"Paul Levinson's It's Real Life is a page-turning exploration into that multiverse known as rock and roll. But it is much more than a marvelous adventure narrated by a master storyteller...it is also an exquisite meditation on the very nature of alternate history." -- Jack Dann, The Fiction Writer's Guide to Alternate History

Monday, July 29, 2013

The Killing 3.10: Capital Punishment

One of the most powerful episodes in the entire three years of The Killing on AMC last night, a gut-wrenching roller-coaster of an hour in which Linden gets the AG to look into new evidence with an eye towards giving Seward a reprieve, then has reason to think that Seward did indeed kill his wife, then believes him that he didn't - as do I and I assume the viewing audience - only to see Seward hung in the end anyway.

Peter Sarsgaard's performance in The Killing 3.10 as Ray Seward was a tour-de-force and worthy of an Emmy in itself.   AMC wisely followed the episode with a showing of The Green Mile - wise because The Killing last night provided as eloquent a brief against capital punishment as you could find in television drama, the movies, and the real news.

We in the United States are one of the only countries in the world with capital punishment.  That and the ubiquity of guns makes a lot of the rest of the world think we're savage and crazy.  Hard to disagree with that.   DNA as evidence has freed many a person wrongly put on death row, but as last night's episode of The Killing brings home with a fearsome power, innocent people are still put to death.  If some Senators and Representatives in our government have their way, the same would happen to Edward Snowden for his patriotic whistle-blowing on NSA spying on Americans.

Meanwhile, the question still remains in The Killing of who killed Seward's wife.  We may never find out.   It looks like my theory that Becker did it is not gaining much traction, but I'll be watching the 2-hour season final with rapt attention next week.

In the meantime, here's a clip of Peter Sarsgaard from just a few days ago talking about the significance of fact-based movies in our culture, followed by a few words from me.





See also The Killing 3.1-2: Poe Poetic Po-po ... The Killing 3.3: Hitchcockian Scene and More ... The Killing 3.7: "Opiate of the Masses" ... Killing 3.8: The Kidnapping, and a Prediction ... The Killing 3.9: Suspect Elimination and Incompatible Components

See also The Killing Season Two Premiere ... The Killing 2.2: Holder ... The Killing 2.11: Circling Back ... The Killing Season 2 Finale

And see also The Killing on AMC and The Killing 1.3: Early Suspects ... The Killing 1.5: Memorable Moments ... The Killing 1.6: The Teacher ... The Killing 1.8: The Teacher, Again ...The Killing 1.9: The Teacher as Victim, Again ... The Killing 1.10: Running Out of Suspects ... The Killing 1.11: Rosie's Missing - from the Story ... The Killing 1.12: Is Orpheus the Killer? ... The Killing 1.13: Stretching Television

 

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