Chuck Todd interviews me about alternate histories

Thursday, August 6, 2015

First 2016 GOP Presidential Debate: My Ranking of the Performances

Continuing my tradition of reviewing the Republican Presidential Debates (and Democratic Debates), which goes back to 2007,  here's my take on what happened on Fox News in Cleveland tonight.

First, as a preamble, I thought the 5pm appetizer debate, consisting of the seven contenders whose polling numbers didn't qualify them (by Fox's standards) for the main event, was one of the most boring political debates I've ever seen.   Sad to say, that debate made pretty clear why those seven candidates polled so poorly.

But on to the debate of 10, which took place from 9 to 11 tonight, I'll appraise this by ranking the performances from worst to best, on all the issues:

10. Ben Carson, neurosurgeon was amiable enough, but clearly out of his depth.  I'll be amazed if his polling numbers don't dip below one percent in the weeks ahead.

9.  Gov. Scott Walker, who was seen in reaction shots agreeing enthusiastically with whatever Carson was saying, didn't do very well himself.   I can't think if a single surprising or memorable point he made.

8. Sen.  Rand Paul came on strong with an attack on Trump at the beginning, and had a few good moments, but let Gov. Christie get the better of him in an exchange about hugs - Paul slammed Christie for hugging Obama, Christie responded that the hugs he most remembered were those of 9/11 victims.  This reprised, in effect, the exchange about national security between Ron Paul (Rand's father) and Giuliani in 2007, except tonight Christie did much better than Giuliani.

7. Gov. Huckabee had some strong moments - his best his joke at the end, in which he talked scathingly about someone leading in the polls with no valid ideas, whom we expected to be Trump, but turned out to be Hillary - but for the most part Huckabee looked and sounded tired.

6. Sen. Ted Cruz was clear and dynamic, but I can't think of an original or commanding idea expressed by him.

5. Christie had a surprisingly good debate, getting the best of Paul, as I said above, but also making powerful points about his success as Governor of New Jersey (and, fortunately for him, no one brought up Bridgegate).

4. Gov. Jeb Bush, as second in the polls after Trump, had more than anyone other than Trump to lose. He accounted well for himself  - spoke well, and came across as the compassionate conservative, especially on immigration, which is where he wants to be.

3. Sen. Marco Rubio came across as the man of the future - showing an understanding of the digital age - as well as compassionate and savvy on a variety of issues.   He was well-spoken, genial, and incisive.

2, Donald Trump held his own, including even in his answer to Megyn Kelly's question about the vicious and demeaning things he's said about women, and later defending his declared bankruptcies in response to a question from Chris Wallace.   For someone with zero experience debating and running in elections, Trump, whatever you may think of his views, stood strong up on that stage.

1. Gov. Kasich was the biggest surprise of the night.  He was powerful without being belligerent, and like Jeb Bush and Marco Rubio displayed what seemed like a real compassion for humanity.

So there you have it - an honest appraisal, without reference to my own political views, which are mostly in disagreement with everyone on the stage (I voted twice for Obama).


Song List for my LI-Con2 Concert on 15 August

I had a great rehearsal yesterday with guitarist Peter Rosenthal for our performance at LI-Con2 in Ronkonkoma, NY next Saturday (August 15) at 9pm, and thought I'd put up a partial play list. Songwriters are in parenthesis.   Free links and iTunes links are indicated, where available.

  • The Soft of Your Eyes (Paul Levinson) - iTunes
  • The Lama Will Be Late This Year (Paul Levinson - Ed Fox) free ... iTunes
  • Today Is Just Like You (Paul Levinson) free ... iTunes
  • Time is Money (Peter Rosenthal)
  • Looking for Sunsets in the Early Morning (Paul Levinson - Ed Fox) free ... iTunes
  • 2020 - Go To Canada (Peter Rosenthal)
  • Lime Streets (Paul Levinson) free ... iTunes
Concert will be streamed live on Periscope starting 9pm Eastern, Saturday, August 15 - watch it by clicking on the link on my Twitter page.

Note added 16 August 2015 - and here's the concert as it appeared in its entirety on Periscope:



Paul Levinson with maraca, Peter Rosenthal with guitar

Tuesday, August 4, 2015

Masters of Sex 3.4: The Bookstore

One of the pleasures of Masters of Sex for me this season is to see how well - both seriously and comically - Masters and Johnson's excursion in publishing has depicted.   I have no idea if the two actually went through these experiences - actually, it's Masters who's leading the charge on this - but the point is that the experiences are valid and instantly recognizable to any published author who's not comatose.

In episode 3.4, we find Masters wrangling with a bookstore displaying his and Johnson's book.  In days gone by, many's the time you'd find me haunting a Barnes and Noble or a Borders - an activity no longer as fruitful or even necessary with Amazon on the rise, which I otherwise am undilutedly happy about.  But back in the day, I'd check out the sections in the bookstore with my books, and occasionally even stoop to "fronting" one - that is, turning the cover face out, so the browser would see the great art work, and have more to go by than just the spine. One of my peak experiences was actually seeing a customer pick out my novel - it was The Silk Code - then go up to the cashier and buy it!  It had a great cover, but, come to think of it, it was spine out on that occasion.

Masters is under pressure from his traditional publisher to move more copies of his book if he wants to see a second edition.  This portrayal of traditional publishing is spot on.   Maybe William Henry Appleton, a leading character in my Plot to Save Socrates trilogy, cared more about quality than money for his Appleton's press in the 19th century, but he cared about money, too, and in the twentieth century there was decreasing difference between a shoe manufacturer and a book publisher, as far as moving products.  Masters is hoping a little book tour might help.  Johnson resists for personal reasons - she's wanting to stay close to her family - but she's right about the waste of time of most book tours, anyway.  They may boost the author's ego, but usually not sales, or at least not enough sales to justify the effort.

Books play another role in this episode, which finds Masters obsessively reading How to Win Friends and Influence People.  What comes out of this is a fur coat for Johnson - which Masters' wife unfortunately sees - and a dinner invitation, which seems to herald a new tenderness from Masters to Johnson.

Much enjoying this season.   More soon.

See also Thomas Maier: Masters of Sex and Biography Come to Life ...Masters of Sex 3.1: Galley Slaves ... Masters of Sex 3.2: The Shah, the Baby, and the Book

 
"resonates with the current political climate . . . . heroine Sierra Waters is sexy as hell"
-Curled Up with a Good Book 

#SFWApro


my first novel

Monday, August 3, 2015

True Detective 2.7: Death and the Anti-Hero

A desperately good True Detective 2.7 last night, with two significant deaths, after last week's punch-in-the-gut episode 2.6 with Ani under cover as a drugged party girl.

We didn't have much emotion invested in the prosector found dead in her car by Ray, but her murder deprives our team of their last reliable connection to unrotten authority.  They're on their own now.

We did have a lot of emotion invested in Paul, and his death hit hard.  He accounted well for himself throughout this story, including to the very last, in which he took out a whole slew of bad guys with guts and straight shooting.  To be gunned down in the end was a cruel fate, and, unlike the moniker for this season, eminently not what he deserved.

Frank fared far better against his demons and bad guys, and, although he's a sicko vicious killer in his own right - professing enjoyment in seeing the "lights go out" in someone he's strangling - he also has admirable qualities, in particular standing up to the overwhelming and deadly pressure of the Russian mob.   Indeed, Frank is one of the most compelling anti-heroes to come along in a television drama.   He has less good and more bad in him than, say, Tony Soprano, but Frank is still on that continuum which against all odds commands at least some of our respect, even support, and makes me hope that in the end next week he finds a better fate than has Paul.

The other notable scene in the drama of this story last night is Ani and Ray making love, and that was good to see for all kinds of reasons.  They both deserve a little happiness, or at least comfort, after all they've been through now separately and together, and the counterpoint of the two in each other's arms as Paul's being shot down was one of the best soulful and heart-tearing moments of this season.

Back with a review of the season finale next week.

See also Season Two: True Detective: All New ... True Detective 2.2: Pulling a Game of Thrones ... True Detective 2.3: Buckshot and Twitty ... True Detective 2.4: Shoot-out

And see also Season One: True Detective: Socrates in Louisiana ... True Detective Season One Finale: Light above Darkness

 
Like philosophic crime fiction?   Try The Plot to Save Socrates ...

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Sunday, August 2, 2015

Hell on Wheels 5.3: Prejudice

An especially relevant Hell on Wheels 5.3 last night about ... prejudice, something which still obviously afflicts our society today.

In the case of Hell on Wheels, it's against the Chinese workers, who are being depicted as the real backbone of the feverish attempt to get the railroad west to east.  The whole situation, ever on edge, comes to a boil, and along the way elicits Cullen's comment that this is America, where no one is owned by anyone.

Coming from Cullen and his Confederate past, that's a wildly significant statement.   We already saw a lack of prejudice in his growing friendship with Elam - which ended badly, to say the least, but not because of Cullen.  And we've seen Cullen's respect for Native Americans, too.

But hearing Cullen say point blank that people don't own people in America was eye-opening, and, although welcome as a statement from the heart of our central character, might have been better packaged with a statement from Cullen that, earlier in his life, he fought for a society that did indeed believe deeply in owning people.

Meanwhile, before the episode concludes, Chang is almost hung, and Cullen is instrumental in saving him, along with Ma's timely intervention.  Indeed, Cullen seems more at home Ma and Mei, and even Chang, than with most other groups in the history of this series.

Cullen's certainly not at home with the demented part of white culture represented by the Swede, and, for that matter, the Mormons in general, of which his wife is still some sort of part.  As I said in my review 5.2 a little while ago, I wouldn't mind at all if Cullen became even more closely connected with this Chinese culture.

See also Hell on Wheels 5.1: Rails and Truckee ... Hell on Wheels 5.2: Mei and Cullen

And see also Hell on Wheels 4.1-2: Rolling Again ... Hell on Wheels 4.5: New Blood ... Hell on Wheels 4.6: Bear and Sanity ... Hell on Wheels 4.7: Why? ... Hell on Wheels 4.8: Aftermath and Rebound ... Hell on Wheels 4.9: High Noon ... Hell on Wheels 4.10: A Tale of Two Sicko Killers ... Hell on Wheels 4.11: The Redemption of Ruth ... Hell on Wheels 4.12: Infuriating and Worthwhile ... Hell on Wheels Season 4 Finale: The Buffalo

And see also Hell on Wheels 3.1-2: Bohannan in Command ... Hell on Wheels 3.3: Talking and Walking ... Hell on Wheels 3.4: Extreme Lacrosse ... Hell on Wheels 3.5: The Glove ... Hell on Wheels 3.6: The Man in Charge ...Hell on Wheels 3.7: Water, Water ... Hell on Wheels 3.8: Canterbury Tales ...Hell on Wheels 3.9: Shoot-Out and Truths ... Hell on Wheels Season 3 finale: Train Calling in the Distance

And see also  Hell on Wheels: Blood, Sweat, and Tears on the Track, and the Telegraph ... Hell on Wheels 1.6: Horse vs. Rail ... Hell on Wheels 1.8: Multiple Tracks ... Hell on Wheels 1.9: Historical Inevitable and Unknown ... Hell on Wheels Season One Finale: Greek Tragedy, Western Style

 
deeper history

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Hell on Wheels 5.2: Mei and Cullen

Catching up with a review of last week's Hell on Wheels 5.2, in which we find out that Fong (a guy) is really Mei (a woman).

Actually, that was no surprise at all.  You could tell that Fong was a woman as soon as you saw "him" in 5.1 - the delicate face, the way "he" moved, made her gender clear as day.  The only surprise is why Cullen was so stunned when he discovered Mei's identity.

But if we're willing to suspend our disbelief on this account, we still get a pretty good episode in 5.2 - in fact, one of the most powerful in the series.  As I mentioned in my review of 5.1, there was lots of good, cinematic action in 5.2, which makes me think this will be a hallmark of this season.  Although the talk and character conflicts of previous seasons were welcome, as was the gunplay of last season, it's good to see a story about a railroad actually show a railroad physically out of control, and our people struggling to get it back on course.

In the case of this episode, it was a railcar on a sled, in a series of life-and-death scenes in which the car is not only off-rail but nearly out of this world, and Cullen and Mei pull out all the stops to stop the car before it goes literally over a cliff.

In a nice touch, it's Mei who goes over the cliff, not the railcar, and she does this of her own volition, in a courageous act designed to save Cullen from being pulled over the cliff along with Mei.  Did Mei figure that she would survive her plummet into the snow below, as she did?   Or was this just luck?

Hard to say, but her near death and ultimate survival was satisfying to see, and the upshot is she and Cullen have a strong and even unique bond now.  Any chance they'll eventually sleep together? Probably not, Cullen's married and all, but, then again, I was surprised when Cullen slept with his current wife in the first place.

See also Hell on Wheels 5.1: Rails and Truckee

And see also Hell on Wheels 4.1-2: Rolling Again ... Hell on Wheels 4.5: New Blood ... Hell on Wheels 4.6: Bear and Sanity ... Hell on Wheels 4.7: Why? ... Hell on Wheels 4.8: Aftermath and Rebound ... Hell on Wheels 4.9: High Noon ... Hell on Wheels 4.10: A Tale of Two Sicko Killers ... Hell on Wheels 4.11: The Redemption of Ruth ... Hell on Wheels 4.12: Infuriating and Worthwhile ... Hell on Wheels Season 4 Finale: The Buffalo

And see also Hell on Wheels 3.1-2: Bohannan in Command ... Hell on Wheels 3.3: Talking and Walking ... Hell on Wheels 3.4: Extreme Lacrosse ... Hell on Wheels 3.5: The Glove ... Hell on Wheels 3.6: The Man in Charge ...Hell on Wheels 3.7: Water, Water ... Hell on Wheels 3.8: Canterbury Tales ...Hell on Wheels 3.9: Shoot-Out and Truths ... Hell on Wheels Season 3 finale: Train Calling in the Distance

And see also  Hell on Wheels: Blood, Sweat, and Tears on the Track, and the Telegraph ... Hell on Wheels 1.6: Horse vs. Rail ... Hell on Wheels 1.8: Multiple Tracks ... Hell on Wheels 1.9: Historical Inevitable and Unknown ... Hell on Wheels Season One Finale: Greek Tragedy, Western Style

 
deeper history

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Monday, July 27, 2015

Humans: In Ascending Order

Tina and I saw the first five episodes of Humans on AMC this weekend - based on the recommendation of a friend, Sarita - impressive!

The set-up, which is gradually unfolding over the season, is that there are a least four kinds of androids in this near-future London, where the story takes place.  In ascending order (that is, in order of increasing correspondence to human intelligence) -

1. Odi, Dr. Millican's android, prized by him for sentimental reasons (Odi remembers his wife), is the most primitive.  His model is breaking down and being replaced by "better" creations.

2. Vera, Odi's replacement, is such an improved model.  So is Anita, the most important in the story so far, and her story is far more complicated.  She's actually far more advanced than Vera, and is sentient (see #3 below), but she was kidnapped and outfitted with a #2 overlay (which, of course, is not completely effective).  She's purchased by Joe Hawkins for his family, and they unsurprisingly have very mixed reactions to this gorgeous new addition to their home: Joe's wife Laura is suspicious, daughter Mattie is a brilliant hacker and able to pry out a little of what's deep down in Anita (her earlier sentient identity as Mia), and son Toby has the hots for her - but it's Joe who avails himself of the "adult" option and sleeps with Anita.

3. In addition to Mia, there are at least four other sentient androids, including a beautiful blonde with a taste for killing humans, which put the police on her trail.  Apparently all five of these sentient androids must be on hand in order for their master plan to proceed - this according to Leo, son of the main inventor of the androids (who fired Dr. Millican, and who subsequently died).  Leo is himself a cyborg - that is, a human with significant digital wiring - applied by his father to bring him back to life after drowning.

4. There's a police officer who's also a sentient android, but not one of the five.  Whether she's the same as those in #3, or something different or more, is not clear at this point.  (I did realize she likely was an android before it was revealed, because she had a slightly mechanistic posture - tribute to good acting.)

The show is literate, sensitive, and intelligent.  Niska, the blonde android, is reading Arthur Koestler's The Ghost in the Machine in one scene (great book).  Someone mentions "Asimov blocks," a reference to Isaac Asimov's famed three laws of robotics (later four, when he added a zeroth law) to the effect that a robot can never by action or inaction allow harm to befall a human (and in one of the best scenes, Anita following this programming puts her body in front of a car to save Toby).  There's continuous flirting with the paradox of the liar - if you ask a liar is he's telling you the truth, or if it's true that he cannot lie, how can you take yes for an answer?  And the acting is fine - especially good to see William Hurt as Millican, and Tom Goodwin-Hill from Mr. Selfridge as Joe.

In short, highly recommended (and, for its worth, far better than Almost Human on Fox last year).


different kind of humans

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Thursday, July 23, 2015

Deutschland 83 106: Grave Developments

Another excellent, fast-moving episode of Deutschland 83 last night - #106 - which has two especially grave developments for our hero, Martin.

First, in terms of long-range impact, we learn near the end of the episode that Tischbier's lover has AIDs.   Since Alex has recently slept with Tischbier, this unfortunately opens up all kinds of possibilities for General Ebel and his family, which makes what he just went through with his son MIA seem pale in comparison.

But the other piece of bad luck for Martin comes from Alex's rash hostage-taking, which results in Kramer being killed in the shoot-out as Martin and Alex escape.  As I mentioned last week, Kramer was a key figure in Martin's deception - perhaps the key figure - since he was well-situated in the West German command, had Ebel's complete trust, and was thus able to cover for Martin/Stamm whenever necessary.   Kramer's death will leave Martin bereft of a crucial ally and source of support.

Speaking of support, Annett surprised Martin and the audience by encouraging him to continue his patriotic work away from her, when he was pledging to her to stay by her side and take care of her and their baby. In other circumstances, this might have been an indication that Annett was having an affair with someone else, but in this case, her support of Martin's work stems for her devotion to the East German cause, which we already saw in evidence in her cooperation with the authorities regarding the banned books. So maybe we shouldn't have been surprised, and should accept that patriotism outstrips personal love in this circumstance, however alien that seems to us - and did for Martin.

I meant to mention in my review last week how apt the opening music is to Deutschland 83 -  Peter Schilling "Major Tom," a sequel to David Bowie's "Space Oddity," was not only a big hit in 1983, but suits the spirit of the narrative of this series just perfectly.

And I'll be back with more next week.

See also Deutschland 83: Edge of Your Seat and Memorable Espionage


 

different kind of spies

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Tuesday, July 21, 2015

Touching the Face of the Cosmos


The following are the contents of our anthology, Touching the Face of the Cosmos: On the Intersection of Space Travel and Religion as of August 1, 2015, one month after our official deadline for receipt of essays and stories. There are several important points to keep in mind about what follows:

1. This is not the Table of Contents*.  My co-editor Michael Waltemathe and I have yet to decide on the specific order of nonfiction essays and science fiction stories.


2. This is not a final list of essays and stories.  We are still expecting a few additional essays.

3. But the following should give you an ample idea of what to expect in the anthology.  Look for further announcements as we get closer to our expected November 1, 2015 publication date.

*Note added 17 December 2015: the Kindle edition has just been published.  Click here and then on Look Inside, to see the Table of Contents and more.

Introduction

John Glenn interviewed by Paul Levinson, 30 July 2015

Essays
  • Joshua Ambrosius (Univ of Dayton) "Our Cosmic Future? How Religion Might Shape It"
  • David Brin (Arthur C. Clarke Center, Univ of California, San Diego) "So You Want to Make Gods"
  • Guy Consolmagno, SJ (Director, Vatican Observatory) "A Catholic in Space: Coming Home"
  • Peter M. J. Hess "Anticipating the Contours of Extraterrestrial Religion"
  • Wu Jianzhong (Sichuan International Studies Univ, China) "Sky One: The Universe and Human Beings are Unified"
  • Paul Levinson (Fordham Univ) "Religion as a Necessary Engine of Space Travel"
  • Juan Pablo Marrufo del Toro, SJ "Space Exploration as a Religious Pilgrimage"
  • Michael O'Neal (formerly NASA, Kennedy Space Center) "Faith in Space: A Christian Perspective"
  • Jeremy Saget (Mars One) "Faith to Face"
  • Barry Schwartz (Rabbi,  Congregation Adas Emuno) "One Earth"
  • Lance Strate (Fordham Univ) "The Touching Interface of the Cosmos"
  • Kathleen D. Toerpe (Astrosociological Research Institute and 100 Year Starship) "Shall the Sacred Heavens Be Cast Down"
  • Molly Vozick-Levinson (Director, Children's Learning Center) "Castles in the Air: Young Children Imagining Outer Space"
  • Michael Waltemathe (Ruhr-Universität Bochum) "The Heavens Declare the Glory of God: Religion in a Spacefaring Society"
  • Deana L. Weibel (Grand Valley State Univ) "Pennies from Heaven: Objects in the Use of Outer Space as Sacred Space"
  • Christian Weidemann (Ruhr-Universität Bochum) "Did Jesus Die for Klingons, Too? Christian Faith and Extraterrestrial Salvation"
Stories
  • Kyle Aisteach (author, science fiction) "Birth of a Pantheon"
  • Arlan Andrews, Sr. (founder, SIGMA, science fiction think-tank) "Epiphany"
  • Gregory Benford (Univ of California) "Winds of Mars"
  • Dave Creek (author, science fiction) "Kayonga's Decision"
  • Jack Dann (Nebula and World Fantasy Award winner) "Jumping the Road"
  • Marianne Dyson (former NASA Flight Controller) "The Right of Interference"
  • Philip Gibson (author, Hashtag Histories book series) "Christmas Message from the Moon"
  • James Heiser (Bishop, Evangelical Lutheran Diocese of North America) "Ecce Aqua"
  • Tom Klinkostein (Hofstra Univ) "The Universe Emerges from Information"
  • Paul Levinson (Fordham Univ) "The Seder in Space"
  • James F. McGrath (Butler Univ) "Biblical Literalism in the New Jerusalem"
  • Robert J. Sawyer (Hugo and Nebula Award winner) "Come All Ye Faithful"
  • Alex Shvartsman (WSFA Small Press for Short Fiction Award winner)"The Miracle on Tau Prime"
Cover art by Joel Iskowitz
Interior art by Brittany Miller

printed editions now available for order

reviews of the anthology: National Space Society  ...  The Jewish Standard  ...  Analog Magazine p. 1, p. 2 (August 2016)

video lectures and interviews with authors in the anthology




podcast of John Glenn interview

Monday, July 20, 2015

Ray Donovan 3.2: Beat-downs

The ending of Ray Donovan 3.2 last night says it all: Ray's attempt to get Carl to take the check and wrap up this situation that Ray has been called in to fix ends in a beat-down - of Ray.

No one was holding Ray's arms behind his back.  No one had a gun on Ray or his loved ones.  It was just Ray and Carl.  And although Carl, a Navy SEAL, obviously is in good shape, in previous seasons Ray at least would have put a fight, done something in his own defense even if he restrained himself from hurting Carl, rather than just absorbing three blows including the last one, which was lights out for Ray.

As was clear last week in the season debut, Ray is without moorings.  He would have done and been much better to go home and have dinner with Abby and his family, instead of opting out with the result that the fine dinner went to Abby's appreciative new dog.

And it was, alas, a night for beat-downs for the Donovans.  Although Terry in prison manages to dish out as good as he gets and get the upper hand, he's still left in pretty bad shape after the re-match. And Bunchy, no surprise, gets psychologically whipped in the gym by the female fighter he's coveting.

Even Mickey, who had some moments in the sun last week, gets dissed by the call-girls he's trying to help.  But, kudos again to Jon Voight, whose performance as Mickey is just superb.

With the Donovans now on the losing end of just about every situation, and Ray, in particular, with no staff except for Lena, who's considering an offer to go over to Avi, we'll just have to wait for a break-out occasion, which I hope will come soon.

See also Ray Donovan 3.1: New, Cloudy Ray

And see also Ray Donovan 2.1: Back in Business ... Ray Donovan 2.4: The Bad Guy ... Ray Donovan 2.5: Wool Over Eyes ... Ray Donovan 2.7: The Party from Hell ... Ray Donovan 2.10: Scorching ... Ray Donovan 2.11: Out of Control ... Ray Donovan Season 2 Finale: Most Happy Ending

And see also Ray Donovan Debuts with Originality and Flair ... Ray Donovan 1.2: His Assistants and his Family ... Ray Donovan 1.3: Mickey ... Ray Donovan 1.7 and Whitey Bulger ... Ray Donovan 1.8: Poetry and Death ... Ray Donovan Season 1 Finale: The Beginning of Redemption


  different kinds of crimes and fixes

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Sunday, July 19, 2015

Masters of Sex 3.2: The Shah, the Baby, and the Book

Well, you couldn't ask for better timing.  A week after the deal is announced that will stop Iran's development of nuclear weapons, we get episode 3.2 of Masters of Sex which features Masters treating the Shah and his wife for fertility problems back in the 1960s.

That treatment was not successful, but, as we discovered in last week's episode, Johnson is pregnant. Not with Masters' baby - as far as we know - but with George's, her ex-husband's.  The episode plays nicely with George as the father of Johnson's baby, and Masters as the co-creator of something wonderful with Johnson, their book.

In fact, this analogy is the focus of what Masters tells Johnson shortly before her delivery, when she worries about her lack of mothering ability. You and I produced a baby, our book, and look how good that came out, Masters tells her.   This analogy affords Masters the chance to be as decent and caring as ever we've seen him so far with Johnson.

And when Johnson has the baby, Masters has decency to leave the waiting room to George.  And he goes - to the bookstore with its display of his and Johnson's book, their baby, which he no doubt thinks will live forever, as do most authors about their work.

And here we are proving him right, in 2015, as we watch this Showtime series, based on Thomas Maier's book.   Well, 2015 is a lot less than forever, but it's still a long way from the 1960s, and the book and the story of Masters and Johnson certainly survived their lifetimes.

As for the Shah, he didn't.  Nor did his regime, which he sought to safeguard by producing an heir.   But what really beat his short dynasty in the end was not a baby or lack of, but a book.  The Koran. The power of the book indeed.

See also Thomas Maier: Masters of Sex and Biography Come to Life ... Masters of Sex 3.1: Galley Slaves

 
"resonates with the current political climate . . . . heroine Sierra Waters is sexy as hell"
-Curled Up with a Good Book 

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Hell on Wheels 5.1: Rails and Truckee

Hell on Wheels was back for the first part of its fifth and final season on AMC last night, with an episode which set up the story nicely - that is, with lots of grit, action, conflict, and intrigue, which has always been the way of this fine series.

The action takes place in Truckee, California - which sure sounds like a fictitious name but isn't - and at this point features Cullen's challenges in building the Central Pacific west-to-east part of the transcontinental railroad.  His force of workers consists of Irish and Chinese immigrations, the latter of whom work harder than the Irish, get sick less (as the boss of the Chinese syndicate tells Cullen), but are paid far less.   This rankles Cullen - whose democratic instincts would make him a good candidate for President, a sort of Bernie Sanders of his time - who butts heads with the said Chinese boss over this, in what will no doubt be one of the central antagonisms of this season.

The Central Pacific, just to be clear, is in competition with the Union Pacific, Thomas Durant's railroad, which is laying down track from east to west.  Durant's current take on Cullen is aptly captured in a short scene near in the end of the episode, in which Durant calls Cullen a "turncoat," and remarks that you can never trust a rebel.  We also learn in this scene that Durant has a spy in the Central Pacific office.

But probably the most unexpected feature of this new season is the Swede showing up in Truckee, with plans to wrest the leadership of the Mormons away from Brigham Young, but for now just wants to work for Cullen on the railroad.   Why Cullen doesn't just shoot him dead in the night is a question, given all the wrenching horror the Swede has brought to Cullen, including the murder of his beloved Lily.   But, for now, we'll just have to accept that Cullen lets the Swede live, because he needs all the help he can get with the railroad, and the Swede is, if nothing else but demented, certainly a hard worker.  It's certainly good to see him back at the center of the action, after his near exile from the story last season.

And I'll be back here with more next week.

See also Hell on Wheels 4.1-2: Rolling Again ... Hell on Wheels 4.5: New Blood ... Hell on Wheels 4.6: Bear and Sanity ... Hell on Wheels 4.7: Why? ... Hell on Wheels 4.8: Aftermath and Rebound ... Hell on Wheels 4.9: High Noon ... Hell on Wheels 4.10: A Tale of Two Sicko Killers ... Hell on Wheels 4.11: The Redemption of Ruth ... Hell on Wheels 4.12: Infuriating and Worthwhile ... Hell on Wheels Season 4 Finale: The Buffalo

And see also Hell on Wheels 3.1-2: Bohannan in Command ... Hell on Wheels 3.3: Talking and Walking ... Hell on Wheels 3.4: Extreme Lacrosse ... Hell on Wheels 3.5: The Glove ... Hell on Wheels 3.6: The Man in Charge ...Hell on Wheels 3.7: Water, Water ... Hell on Wheels 3.8: Canterbury Tales ...Hell on Wheels 3.9: Shoot-Out and Truths ... Hell on Wheels Season 3 finale: Train Calling in the Distance

And see also  Hell on Wheels: Blood, Sweat, and Tears on the Track, and the Telegraph ... Hell on Wheels 1.6: Horse vs. Rail ... Hell on Wheels 1.8: Multiple Tracks ... Hell on Wheels 1.9: Historical Inevitable and Unknown ... Hell on Wheels Season One Finale: Greek Tragedy, Western Style

 
deeper history

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Saturday, July 18, 2015

The Bomb: Flirting with the End of the World

I just saw a new documentary about the most powerful technology - nuclear weapons - not only in our lifetime but in all of human history, courtesy of PBS, where The Bomb is set to air for two hours (8-10pm) on July 28.  I always judge a documentary by what I've truly learned from it that I didn't know, or didn't know enough about, before.  There were several such moments in The Bomb including
  • Some historians believe that Truman never ordered the dropping of the first two atom bombs on Japan in 1945 - which fortunately turned out to be only time a nuclear weapon was used in anger, as one of the historians commented in the documentary. Truman instead just let our military continue on the path it had begun under FDR - making the dropping of those first two atom bombs almost an effect of inertia rather the result of a deliberate Presidential command.  (Truman did, however, order the development of the hydrogen bomb, a few years later, in a futile attempt to stay ahead of the Soviets in nuclear weaponry.)
  • It was the hilly terrain of North Korea that was primary reason we didn't use nukes against them in the Korean war - more specifically, our experts thought the hills would blunt or weaken the impact of the nuclear weapons, and we didn't want to advertise to our Soviet adversaries that the weapons had limited capabilities.
  • JFK called his predecessor Eisenhower for advice in the early days of the Cuban missile crisis. I think I knew that, but I hadn't heard the actual recording of their conversation before, in which Kennedy nervously laughs several times, in a tone that says everything about how worried he was.
  • The bikini bathing suit was named after Bikini Atoll, where atomic tests took place shortly after World War II - I knew that, but I liked the quote of the French swimsuit designer that he hoped the name would call attention to the "explosive" effect that the skimpy bathing suit would have.
That last was about the only humor in The Bomb, which is only appropriate, given the grave business of nuclear weapons.  Seen as a connected story, from the discovery of fission in Germany in 1938 to the end of the Cold War in 1991, that narrative could almost have concluded with a happy ending: Kennedy and Khrushchev pulled back from the brink of nuclear war in the Cuban missile crisis, and their successors had the good sense to continue to show restraint and even put a lid on nuclear expansion.   But as The Bomb makes all too clear, the US and Russia are now and have long been not the only countries on Earth with nuclear arms.

Perhaps the agreement reached just a few days ago with Iran will halt that country's development of nuclear weaponry - The Bomb of course was made well before that announcement - but what The Bomb nonetheless tells us is that nuclear capability cannot be unlearned, and, if the human race is to survive, we must continue to learn how not to use it.

See this documentary for a vivid depiction - with breathtaking footage - of how far we have come and how much further we need to go in this life-and-death self-restraint.   The Bomb has never been more timely.

Deutschland 83: Edge of Your Seat and Memorable Espionage

Just caught the first five episodes of Deutschland 83 on Sundance last night - the new German produced English-subtitled 1983 Eastern German spy in West Germany series - and was impressed indeed.  Fast-moving story, appealing characters, twists and edge-of-your-seat action, all you could ask for in a spy drama, and more.

The obvious comparison is to The Americans, which also takes place in the same period, a time in which Soviet espionage was in high gear, in the keenly ironic position from our 2015 perspective of not being able to stop the dissolution of the Soviet Union and the Soviet block less than a decade in the future.

In at least one significant way, Deutschland 83 has an edge on The Americans, which asks us to suspend our disbelief about how two agents, however capable, talented, and brilliant, are able to speak perfect American English despite their being born and raised in the Soviet Union.   In Deutschland 83, Martin the East German has no trouble speaking German in West Germany, because that's after all his language.  He is, understandably, not in touch with the latest in Western popular culture, and seeing him work around references with which he's not familiar is one of the fun parts of this story (and a little reminiscent of Daniel's occasional confusion about current culture after being locked away for so many years in Sundance's other masterful series, Rectify).

Unlike some spies - including those in The Americans - Martin is conscripted into espionage against his will, but once he's installed in Bonn, he makes the most of it.  Though he loves Annett back home, he has little trouble seducing a target's secretary, and comes to care for her so much that he can't bring himself to kill her when he's ordered to because she poses a big threat to Eastern German plans.  The other East German operatives apparently have no such compunction, which makes Martin a memorable and unpredictable character.

Kramer is one such ruthless operative, but he also plays an essential role in the story, being an East German spy well situated in the West German military, and usually able to smooth things out for Martin when the need arises.   But there's one continuing loophole, which I'll be interested to see if and how it's resolved:  Martin's cover, Stamm (quietly eliminated by the East Germans), is an accomplished piano player - something which Martin can't do.  The East Germans wrench Martin's hand, prior to his going under cover, and the bandage on his hand provides ample excuse when his West German boss, General Edel, asks him to play.  But the bandage is off by the second episode, so isn't it just a matter of time until Martin is asked to play a tune on the piano again?

He'll likely figure out a way out of this, as he's done, more or less, with all the other tight spots in which he's found himself.  I'm looking forward to the remaining three episodes of this series, and hoping they'll be more next year.

 

different kind of spies

#SFWApro

Wednesday, July 15, 2015

Tyrant 2.5: The Caliphate

Well, Tyrant finally got down to cutting-edge current-development brass tacks last night, in an episode, 3.5, which put the Caliphate aka ISIS front and center in the action.  Not quite as currently relevant as a storyline about Iran, but pretty spot-on ripped-from-the-headlines nonetheless.

And the Caliphate serves the crucial purpose of getting Barry to stay in Abbudin to defend his country and the Al-Fayeed family, which the Caliphate is bent on destroying. Given that Jamal all but killed Barry, who now correctly thinks he's an "enemy of the state," it  could only take a threat as great the Caliphate to get Barry to stay.

Jamal will of course be glad to see Barry when the two eventually meet again, and glad he resisted everyone other than his mother's advice to kill his brother.   And Jamal will need all the help he can get.  Certainly his uncle will be no match for the Caliphate, persisting in his old-fashioned belief that Abbudin's military might is enough to crush any enemy in the country.  That might have worked for Jamal and Barry's father, but times and military threats are a little different these days.

And just to sweeten the narrative pot, Barry's family is on their way back to Abbudin, to support Sammy's contested claim to his inheritance.   Presumably the family will be thrilled when they find Barry's alive, but Sammy's shown a real love for that money, and a tiny or bigger part of him will no doubt regret now losing it.

More important, Molly, Emma, and Sammy will once again be in mortal danger, presumably not from Jamal, but from the Caliphate, who would just love to kidnap and behead them were they to discover Jamal's sister-in-law, niece, and nephew anywhere in Abbudin.

The stage is now well set for an exciting rest of the season, which I'm looking forward to seeing.




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