Chuck Todd interviews me about alternate histories
Showing posts with label Chris Diamantopoulos. Show all posts
Showing posts with label Chris Diamantopoulos. Show all posts

Saturday, October 10, 2026

Dark Matter 2.7: "Through this door ..."



The excellent episode 2.7 of  Dark Matter is entitled "The Pyramid," a good title, but I think "Through this door," which Leighton says repeatedly in his rousing speech in support of what the plethora of alternate worlds with wonderful things that Velocity's use of Jason's invention is opening up, is even better.  And I say this even though we see plenty of horrors through this or that door in this episode, and Leighton is looking at this through rose-colored glasses.

There were lots of important and intriguing stories in this episode.  Here are some of my favorites (and they'll be some spoilers ahead):

  • Mitchel MacNamara (played by Chris Diamantopoulos), the Humphrey Bogart / Sam Spade-ish character I said I was happy to see in my review of episode 2.2, gets his just deserts.  I hope he'll survive, though.  I still like his character.
  • Margot Martindale's new character Laurel is also a pleasure to encounter.  She has a sign in her home that welcomes inter-reality visitors, in this case, Charlie.  Speaking of which, I assume it's Max he sees at the end, but with a show like Dark Matter and its unexpected turns, I certainly wouldn't bet on it.
  • I'm as tired of stories about plagues as I assume you are, but I thought the Black Iris Plague was a logically very possible development to explore in a series about a myriad of alternate realities, and I thought it was handled very well.
  • Daniela and her alternate-reality father were beautifully rendered, and their story made a crucially important point in this narrative:  although the fire in MacNamara's scene, the plague I just mentioned above, etc., are necessary to portray in this anti-fairytale of a series, there are nonetheless some fairytale-like wonderful elements to it too, and they're heartening to see.
  • Finally, the appearance of Jason 2 at Jason 1's home at the end was a perfect teaser for next week's episode.
Now, in my past three reviews, I focused a lot on the cultural trimmings in this season of Dark Matter.  I did see something I thought I liked in 2.7, but I can't say more about it, because all I got was a brief blurry glimpse of it -- the LP cover in Jason's home.  It was reminiscent of Meet the Beatles, but the unclear letters didn't look like those words.  Anyone know what they are?


Friday, September 4, 2026

Dark Matter 2.2: Sam Spade Back in Action


Dark Matter 2.2 starts off with a nice piece of alternate history, as Jason, Daniela, and Charlie seek "A Perfect World" (title of the episode), actually a world in which they can find some relief from the chaos.  And they find a world with no Internet, smart phones, home computers, or social media -- all because Nixon beat Kennedy, and defunded NASA, and we never got to the Moon -- the race to get there in our reality having sharpened science and invention.

[More slight spoilers ahead .... ]

And the ending had a nice piece of a different kind, as we see Jason and Daniela unknowingly just across the hall of the hotel from Ryan and Amanda, one of the other couples and people making their way through the maze of alternate realities in this so-far not only exciting but conceptually rich second season.

But my favorite part of this episode is private detective (listed in the IMDb credits as "agent", though I thought I saw "Private Investigation" on his door) Mitchel MacNamara, whom Jason goes to for help, but we see at the end investigating the box that is the conduit to alternate realities.  MacNamara (played by Chris Diamantopoulos, an actor with a dossier of many roles) has a Sam Spade played by Humphrey Bogart kind of vibe, which is always welcome, but an especially good addition to this story of alternate realities with omnipresent life-and-death implications and consequences. 

And come to think of it, Sam Spade is a logical inhabitant of the technologically stifled world that Jason finds himself in -- The Maltese Falcon movie adaptation of Dashiell Hammett's 1929-1930 novel in which Bogart's Spade appeared hit theaters in 1941, a world just slightly less advanced than the place that Jason and family are hoping is a refuge.  

I really like that world in movies made at the time, and in streaming series and movies that harken back to that early media world (by our current standards).  But you know what?  I streamed Dark Matter 2.2 on my Mac Airbook last night, and I'm writing this review on that same laptop computer, and posting it on my blogs, and I like that world just fine, thank you. :)

See also Dark Matter 2.1: Who's Who in the Infinite Bucket

And see also Dark Matter 1.1-1.2: Break-Neck Action and Philosophic Contemplation ... 1.3 Missing Fingers ... 1.4 The Multiverse Unveiled ... 1.5: The Lesson ... 1.6 "A Bunch of Chicagos" ... 1.7: Obama Tower ... 1.8: A Bevy Of Jasons ... 1.9: Science Fiction and Horror


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