And never more true than in episode 1.7. Carter is increasingly pressured by his sister to quit Aubry. But he just can't seem to do it, even though, as we've just seen, her instincts aren't the best, to say the least, for keeping the two of them out of trouble. But Carter tells his sister that Aubry saved him. And, in his recollection, we see that was literally the case.
Meanwhile, Aubry is getting similar pressure to leave Carter from everyone around her. In her case, there's a motive that the police are dangling in front of her: if she testifies against Carter, that would be her ticket to freedom. For a moment, in the hospital, it seemed that she might be turning against Carter, though I couldn't believe it. And I was gratified with that last scene, in which her horror story of what was done to her turns out to have her brother as the perpetrator.
So Aubry and Carter are the improbable rock of Gibraltar in this story, holding firm, for now, against the cesspool tempest of deceit that is daily hurled against them. The question is how long can they endure it. Optimist that I always am, I'm hoping they can, to the end - but the forces arrayed against them are powerful, indeed.
Although it's still not clear who committed this American crime, it's very clear that the police don't have a creditable witness against Carter. Hector's obviously a complete liar, and the detectives know it. The question is whether they'll allow the prosecutors to go ahead and use it. Chances are they will - which is part of what I meant earlier about the authorities being reprehensible.
Not reprehensible, and indeed superb, to switch gears here, is the acting in this series. Caitlin Gerard as Aubry and Elvis Nolasco as Carter are just outstanding - and, in episode 1.7 especially, delivered Emmy-worthy performances. Richard Cabral as Hector is excellent, as is Regina King as Aliyah Shadeed (born Doreen Nix, Carter's sister), and I haven't even mentioned the big names such as Timothy Hutton and Felicity Huffman, who are putting in what will counted as among the best performances of their careers. The other related stories, such as Alonzo and his family, are also searing and well acted.
John Ridley's American Crime is television at its hard-hitting, truth-searching, very best.
See also: American Crime, American Fine