Another mostly lateral Sharp Objects on Sunday night - #5 - which didn't really move the investigation much along, but provided important detail about Camille.
We learn that she's actually carving words into her body when she cuts herself. It's not clear yet if there's a message in them, but this certainly means she's more than a casual cutter, if we were ever inclined to think that for a minute. Amma finds out about it, and this has the effect of bringing the two closer together.
About Amma, she goes missing for a little while, and I keep thinking she's going to be the next victim. But, actually, I hope that doesn't happen, because I'm finding Amma to be a deeper, more important character with every new episode. Kudos to Eliza Scanlen here for fine acting in a pivotal role.
It was good to see Camille and Richard finally in bed together in the end, albeit in Camille's way. One of the ladies at the Calhoun Day Event remarks earlier that the Crellin woman go for men in badges, which points to the chemistry between Adora and Vickery, and the possibility (even likelihood) that Vickery is Camille's father. We'll see.
But we get no more evidence or insight into who did the murders. Which leaves me free to flog my pet theory: Alan's the killer. Of course, we have no evidence for that, either. And until we see the restriction on strength refuted - meaning, it's not the case that a woman couldn't have done the crime - we're left with just a mere handful of suspects.
See also: Sharp Objects 1 and 2: Serial Tennessee Williams ... Sharp Objects #3: Lateral ... Sharp Objects #4: "You Can't Change History"
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