noticed by the public eye, it takes a long time to turn away or even blink.

Episode 4 of Showtime's The Tudors, which continues to present a compelling tableau of social history, shows this is nothing new. If what we saw with Henry's sister Margaret (played appealingly by Gabrielle Anwar) is any indication, being married to a monarch - in her case, the aged and repulsive King of Portugal, at Henry's implacable order - was not only no bargain. It was living in a gilded fish bowl.

Sofia Coppola's Marie Antoinette made this same point. Not only does everyone and their grandmother at the court watch you eat, but a select group watch you go to bed. The witnesses even keep a cocked ear to hear how well a marriage is consummated.

As amazing as these scenes were between Marie Antoinette and Louis, I found the bedroom of poor Margaret and the Portuguese King even more eye-opening. Better to be a dirt-poor peasant, and be spared having to tell a Cardinal waiting just outside the curtain, and listening to every sound, that the union was successful. Fortunately for Margaret, there is an option....

Meanwhile, back in olde England, Henry's undergoing a transformation. He gets scant satisfaction from the Pope's making him "Defender of the Faith" as reward for his polemic against Martin Luther, and moves ever closer to getting a divorce from Catherine.

This is something the Pope will certainly not want to reward Henry for, and will lead to consequences that will change the course of history.

Useful links:

Derriere and Bosom on The Tudors: More of What the FCC Would Deprive Us Of

The King's Reformation: Henry VIII and the Remaking of the English Church G. W. Bernard's 2005 book

The Soft Edge: A Natural History and Future of the Information Revolution my 1998 book

The Tudors Michael Hirst's brand new book!

my latest novel: The Plot to Save Socrates

my reviews of other episodes of The Tudors: Episodes 1 and 2: History So Colorful You Can Taste It, Episode 3: History So Real You Can Feel It, Episode 5: Madrigal Musical Chairs, Episode 6: Tectonic Chess, Episode 7: Henry's Imperfect Apothecary






The Plot to Save Socrates


"challenging fun" - Entertainment Weekly

"a Da Vinci-esque thriller" - New York Daily News

"Sierra Waters is sexy as hell" - curled up with a good book

2 comments:

Unknown said...

It would be interesting if they actually got the history right. This "Princess Margaret" is really a composte of Margaret who was married when Henry was only 11. She married James IV of Scotland in 1503 and never retuned to England. Princess Mary on the other hand was married to the aged King of France and it was HER who eloped with Charles Branden, Duke of Suffolk. It really isn't very good social history when the don't get the history correct. Telling the true story wouldn't have made a bit of difference to the drama and at least would have shown they understood the period.

Paul Levinson said...

Right, I know the history, too, but the liberties with it really don't bother me at all - any more than they did in HBO's Rome (where the Atia on the series was not married, in contrast to the real Atia who was).

Indeed, I think these personal aspects have little to do with the social histories which I'm enjoying. And I think the fact that the producers changed some of the character specifics means not that they didn't understand the period but they just wanted to compress parts of the story.

But it's all a question of our tastes. Everyone has aspects of drama which are especially important to them.

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