The title of this, my concluding review of Rob Sheffield's
Dreaming the Beatles - concluding, at least, for now - refers not to the surviving members of the Beatles, or "Free as a Bird" and "Real Love," but to the last chapters in Sheffield's book. I began reviewing this book here literally a year ago - May 23, 2017 - and have been taking my time enjoying this book, as I would with any masterpiece.
So let me begin this conclusion by saying, again, that Sheffield is one hell of a writer. His very last line in the book is "The field is forever" - a play on Harrison's "Sorry we hurt your field, Mister" line in
A Hard Day's Night, through to the Beatles leaving the field of their last in-person performance, all tied together, of course, with "Strawberry Fields Forever". If you want a literary journey in which nearly every other line is packed with such intelligence, depth, and poetry,
Dreaming the Beatles is for you.
As I usually but not always say - like most pain-in-the-ass reviewers (by which I mean that reviewers are intrinsically pains in the ass to writers, and I say this as someone who works or walks on both sides of that street) - but as I usually say in my reviews, I don't agree with everything Sheffield says. "Yes It Is" in one of my all-time favorite songs - all-time favorite Beatles songs, all-time repeating few-minute segments of my life. It's had such a powerful effect on me that I gave it a key and crucial role at the end of my triple-nominated
Loose Ends time-travel novella ("Real Love" figures later on in
The Loose Ends Saga). For me, "Yes It Is" is about Lennon telling this girl not to wear red, because a girl that Lennon deeply loved, who left Lennon, and shattered his heart, wore that same shade. I suppose the girl could be literally dead, and that's why she's no longer part of Lennon's life, but I don't see why Sheffield presents that as the de facto interpretation.
But small potatoes, as far as objections from me about this wonderful book are concerned, because it also has throwaway lines like "I would not have wasted any sympathy on Kevin Kline if I knew he'd marry Phoebe Cates" all over the place. And the main thesis of these last two chapters - that the Beatles truly came into their own not in the 1960s but in the 1990s, or three decades after the group disbanded, was not only true a year ago, when I began reading and reviewing this book, but is even more true today, with music playing on The Beatles Channel on Sirius XM Radio every minute of every day (I've refrained from saying eight days a week - though I guess by mentioning that refrain, I actually didn't refrain).
I've mentioned how hearing the Beatles every day, in every way, has lifted my existence - which was pretty high already - this past year, and how that experience was enhanced by shows like Peter Asher's and Dennis Elsas's on The Beatles Channel, as well reading Sheffield's book. My one big regret in finishing this book is that I won't have it any more - at least, not for the first time - to read along with listening to the Beatles on Sirius XM. ("For the first time" ... reminds me of an especially memorable passage in
Dreaming the Beatles, earlier in the book, where Sheffield remarks how Cynthia must have felt when she heard John singing he was "in love for the first time" about Yoko in "Don't Let Me Down," which I heard just the other day on The Beatles Channel.)
But I will be able to dip into relevant portions of this book - on just about every page - whenever I like. And I was delighted to see on Sheffield's Facebook page just yesterday that he's becoming a paperback writer for the book (see, punning on the Beatles the way Sheffield does is catching) - meaning, a new paperback edition, with some new material, will be published next month, in June!
So I'll no doubt be back here with a review of that, sometime in late June. Also - I'll be putting together a single text with all 24 of my reviews, and posting it on my
Academia page, and also a
podcast in which you can hear me read these reviews out loud (no doubt with some embellishments, including me singing a line or two from who knows how many Beatles songs). I'll post links to all that here.
Until then - thanks again Rob Sheffield, for creating an essential and marvelous component in the clearly continuing story of the Beatles.
See also Review of Rob Sheffield's Dreaming the Beatles 1 of X: The Love Affair ... 2 of X: The Heroine with a Thousand Faces ... 3 of X: Dear Beatles ... 4 of X: Paradox George ... 5 of X: The Power of Yeah ... 6 of X: The Case for Ringo ... 7 of X: Anatomy of a Ride ... 8 of X: Rubber Soul on July 4 ... 9 of X: Covers ... 10 of X: I. A. Richards ... 11 of X: Underrated Revolver ... 12 of X: Sgt. Pepper ... 13 of X: Beatles vs. Stones ... 14 of X: Unending 60s ... 15 of x: Voting for McCartney, Again ... 16 of x: "I'm in Love, with Marsha Cup" ... 17 of X: The Split ... 18 of X: "Absolute Elsewhere" ... 19 of X: (Unnecessary but Brilliant) Defense of McCartney ... 20 of X: "All Things Must Pass" ... 21 of X: Resistance ... 22: The 70s Till the End ...
23: Near the Science Fiction Shop
And here's "It's Real Life" -- free alternate history short story about The Beatles, made into a radio play and audiobook and winner of The Mary Shelley Award 2023
Continuing my reviews of time-travel movies - mostly shorts - I (and you) can see for free on Amazon Prime, we come to A Little Something (from 2017 according to Amazon, 2016 according to IMDb - why are there these differences? who knows ... but I guess they're appropriate to time travel stories).
As seems to happen all too often when an announcement comes down that a series won't be renewed for another season, the remaining episodes just get better and better. If episode 1.8 on tonight is any indication, that's just what's happened with The Crossing.
