- the red door to Dougie aka Agent Cooper's home: I have a front door exactly the same color, so I could relate
- Dougie's boss getting the "childish scribbles" Dougie had drawn on the forms - this was sheer genius, though I'm not sure if this was an emperor's new clothes message or something more profound
- the scene between the guy who looked and was acting like a young Dennis Weaver and the guy who looked and was acting like a young Christopher Walken: with all the decoys and doppels in this story, there was something about this scene which rang very true
- the short guy from the other dimensions urging the still largely stupefied Cooper to wake up - this plea had a real poignance, which cut across and through all the fog in Twin Peaks
- always welcome to hear talk of cherry pie in that diner
But the ending was good with a good song by the girl group, and I'll be back with more random but with any luck at least minimally coherent thoughts next week.
See also Twin Peaks: The Return 1.1-2: Superluminal Sans Cherry Pie ... 1.3-4: Coffee and Cole ... 1.5: The Mod Squad Meets Big Love in the Diner
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