The biggest deal in Mad Men 5.9 last night was the pair of ads that our band of merry mad men and woman were working up for another new client, Snoball - the coconut pink marshmallow chocolate cake whipped cream (from outside to inside) concoction that you could bliss you out with on sugar with a just few bites if you weren't careful.
Anyway, Peggy's idea of three men lost in the desert, two dreaming of water, the third dreaming of the dessert, is knocked out in the first meeting. I actually like that better than Ginsberg's idea of throwing a snoball in an authority's face, but that gambit as well as Don's snoball's chance in hell make it to the all-important client presentation.
Or, actually, not. Don deliberately leaves the artwork for both his and Ginsberg's candidates in the taxi. Since Don of course is at the client meeting, but Ginsberg is not, Don's presentation makes the sale. I thought Don's was the best, and Ginsberg's the worst (of the three), but of course Ginsberg doesn't see things that way. He complains to Don, who disses Ginsberg with a retort that Ginsberg and his talent or lack of never even enter Don's thoughts.
The whole incident gives us good insight into Don's current personality: he's still competitive enough that he wants to his creativity to win, and will use any method to so, though I suppose there was some merit to his point to Ginsberg that coming in with more than one candidate is "weak".
Otherwise, Betty's back and as nasty as ever, and Roger continues his destruction of Jane. Roger won't be even a semblance of a human being until he gets together with Joan, and I'd say there's almost no hope for Betty.
Meanwhile, Pete fantasizes about his paramour, and is furious when the New York Times Sunday Magazine section neglects to mention him in a major article after a long interview. Welcome to the club - this happens with interviews all the time. One anachronism alert: my wife, who reads the Times Magazine section more than do I, noticed that the 1966 copy of the magazine depicted on the show sure looked like a more current size and layout. I'm not 100% sure, but she may well be right.
See also Mad Men Season 5 Debut: It's Don's Party ... Mad Men 5.3: Heinz Is On My Side ... Mad Men 5.4: Volunteer, Dream, Trust ... Mad Men 5.5: Ben Hargrove ... Mad Men 5.6: LSD Orange ... Mad Men 5.7: People of High Degree ... Mad Men 5.8: Mad Man and Gilmore Girl
And from Season 4: Mad Men 4.1: Chicken Kiev, Lethal Interview, Ham Fight ... 4.2: "Good Time, Bad Time?" "Yes." ... 4.3: Both Coasts ... 4.4: "The following program contains brief nudity ..." 4.5: Fake Out and Neurosis ... 4.6: Emmys, Clio, Blackout, Flashback ... 4.7: 'No Credits on Commercials' ... 4.8: A Tale of Two Women ... 4.9: "Business of Sadists and Masochists" ... 4.10: Grim Tidings ... 4.11: "Look at that Punim" ... 4.12: No Smoking! ... Mad Men Season 4 Finale: Don and -
And from Season 3: Mad Men Back for 3 and 3.2: Carvel, Penn Station, and Diet Soda and 3.3: Gibbon, Blackface, and Eliot and 3.4: Caned Seats and a Multiple Choice about Sal's Patio Furniture and 3.5: Admiral TV, MLK, and a Baby Boy and 3.6: A Saving John Deere and 3.7: Brutal Edges ... August Flights in 3.8 ... Unlucky Strikes and To the Moon Don in 3.9 ... 3.10: The Faintest Ink, The Strongest Television ... Don's Day of Reckoning in Mad Men 3.11 ... Mad Men 3.12: The End of the World in Mad Men ... Mad Men Season 3 Finale: The End of the World
And from Season Two: Mad Men Returns with a Xerox and a Call Girl ... 2.2: The Advertising Devil and the Deep Blue Sea ... 2.3 Double-Barreled Power ... 2.4: Betty and Don's Son ... 2.5: Best Montage Since Hitchcock ... 2.6: Jackie, Marilyn, and Liberty Valance ... 2.7: Double Dons ... 2.8: Did Don Get What He Deserved? ... 2.9: Don and Roger ... 2.10: Between Ray Bradbury and Telstar ... 2.11: Welcome to the Hotel California ... 2.12 The Day the Earth Stood Still on Mad Men ... 2.13 Saving the Best for Last on Mad Men
And from Season One: Mad Men Debuts on AMC: Cigarette Companies and Nixon ... Mad Men 2: Smoke and Television ... Mad Men 3: Hot 1960 Kiss ... Mad Men 4 and 5: Double Mad Men ... Mad Men 6: The Medium is the Message! ... Mad Men 7: Revenge of the Mollusk ... Mad Men 8: Weed, Twist, Hobo ... Mad Man 9: Betty Grace Kelly ... Mad men 10: Life, Death, and Politics ... Mad Men 11: Heat! ... Mad Men 12: Admirable Don ... Mad 13: Double-Endings, Lascaux, and Holes
20-minute interview with Rich Sommer (Harry Crane) at Light On Light Through
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"challenging fun" - Entertainment Weekly
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Anyway, Peggy's idea of three men lost in the desert, two dreaming of water, the third dreaming of the dessert, is knocked out in the first meeting. I actually like that better than Ginsberg's idea of throwing a snoball in an authority's face, but that gambit as well as Don's snoball's chance in hell make it to the all-important client presentation.
Or, actually, not. Don deliberately leaves the artwork for both his and Ginsberg's candidates in the taxi. Since Don of course is at the client meeting, but Ginsberg is not, Don's presentation makes the sale. I thought Don's was the best, and Ginsberg's the worst (of the three), but of course Ginsberg doesn't see things that way. He complains to Don, who disses Ginsberg with a retort that Ginsberg and his talent or lack of never even enter Don's thoughts.
The whole incident gives us good insight into Don's current personality: he's still competitive enough that he wants to his creativity to win, and will use any method to so, though I suppose there was some merit to his point to Ginsberg that coming in with more than one candidate is "weak".
Otherwise, Betty's back and as nasty as ever, and Roger continues his destruction of Jane. Roger won't be even a semblance of a human being until he gets together with Joan, and I'd say there's almost no hope for Betty.
Meanwhile, Pete fantasizes about his paramour, and is furious when the New York Times Sunday Magazine section neglects to mention him in a major article after a long interview. Welcome to the club - this happens with interviews all the time. One anachronism alert: my wife, who reads the Times Magazine section more than do I, noticed that the 1966 copy of the magazine depicted on the show sure looked like a more current size and layout. I'm not 100% sure, but she may well be right.
See also Mad Men Season 5 Debut: It's Don's Party ... Mad Men 5.3: Heinz Is On My Side ... Mad Men 5.4: Volunteer, Dream, Trust ... Mad Men 5.5: Ben Hargrove ... Mad Men 5.6: LSD Orange ... Mad Men 5.7: People of High Degree ... Mad Men 5.8: Mad Man and Gilmore Girl
And from Season 4: Mad Men 4.1: Chicken Kiev, Lethal Interview, Ham Fight ... 4.2: "Good Time, Bad Time?" "Yes." ... 4.3: Both Coasts ... 4.4: "The following program contains brief nudity ..." 4.5: Fake Out and Neurosis ... 4.6: Emmys, Clio, Blackout, Flashback ... 4.7: 'No Credits on Commercials' ... 4.8: A Tale of Two Women ... 4.9: "Business of Sadists and Masochists" ... 4.10: Grim Tidings ... 4.11: "Look at that Punim" ... 4.12: No Smoking! ... Mad Men Season 4 Finale: Don and -
And from Season 3: Mad Men Back for 3 and 3.2: Carvel, Penn Station, and Diet Soda and 3.3: Gibbon, Blackface, and Eliot and 3.4: Caned Seats and a Multiple Choice about Sal's Patio Furniture and 3.5: Admiral TV, MLK, and a Baby Boy and 3.6: A Saving John Deere and 3.7: Brutal Edges ... August Flights in 3.8 ... Unlucky Strikes and To the Moon Don in 3.9 ... 3.10: The Faintest Ink, The Strongest Television ... Don's Day of Reckoning in Mad Men 3.11 ... Mad Men 3.12: The End of the World in Mad Men ... Mad Men Season 3 Finale: The End of the World
And from Season Two: Mad Men Returns with a Xerox and a Call Girl ... 2.2: The Advertising Devil and the Deep Blue Sea ... 2.3 Double-Barreled Power ... 2.4: Betty and Don's Son ... 2.5: Best Montage Since Hitchcock ... 2.6: Jackie, Marilyn, and Liberty Valance ... 2.7: Double Dons ... 2.8: Did Don Get What He Deserved? ... 2.9: Don and Roger ... 2.10: Between Ray Bradbury and Telstar ... 2.11: Welcome to the Hotel California ... 2.12 The Day the Earth Stood Still on Mad Men ... 2.13 Saving the Best for Last on Mad Men
And from Season One: Mad Men Debuts on AMC: Cigarette Companies and Nixon ... Mad Men 2: Smoke and Television ... Mad Men 3: Hot 1960 Kiss ... Mad Men 4 and 5: Double Mad Men ... Mad Men 6: The Medium is the Message! ... Mad Men 7: Revenge of the Mollusk ... Mad Men 8: Weed, Twist, Hobo ... Mad Man 9: Betty Grace Kelly ... Mad men 10: Life, Death, and Politics ... Mad Men 11: Heat! ... Mad Men 12: Admirable Don ... Mad 13: Double-Endings, Lascaux, and Holes
20-minute interview with Rich Sommer (Harry Crane) at Light On Light Through
Special Discount Coupons for Angie's List, Avis, Budget Car, Garden.com, eMusic
The Plot to Save Socrates
"a Da Vinci-esque thriller" - New York Daily News
"Sierra Waters is sexy as hell" - curled up with a good book
Enjoy listening to audio books? Get a free audio book copy of The Plot to Save Socrates - or any one of 85,000 other titles - with a 14-day trial membership at Audible.com ...
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