Chuck Todd interviews me about alternate histories

Wednesday, February 7, 2007

my novels and nonfiction

Blurbs, details, reviews, links to free samples, videos, etc here about my novels and scholarly books:








thanks to Joel Iskowitz for illustrating the nine above covers




 


three short books











Featured Books

Chronica - sequel to The Plot to Save Socrates and Unburning Alexandria



In this sequel to The Plot to Save Socrates and Unburning Alexandria, Sierra arrives in 2062, and finds the world has somewhat changed. Joe Biden was President from 2009-2017, and train travel is much more prominent. Was this due to the scrolls that she rescued from the ancient Library of Alexandria? Heron's Chronica, which describes how to build a time travel device and was one of the texts Sierra saved from burning, has not yet been published, and Sierra soon realizes that Heron is bent on doing everything in his lethal power to prevent that from happening. Her attempt to safeguard the Chronica, which she left in William Henry Appleton's keeping, takes her to the end of the 1890s, where she crosses paths with John Jacob Astor IV, Nikola Tesla, Thomas Edison, J. P. Morgan, film pioneers William Dickson and Edwin Porter, and other denizens of The Gilded Age. With the Chronica at large, the keys to time travel are up for grabs, and with it the history and future of the world.

Chronica is an "engaging time travel story" - John DeNardo, Captivating Science Fiction, Fantasy, and Horror Reads for December, Kirkus

                                                           ~~~ +++ ~~~


Unburning Alexandria - sequel to The Plot to Save Socrates




My sixth novel, sequel to The Plot to Save Socrates, continues the story of Sierra Waters ...
Mid-twenty-first century time traveler Sierra Waters, fresh from her mission to save Socrates from the hemlock, is determined to alter history yet again, by saving the ancient Library of Alexandria - where as many as 750,000 one-of-a-kind texts were lost, an event described by many as “one of the greatest intellectual catastrophes in history.”

Along the way she will encounter old friends such as William Henry Appleton the great 19th century American publisher and enemies like the enigmatic time travelling inventor Heron of Alexandria. And her quest will involve such other real historic personages as Hypatia, Cleopatra’s sister Arsinoe, Ptolemy the astronomer, and St. Augustine - again placing her friends, her loved-ones, and herself in deadly jeopardy.

In this sequel to THE PLOT TO SAVE SOCRATES, award winning author Paul Levinson offers another time-traveling adventure spanning millennia, full of surprising twists and turns, all the while attempting the seemingly impossible: UNBURNING ALEXANDRIA.




Here's a free chapter from Unburning Alexandria, on SF Signal.

                                                    Reviews

"Levinson's stories are intricately plotted and avoid the tricky Gordian knots of paradoxes with skill and fun." - John DeNardo, Kirkus

"You get used to reading verbal bombshells when you read Paul Levinson’s science fiction works.... characters say things like, 'I was here, in Carthage, three months from now'.” - Jim Curtis, The Morton Report

"little quirkinesses ... and a lot of clever ideas" - GF Willmetts, SFCrowsnest

"Not since Ilium had a novel kept me reading into the wee hours of dusk (I finished this sucker at 3:30 am, unable to resist immediately tweeting my triumph from the mountain tops). Just before tossing all aces like a godforsaken magician, Levinson shuffled his paradoxes like a deck of cards, and I have to admit, stoked the flames of my imagination. It was a great ride." - Shane Lindemoen 


"one of those extremely rare sequels that end up better than its predecessor ... worthy of the title, blockbuster, if this were a movie ... by far the best time travel story I've ever read" - Scott Sandridge, SpecMusicMuse

"a great example of using the text to put the reader in a similar state as the characters... I also love that the novel seems to be heading toward one of my favorite time travel ideas: the idea of causal loops" - Ethan Mills,  Examined Worlds: Philosophy and Science Fiction 

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The Plot to Save Socrates


on 10 Perfect Summer Reads Author by NYU Alumni list,  along with novels by Joseph Heller, Suzanne Collins, Candace Bushnell,  and Danielle Steel

My fifth novel is a blend of historical mystery and science fiction...a tale of time travel and ancient intrigue...

Sierra Waters, a graduate student in the year 2042, is given a copy of a previously unknown Socratic dialogue in which a time traveler gives the philosopher a tempting plan to escape the hemlock...








What they're saying about the novel...

"...challenging fun" - Entertainment Weekly

"Da Vinci-esque thriller" - New York Daily News

"...a fun book to read" - Dallas Morning News

"resonates with the current political climate . . . . heroine Sierra Waters is sexy as hell . . . . there's a bite to Levinson's wit" - Brian Charles Clark, Curled Up With A Good Book at curledup.com

"a journey through time that'll make you think as it thrills ... so accessible, even those generally put off by sci-fi should enjoy the trip." - Rod Lott, bookgasm.com

"Levinson spins a fascinating tale ... An intriguing premise with believable characters and attention to period detail make this an outstanding choice... Highly recommended." - Library Journal, *starred review

"Light, engaging time-travel yarn . . . neatly satisfies the circularity inherent in time travel, whose paradoxes Levinson links to Greek philosophy." - Publishers Weekly

"A thinking person's time travel story... I felt like I was there." - SF Signal

"This is a dazzling performance. . . .History as science fiction; science fiction as history." - Barry N. Malzberg

"... quick-to-read, entertaining treatment of the problems inherent in time travel with style and flair" - Booklist

"There's a delightfully old-fashioned feel to The Plot to Save Socrates. . . . Levinson's cool, spare style reminded me of the writing of Isaac Asimov. . ." - Colin Harvey, Strange Horizons

"Paul Levinson's new novel is both very different from anything he has done before and very satisfying. . . . This, I think, is the first of Levinson's novels to deserve to be called a tour de force. Watch for it on award ballots." - Tom Easton, Analog: Science Fiction and Fact

"it's exciting to see a book as daring with both its ideas and its approach to narrative structure as this one hit the shelves . . . It's an absolute treat to sit back and be wrapped up in a story that gives a retro SF premise like time travel such a brilliant new kick, and it's doubly delightful to find the story as fun and entertaining as it is thought-provoking." - SF Reviews.net

"proves that excellent entertainment can and ought to be intellectually respectable -- a glorious example to us all." - Brian Stableford

"...readers are sure to enjoy his take on the paradoxes of time travel" - BookPage

"Intricately and intriguingly woven, lots of fun, and extremely thought provoking." - Stanley Schmidt

"Paul Levinson has outdone himself: The Plot to Save Socrates is a philosophically rich gem full of big ideas and wonderful time-travel tricks." - Robert J. Sawyer

"as happens with Kurt Vonnegut's Billy Pilgrim . . . . the reader soon becomes unstuck in time . . . . Levinson presents one of the most unique books I've ever encountered. A highly recommended read." - Matt St. Amand

"Paul Levinson brings both intellectual heft and affection for his delightfully depicted characters to this highly original story of time travel . . . bringing all of its threads together in an ending that is emotionally satisfying and extremely moving. The Plot to Save Socrates will provoke thought long after readers have finished the book, at which point many may want to pick it up and read it again, to savor its twists and turns." - Pamela Sargent, SFWeekly

"Fast-paced and full of plot twists." - Davis Enterprise (California)

"an elaborately-reasoned temporal tale - a novelized thought experiment whose logic and ideas Socrates would have approved of" - John Joseph Adams, intergalacticmedicineshow.com

"a philosophically rich, engaging time travel story . . . a charming portrayal of Socrates" - Fantasybookspot.com

"a fun romp through 2500 years of Western history" - freshfiction.com

"I've never read anything like this before . . . The Plot to Save Socrates is highly, original, creative, and engaging. I enjoyed it from the first page." - Book.of.the.moment. at myspace.com/book_of_the_moment.com

"revels in the possibilities for paradoxes . . . . fresh and welcome" - Steven Silver's Reviews at sfsite

"frankly, he [Levinson] is one of my 'read on sight' authors . . . The Plot to Save Socrates is a tapestry of times and characters and philosophies, with an excellent look at history. . . ." - Jerry Wright, Bewildering Stories at bewilderingstories.com

"a very intelligently written novel . . . ." - GF Willmetts, at SFcrowsnest.com

"Paul Levinson handles a complicated plot and a multitude of characters in a manner that can only be described as masterful. . . . I highly recommend this book, and I won't be surprised if it wins several awards." - Scott M. Sandridge, specmusicmuse

"This book was a lot of fun, and surprisingly poignant at the end. (Yes, I'll admit I cried a little.) . . . I was worried this would be a fairly cold sci-fi book, where I never got to like any of the characters, but somehow by halfway through I found I really cared about them. I'm not sure how Levinson managed that . . . but somehow they all just got inside me." - Lady Amalthea, eharlequin.com

". . . a new metaphor for the literary tradition of time travel." - Robert Blechman, blogcritics.org

"Socrates has always seemed a rather dour and dull figure to me but Paul Levinson breathes new life into this time." - Debbie, ck2skwipsandkritiques.com

"an extremely engaging, entertaining story. . ." - Laurie Thayer, Rambles.net

"truly a thought-provoking, breathtaking, and highly entertaining novel." - Lysette Brodey, PerpetualProse.com

"The Plot to Save Socrates turns on its head Plato's report of Socrates' poisoning ..." - Gerry Elman, Esq., Stanford Alumni Blog

"Doppelgangers, deception, and the sheer amount of historical reference alone make this novel magnificent, but that is not all!... Paul Levinson has created a historical text for all ages, making the plot flow like wine and pleasing to even the most hesitant of readers." - Jenna A, luxuryreading.com

"I was hooked by the second page." - Kanti Burns, Book Reviews and More

"A lively cast of historical figures populates this epoch-bending adventure, highly recommended especially for fans of alternate history novels!" - Midwest Book Review

"I was rapidly drawn into this tapestry ..." - Kath Middleton, Ignite Books

"Cool stuff!" - Examined Worlds: Philosophy and Science Fiction

"This single timeline approach is more elegant and more convoluted than other theories, and Levinson handles it extremely well, jumping the narrative through twenty-five hundred years without missing a beat." - Greg Hickey, Socrates, Time Travel, and Donald Trump

In "one of my favorite novels, The Plot to Save Socrates by Paul Levinson ...  the recovery of a previously unknown dialogue of Plato prompts an engaging time travel story ... " - Zachary Fruhling Blog

"An adventurous story, where characters from the past, present, and future travel to different eras and cultures. They live their mundane lives there – talk, eat, fight, love, and die – while trying to bend history without destroying it." - Andrey Mir, Time Travel and Media Ecology



The Plot to Save Socrates... now available in "author's cut" ebook!





my avatar reads from the very beginning of The Plot to Save Socrates ... in Second Life ... it starts "Athens, 2042... Sierra Waters had always done everything for the thrill..."



and here's an excerpt from a heretofore unknown Socratic dialogue...

A group has been formed to help Sierra Waters in her adventures:

Facebook Sierra Waters, time traveler


See also Ten Things You May Not Have Known about Sierra Waters...

In the meantimes...

Read the first chapter of The Plot to Save Socrates
.... FREE!

See me read The Plot to Save Socrates on December 9, 2007, on a computer screen near you! FREE!

Sierra Water's e-mail to me also FREE!

Like a personally autographed copy of The Plot to Save Socrates in time for the holidays, at no extra cost? Email me for details!




painting by Jean-Baptiste Régnault, 1785
Socrates dragging Alcibiades from the Embrace of S.

And, who is this mysterious "S." in this real painting by Régnault from 1785....

Sierra Waters?


And on the right - Napoli's "Death of Alcibiades" (1839) - a crucially altered turning point in The Plot to Save Socrates

Speaking of which:
news about the sequel to The Plot to Save Socrates - Unburning Alexandria!



See bottom of this page for reviews of The Plot to Save Socrates from Goodreads ...












                                                             ~~~ +++ ~~~

New New Media, 2nd edition, published by Penguin/Pearson, August 2012





New New Media, 1st edition, published by Penguin/Pearson/Allyn & Bacon, September 2009


Joan Walsh, Editor-in-Chief of Salon.com, says

Paul Levinson takes you on a walking tour – actually, it's more like a running tour – of the media innovations that are transforming our world. He's not just a scholar, he's an explorer, immersing himself in MySpace, Facebook, Twitter and multiple blogging platforms to help us make sense of the galloping changes in media. Have we entered a glorious new era of media democracy, or are these innovations leveling standards of fairness and authority? Levinson remains an optimist without being blind to the dark side of change. Whether you want to learn to blog, podcast or Twitter yourself, or just keep track of the way such tools are remaking the world around you, the "New New Media" is an indispensable guide.


Jeff Jarvis, Director of New Media Program, City University of New
York's Graduate School of Journalism; Founder, Entertainment Weekly; Creator, BuzzMachine blog, says


Paul Levinson provides an invaluable and encyclopaedic guide to the newest of new media invented so far.


Mignon Fogarty, creator of the award-winning Grammar Girl podcast, and author of the New York Times bestseller Grammar Girl's Quick and Dirty Tips for Better Writing , says

Insightful and comprehensive. The overviews are great for people who want to quickly get up-to-speed on the entire landscape or more experienced Web addicts who want to branch out, and the anecdotes and history will delight people who consider themselves old-timers.

40-minute lecture February 23, 2011, at St. Francis College, Brooklyn, NY: "North Africa Shows the Medium is Still the Message: McLuhan at 100" with discussion of new new media ...


20-minute interview Mark Molaro did with Paul Levinson on The Alcove, November 2007 ...



Or an audio podcast - An Introduction to New New Media - from 12 June 2009, if you prefer...


Penguin/Pearson/Allyn & Bacon's promotional video for New New Media...




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The Silk Code

The Silk Code


The Silk Code, winner of the Locus Award for Best First Novel of 1999, features NYPD forensic detective Dr. Phil D'Amato - hero of three of my earlier award-nominated novelettes. Published by Tor Books, it reached #8 on the Locus Paperback Best Seller List in February 2001.

Watch the trailer here....


What the critics said:

"As a genre-bending blend of police procedural and science fiction, The Silk Code delivers on its promises." -- Gerald Jonas, The New York Times Book Review

"As twisted as a double helix. " -- Wired

"D'Amato is an appealingly savvy character, and Levinson brings a great deal of invention to the endeavor." -- San Francisco Chronicle

"It is hard to put down, easy to pick up again, and an interesting read. " -- San Diego Union-Tribune

"Mixes up-to-the-minute biotechnology with ancient myth, science fiction with police procedure, and prehistory with the near future. It's an impressive debut." -- Joe Haldeman

"Forensic detective Phil D'Amato is one of my favorite characters, and the puzzles he solves are always imaginative, ingenious, and addictive, but Paul Levinson really outdoes himself this time in a mystery involving murders, moths, mummies, the Silk Road, poisons, fireflies, and forensics, all woven into a mystery only D'Amato could solve! A marvelous book!" -- Connie Willis

"This damn book has everything: interesting science, suspense, characters that live on the page - and that we like! -- and it debuts a new series hero, Dr. Phil D'Amato, forensic detective. I couldn't put The Silk Code down. I'll wager you won't be able to either. Oh, and this is the kicker: The Silk Code is Paul Levinson's first novel. " -- Jack Dann

"At last we get Paul Levinson's superb forensic sleuth, Phil D'Amato, in a full-length novel. If you know Phil from his previous appearances, I need say no more. If you don't, kick back and enjoy a mystery that spans the ages." --Jack McDevitt

"The Silk Code is an intriguing story refreshingly rich not only in action but in ideas. Seldom have I seen a story so engagingly weave together so many seemingly disparate (dare I say it?) threads." --Stanley Schmidt, editor of Analog

"Paul Levinson is an exceptional new writer, behind whose work stands an impressive body of knowledge and a great deal of human understanding. His first novel signals a writer to watch for the provocation and pleasure that he will bring to thoughtful readers. The Silk Code is smoothly written, evocative, and spicy! Highly recommended." -- George Zebrowski

"The Silk Code is a splendidly imaginative novel that explores worlds of ideas both scientific and philosophical, while carrying the reader effortlessly across countries, times, and cultures." -- Charles Sheffield

"The Silk Code is science fiction in the classic style, with an innovative mystery that breaks new ground. Acclaimed for his short fiction and insightful writing on the computer age, Paul Levinson now brings his many talents to a complex novel that will keep you guessing until the last page. " -- Catherine Asaro

"... sheer conceptual verve" -- Robert K. J. Killheffer, Magazine of Fantasy and Science Fiction

"...cerebral but gripping" -- Booklist

"Combining Neanderthals and mechanical looms, cantaloupes and coded butterflies, Levinson's debut novel...offers a flurry of amazing prehistoric technologies, demonstrating that the mysteries of our past can be just as fruitful as those of our future... Levinson creatively explains gaps in both ancient history and biology... providing more wonders than many a futuristic epic." -- Publishers Weekly

"...well-informed and imaginative" -- Kirkus Reviews

"...spins an ingenious web of genetic manipulation and anthropological evidence" --Library Journal

"A rare thriller that actually achieves its goals as a detective tale and a work of boldly speculative sf." -- Gary K. Wolfe, Locus Magazine

"I read this book quite a few years ago but I felt compelled to re-read it because parts of the story have been so firmly wedged in my brain that I needed to experience the entire thing again." -- Cannonball Read

"This is one I don't hesitate to recommend." - Jandy's Reading Room

"Paul Levinson's The Silk Code is inventive. I can't said I'd ever read another SF novel that included Neanderthals, bioengineering and the Amish." - Kristin's Book Log

"I found the genetic manipulation that Levinson describes absolutely fascinating." - Silk Screen Views


"I was entertained" - The Review Curmudgeon

"I loved his excursion into the ancient past" - Kevin Hayes, PARSEC


Enjoy Shaun Farrell's free podiobook reading of The Silk Code...


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Cellphone: The Story of the World's Most Mobile Medium and How It Has Transformed Everything!

Cellphone

Cellphone covers everything from books to laptops in exploring the the evolution of media mobility. It focuses on the personal impact and social change-- both freeing and limiting-- of the smartphone in every day life.

Sir Arthur C. Clarke called Cellphone "A superb and often amusing account of one of the greatest revolutions in human history, in which we are now living. The wristwatch phone of the old science fiction stories is now a reality! What more can we expect? Direct brain to brain communication? Stay tuned...."

Douglas Rushkoff, writing in TheFeature.com, says Cellphone makes "an excellent case."

Carlin Romano, writing in the Philadelphia Inquirer, says, "Levinson maintains a sense of humor about the rush to pack every imaginable function into cells."

British MediaWeek calls the book "a thought-provoking analysis".

Talking in the media about Cellphone...

I appeared on National Public Radio's popular program Talk of the Nation in May 2004, talking about my book in a segment called "Cell Phone Culture"... Listen here...

In April 2005, I talked about my book on a nationally broadcast CBS News "The Early Show" segment on kids and cellphones as part of their special series, "Cellular Nation." See the interview and read an excerpt from the book....

I talked about cellphone bling on ABC's Nightline, September 2006.



And The Discovery Channel's new series, "The Inside Story of..." premiered in December 2006 with a look at "The Cellphone Revolution" featuring me talking about the extraordinary social impact of the cellphone... check out the video.





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Realspace: The Fate of Physical Presence in the Digital Age, On and Off Planet

Realspace

Realspace explores the need for real face-to-face interaction and physical movement in an age of cyberspace... the destiny of humanity to reach beyond this planet and explore outer space...and how these themes play in our 21st century world.

Publisher's Weekly says "Fans of Levinson's previous works, as well as those interested in the relations between cyberspace, 'real space' and outer space, should relish this challenging and mind-opening read."

The Midwest Book Review says "RealSpace is an essential, thought-provoking purchase."

Public Intelligence Blog says RealSpace is "a gem of reflection."

And Edward Tenner, author of Why Things Bite Back, called Realspace "a rich, original, and sophisticated work that will be rewarding reading both for science fiction enthusiasts and for professionals in the history and sociology of science and technology."


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Digital McLuhan: A Guide to the Information Millennium

Digital McLuhan

Professors in graduate and undergraduate classes around the world use Digital McLuhan to help their students put the Internet into perspective. This book applies media theorist Marshall McLuhan's ideas from the television age to modern technologies. Wired's Kevin Kelly said about Digital McLuhan, "Paul Levinson completes McLuhan's pioneering work. Read this book if you want to decipher life on the screen." The New York Times said "Levinson performs a useful service ... [he] applies McLuhan's work to almost every facet of modern communications" and in another article "Digital McLuhan presents McLuhan in a new light, [for] a generation grappling with the transforming effects of cyberspace, cell phones and virtual reality." Digital McLuhan was included on the late Robert Anton Wilson's " Recommended Reading List," of "the bare minimum of what everybody really needs to chew and digest before they can converse intelligently about the 21st Century." Digital McLuhan won the "2000 Lewis Mumford Award for Outstanding Scholarship".


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The Soft Edge: A Natural History and Future of the Information Revolution

The Soft Edge

The Soft Edge received major critical acclaim -- ranging from Wired ("Remarkable in both scholarly sweep and rhetorical lyricism...") and The Financial Times of London ("a book that is both full of insights and provocative") to Amazon.com's Cyberculture editor ("Levinson has a knack for making his reader feel intelligent and respected") and Analog ("...defies the critics of technology").


3 scholars ponder the meaning of The Soft Edge


I talked about The Soft Edge on December 30, 1997 at Borders Bookstore at the World Trade Center.  CSPAN recorded the talk and aired it in February 1998.  The bookstore was destroyed on 9/11.
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More fiction ...


Borrowed Tides



My second novel, Borrowed Tides, tells the story of the first mission to Alpha Centauri led by a philosopher of science and a specialist in Native American mythology, two old friends from the Bronx in their seventies. From the reviews: Library Journal said Borrowed Tides is "...packed with layers of meaning that blend ancient legends and modern science and provides an intriguing glimpse into the mysteries of time and space." Gerald Jonas in The New York Times Book Review said that Borrowed Tides is "....bizarre enough to satisfy readers..." Booklist called it a "to-the-last-page spellbinder." Publishers' Weekly said "Politics blends neatly with spirituality in Levinson's second novel ... an ingenious narrative that loops back on itself like a Moebius strip." Gary K. Wolfe, writing in Locus, said "Levinson does a terrific job .... [reminiscent] of the philosophic space fiction of James Blish or the reality-testing scenarios of Philip K. Dick." Locus also picked it as "New and Notable" in April 2001, and it was a May 2001 Science Fiction Book Club (SFBC) Selection. On the other hand, Adam Wendt said "it has some interesting ideas but no depth" on his Agnostic Audiophile Smorgasborg blog.


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The Consciousness Plague



Dr. Phil D'Amato returns in a gripping New York City science fiction mystery, as this NYPD forensics detective faces a strange series of murders and memory losses in The Consciousness Plague. This novel won the 2003 Mary Shelley Award for Outstanding Fictional Work. Roland Green, writing in Booklist, said The Consciousness Plague "more nearly reaches the heights of Isaac Asimov's classic sf mysteries than those of most other genre hands who attempt them manage to do these days." Tom Easton said in the November 2002 issue of Analog that "This is Levinson's best to date." Library Journal said "Levinson's intelligent blend of police procedural and speculative fiction should appeal to fans of mystery and sf." Locus' Gary K. Wolfe called it "a pretty crisp murder mystery." Paul Di Filippo said in SFWeekly that "D'Amato [is] ... an earnest Everyman, operating on a shoeshine and a hunch." And Gregg Thurlbeck in Rambles.net said "it's a clever amalgam of science fiction and police procedural." Locus picked The Consciousness Plague as "New and Notable" in April 2002. And it was selected as a Spring 2002 Science Fiction Book Club (SFBC) Featured Alternate and a Spring Editor's Pick of the Mystery Guild. The audiobook edition of The Consciousness Plague, read by Mark Shanahan, was nominated for a 2005 Audie award.


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The Pixel Eye



My fourth novel from Tor is a darker, gritty Phil D'Amato mystery with sf overtones. The Pixel Eye, where holograms, cellphones and squirrels are used for surveillance in near-future New York City -- published in hardcover in 2003 and trade paper in 2004. . . .

The New York Times Book Review said "The nuttiness of the premise and the grittiness of the near-future New York ambiance are equally appealing" and they selected and reprinted several paragraphs from The Pixel Eye in the August 17, 2003 "NY Bookshelf: Novels: Tales of Detectives, Art and Squirrels" feature in The City section -- one of four new "New York" books.

Tom Easton, writing in Analog, said "Paul Levinson's latest Phil D'Amato romp ... is nicely straightforward and an interesting take on the real world of the moment."

Publisher's Weekly calls The Pixel Eye a "breezily chilling story" and says it is "enough to send a shiver down most readers' spines."

Library Journal said "Levinson's latest novel featuring the resourceful and wise-cracking D'Amato delivers another satisfying mix of hard sf intrigue and detective story set against a 21st-century New York City" that is "a fast-moving story that belongs in most libraries."

SF Weekly says "The Pixel Eye is a thoroughly enjoyable book, extremely readable, and brave in confronting the consequences of September 11."

Cinescape says "D'Amato is a charming narrator, and an intriguing character, which also contributes to Pixel's successes."

SFRevu says "Long time readers of science fiction should consider him [Levinson] their first choice when it comes to spreading the word of sf..."

The Pixel Eye was a finalist for the 2004 Prometheus Award, given by The Libertarian Futurist Society.



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Translations ... stats and details

The Soft Edge - Portuguese editionThe Soft Edge - 1st Polish editionThe Silk Code - Polish editionDigital McLuhan - Romanian editionDigital McLuhan - Chinese editionThe Consciousness Plague - Polish editionCellphone - Polish editionDigital McLuhan - Japanese edition

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Short Fiction

My award-winning short fiction - science fiction, dark fantasy, mystery - has appeared ten times in Analog, the leading science fiction magazine. My 29 short stories, novelettes, and novellas have also been published in anthologies, reprinted, translated, and adapted into other genres.

Among the highlights:

"The Chronology Protection Case" introduced my popular NYPD forensic detective, Dr. Phil D'Amato, who comes up against no less an antagonist than the Universe itself, attempting to prevent scientists from discovering the secret of time travel. This novelette went on to be a finalist for the Nebula and Sturgeon awards and was adapted into a short film, and into a radio play that was performed at New York's Museum of Television and Radio and nominated for the 2002 Edgar Award for Best Play. The story has been reprinted four times, including in Barry Malzberg's collection The Best Time Travel Stories of All Time. Phil D'Amato returns in "The Copyright Notice Case" and "The Mendelian Lamp Case", and in three of my novels.

Enjoy the Edgar-nominated 38-minute radioplay of "The Chronology Protection Case"

The Chronology Protection Case Edgar nominee 2002 best radio play



or see the 90-second trailer for Jay Kensinger's 2002 movie of my story...


Added May 2009: And here's the complete, uncut, 43-minute movie!



Wikipedia entry on Phil D'Amato



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"Loose Ends" is the first in a series of stories in which a group of people who are trying to revive the US space program send Jeff Harris back in time to stop the Challenger disaster - but he gets pulled off-course and lands in November 1963 and is presented with other opportunities as he lives through the 1960s again, and travels to other times as well. This novella was a finalist in the sf short fiction "triple sweeps" - the Hugo, Nebula, and Sturgeon awards - and was followed in Analog by "Little Differences" and "Late Lessons"; the concluding story in the set will be "Last Calls".

My stories have appeared in anthologies edited by Orson Scott Card, Jane Yolen, Jack Dann, Marty Greenberg, Kathryn Cramer and others - and in David Hartwell's 1998 The Year's Best SF 3.   You can find a complete list of anthologies with my science fiction stories in my Amazon store.


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Awards

• 2023 Mary Shelley Award for Outstanding Fictional Work winner -- "It's Real Life" (short story & 
   radio play)

• 2022 Sidewise Award for Alternate History (short form) finalist: "It's Real Life" (short story)

• 2005 Neil Postman Award for Outstanding Public Intellectual winner -- given by the Media 
   Ecology Association

• 2005 "Audie" Award finalist -- The Consciousness Plague audiobook

• 2004 Teacher of the Year winner -- given by Fordham University's Graduate Student Association

• 2004 Prometheus Award finalist -- The Pixel Eye

• 2003 Mary Shelley Award for Outstanding Fictional Work winner -- The Consciousness Plague

• 2002 Edgar Allan Poe Award for Best Play nominee -- "The Chronology Protection Case"

• 2000 Locus Award for Best First Novel winner -- The Silk Code

• 2000 Barnes & Noble Maiden Voyages Award for Best First Novel runner-up -- The Silk Code

• 2000 Lewis Mumford Award for Outstanding Scholarship winner -- Digital McLuhan

• 1999 Homer Award finalist, novelette --"Little Differences"

• 1999 Homer Award finalist, novelette --"The Orchard"

• 1999 Sturgeon Award finalist, short story --"Advantage, Bellarmine"

• 1999 Homer Award finalist, short story --"Advantage, Bellarmine"

• 1998 Hugo Award finalist, novella --"Loose Ends"

• 1998 Sturgeon Award finalist, novella -- "Loose Ends"

• 1998 AnLab Award first runner-up, novella --"Loose Ends"

• 1998 Homer Award finalist, short story --"A Medal for Harry"

• 1997 Nebula Award finalist, novella --"Loose Ends"

• 1997 Nebula Award finalist, novelette --"The Copyright Notice Case"

• 1996 Homer Award winner, novelette -- "The Copyright Notice Case"

• 1996 Nebula Award finalist, novelette -- "The Chronology Protection Case"

• 1996 Sturgeon Award finalist, novelette -"The Chronology Protection Case"




Paul Levinson's books on Goodreads

The Plot to Save Socrates The Plot to Save Socrates
reviews: 47
ratings: 217 (avg rating 3.41)

The Silk Code The Silk Code (Phil D'Amato, #1)
reviews: 19
ratings: 134 (avg rating 3.28)

The Consciousness Plague The Consciousness Plague (Phil D'Amato)
reviews: 12
ratings: 75 (avg rating 3.39)

Digital McLuhan: A Guide to the Information Millennium Digital McLuhan: A Guide to the Information Millennium
reviews: 2
ratings: 36 (avg rating 3.83)

New New Media New New Media
reviews: 5
ratings: 40 (avg rating 3.62)


Monday, February 5, 2007

24 Season 6: hr 7: Jack's father

Continuing with my reviews of 24 Season 6 - as close as I can make it to within 24 minutes of the end of the episode ... [contains spoilers]...

Talk about dysfunctional families! Jack's father apologizes tonight for not giving Jack a better family - and indeed he should. Because it turns out that Jack's father is the evil brain behind brother Graem's assassination of David Palmer, and Michelle and Tony, last year, and whatever connection this accursed father-son team have to the suitcase nukes and the seething dangers of the current season. And just to seal the bargain on Phillip Bauer's - Jack's father's - consummate evil, he kills Graem at the end of tonight's episode to keep him from talking further. Graem hadn't quite passed muster. Under Jack's mounting torture, Graem had not spoken a word about his father. But he did reveal to Jack that he killed David Palmer and Michelle and Tony, as well as tried to kill Jack, too.

On the subject of torture, it's worth noting that in tonight's episode, the CTU team working under Jack refused to administer a likely lethal dose of drugs to Graem as Jack was insisting. So apparently 24 does not always glorify the use of torture. (I hope Keith Olbermann was watching...)

I was suspicious of Jack's father - he and Jack got the drop on the bad guys who were trying to kill them earlier in the show, a little too easily. There are clearly things about this family that we've yet to know.

Meanwhile, McCarthy getting Morris out of CTU to help Fayid trigger the remaining bombs was a nice piece of work. What will Fayid have over Morris to make him perform? Chloe at this point is still safe inside CTU - but as we know from past seasons, that's not exactly the safest place in the world...

Double episode, double adrenalin, next week...

Useful links:

listen to 3-minute podcast of this review

Keith Olbermann, Jack Bauer, and Samuel Taylor Coleridge my 20-min podcast about Olbermann's 1st attack on 24, with videoclips and other links

Olbermann's suspension of rationality about 24 my blog post on this issue

Cowardly Fox Pulled Go-Daddy Superbowl Ad in 2005

So I was thinking, in the aftermath of today's Go Daddy commercial on the CBS broadcast of the Superbowl, how the cowardly Fox pulled a hot Go-Daddy ad off its broadcast of the Superbowl, after one showing, in 2005.

Yeah, I know, Fox had the right to do this. Maybe Go Daddy had a civil case against Fox, but Fox certainly committed no crime there. The First Amendment does not protect us from tv networks acting childishly.

But what was Fox's problem? What were they so afraid of? That children watching the ad would have their future lives distorted? That someone who-knows-where would be offended? That the FCC would levy a fine?

There's no evidence of any kind that any child was ever upset or disturbed by an ad of this sort. As for FCC fines, it was a sad day indeed when the FCC unconstitutionally stuck its nose into what we can see and hear on television.

So what was Fox afraid of?

Frankly, the ad was only slightly more provocative than what we see with some of Fox's News anchors and reporters.

Would Fox have banned that ad today? Or the ad that CBS aired? I'd like to think not, but given all the aggravation that Go-Daddy had in the run-up to today's Superbowl even with CBS, I don't think we've progressed very far at all from 2005.

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Sunday, February 4, 2007

Memo to Olbermann: Are You Going after Rome?

Tonight's superb 4th Episode in Rome Season 2 on HBO had lots of ugly, brutal torture - frankly not my favorite part of this magnificent series, but I suppose it's realistic.

But it also got me to wondering: will Keith Olbermann lambaste Rome for its torture on Countdown as he did week before last for 24? Will he devote a Special Comment or whatever he calls it to Rome? Will its producers by held up as one Olbermann's "Worst People in the World" as he did for 24?

If his concerns were really just about torture depicted on television, perhaps he would. But, somehow, I doubt it.

For Olbermann's antipathy to the torture depicted on 24 is not just about torture, but about his hatred of Fox.

And however justified that may or may not be, it has no business getting formulated into attacks on a television drama... and a good one at that.

Sure, 24 is a show about modern-day terrorism, and Rome is a show about the past. Torture in one is not the same as torture in another. But they are both tv dramas, and have more in common with each other than either does to the real world in which we live and Olbermann works.

Helpful links:

Keith Olbermann, Jack Bauer, and Samuel Taylor Coleridge my 20-min podcast about Olbermann's 1st attack on 24, with videoclips and other links

Olbermann's suspension of rationality about 24 my blog post on this issue

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Rome Returns: Episode 4: The New Octavian

Simon Woods scored a victory tonight as the new Octavian. He had a difficult task - portray not just Octavian, but Caesar's heir as Max Pirkis had played him. And Simon Woods did it perfectly. He had the voice, the bearings, the mannerisms. And he bested Marc Antony.

Who was bloodied but clearly far from beaten. James Purefoy as Antony in a single scene practically stole the show tonight - as he has in the three previous episodes of Rome's second season on HBO.

And there was plenty of competition. The closing scene, in which Vorenus with Pullo's help finds his children brought tears to my eyes. It also was one of the best in the series - something I can keep saying just about every week.

And Atia, who escaped her poisoning by Servilia, had a powerful scene directing Timon to torture Servilia. There was lots of torture in this episode - those noble Romans had a taste for it.

And before I could let my breath out, the hour was over. The writing and acting and everything about Rome is so good, so powerful, that the months two millennia ago seem to fly by like seconds on the screen...







3-minute podcast of this review

related blog post: Memo to Olbermann: Are You Going after Rome?

Rome - The Complete First Season

Rome: Music From the HBO Series

my latest novel: The Plot to Save Socrates

I, Claudius 1977 BBC-HBO series

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Saturday, February 3, 2007

Student Sex in Shower: Not Prof's Business

An in the latest episode of academic theater of the absurd, you may have heard about a Yale prof who cautioned students in an e-mail not to engage in "intimate activity" in the showers...

Since when did professors get to have a say in what students do in their own time, outside of the classroom? Ok, this professor - one Jonathan Holloway - is "master" of one of Yale's residential colleges, but what does that mean? To the extent that such "masters" function as surrogate parents is one of the most provincial, antiquated aspects of student life. People go to college to get an education, not to be taught better manners.

Apparently a couple's going at it in the shower caused of flood (not of protest - of water), and this is what prompted the prof's e-mail. Here's a better solution to the flooding problem: Memo to Yale: get better drainage. It's not exactly rocket science.

And as for the public spectacle aspect this - other students who don't want to see couples in flagrante shower delicto: doesn't the steam on the glass take care of that?

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Friday, February 2, 2007

Viacom the Dinosaur Goes After YouTube

Viacom's demand that YouTube remove all Viacom (that means, CBS etc) video content from YouTube shows just how out of touch Viacom is.

And that's not surprising. The audience for network TV is steadily diminishing. People watch TV on the Web, on their own schedules not the networks'. Viacom should thank its lucky stars that there is a YouTube, which can keep Viacom's programming and content alive and of continuing interest.

Instead, Viacom is attempting to put Google-YouTube through its paces. Whatever temporary ground they may gain if this goes to the courts, Viacom will lose in the end. Its feet seem fimly planted in the receding quicksand of the 20th century.

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Gore Nomination for Nobel Prize Poetic Justice

Good for Al Gore - and good for us - that his work in making the world aware of global warming got him nominated for the Nobel Peace Prize.

The naysayers can carp all they want about the smattering of unworthy nominees in the past. Nothing on this Earth, including the Nobel Peace Prize process, is perfect. But it is nonetheless one of the greatest honors and recognitions that humanity can bestow on its own. Those who gainsay Gore's selection on grounds that the Prize is not all that important would be thrilled beyond their wildest imaginings were they ever to be so nominated themselves.

Al Gore won the popular vote for President in the 2000 election. The Republican dominated Supreme Court unconstitutionally prevented a recount in Florida, thereby tainting the Electoral College process. Gore did not become President, and just look at what we got instead.

I would vote for Gore in a heartbeat were he to run again in 2008. A man of his scientific and philosophic perspective would bring a rare quality indeed to the White House - Plato's philosopher king, democratically elected and with term limits.

I have a feeling that's not likely to happen. In the meantime, Al Gore and everyone who voted for him, and everyone who appreciates his tireless efforts on behalf of this planet, can take satisfaction that the Nobel Committee saw fit to nominate Gore, along with Canadian environmentalist Sheila Watt-Cloutier. Not surprisingly, the Nobel Committee and the American people have much better judgement than the Republican justices on the Supreme Court.

Useful links:

3-min podcast of this blog post

Gore Back on Center Stage 20-min podcast, 4 March 07

An Inconvenient Truth Al Gore's 2006 movie about global warming


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Thursday, February 1, 2007

Media Partially to Blame for Boston Terror Scare

It's certainly no laughing matter that bridges were closed and the public was frightened.

But who's most to blame?

Well, Peter Berdovsky and Sean Stevens, sure, for creating the flashing performance art. And, yeah, the Cartoon Network and Turner for being the corporate force behind this. And let's not forget all the Boston officials, whose taking of all this all too seriously in the first place set the scare in motion.

But you know what? Where were the media? Why didn't reporters do their job and get on top of this, and report the flashing lights for what they really were?

Have we progressed not an iota since Orson Welles frightened our grandparents with his War of the Worlds broadcast in the 1930s?

I know, the stakes are higher now. Terrorism is far more real than a Martian invasion.

But that's all the more reason that media should try to do their job a little more diligently.

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Wednesday, January 31, 2007

A Short History and Future of Watching Movies out of Theaters: Blockbuster, Netflix, and Everything Web

Movies began as a one-on-one experience here in the United States, in New York, with Edison's kinetoscopes. You put in a penny, bent over a console, turned the crank, and saw a little movie. The Brewster General Store on Route 6A on Cape Cod still has a kinetoscope - actually they acquired and refurbished an old one - in case you want to get a sense of what that felt like.

The Lumieres in Paris invented the theater, courtesy of celluloid that came from George Eastman. And the world was off and running with the unique social experience of going out to the movies. You sit with a group of complete strangers, in the dark - except for one or two people sitting next to you. You're a community for a few hours, and then it's gone. Well, maybe it's not unique. You get this in legitimate theaters and sports stadia. But, well, you get the picture.

But not as much as in public as in the last century. Big movie complexes still rakin 'em in, but the neighborhood theater is gone. Killed not so much by television, but by Blockbuster.

And now Blockbuster is facing the funereal music. There was an inch of snow on the ground tonight, north of New York City - who in their right mind wants to go out and return a tape? Netflix makes more sense. No wonder its business is booming.

But its years are numbered, too. In the end, if we can download a movie and watch with ease on a big wide screen, who wants to wait for the mail? It's not delivered on Sunday, anyway.

iTunes and Amazon and other pioneering if less legal outlets are already making inroads in Internet filmic delivery.

And so, we are headed back to the kinetoscope. Not in parlours, in our homes, but, hey, who's watching... It's easy and it's good. When it comes to movie delivery, nothing beats the speed of light.

Helpful links:

Blockbuster, Netflix, the Web?
listen to 3-minute podcast of this post

A Short History of the Movies (9th ed.), Gerald Mast & Bruce Kawin best history of the movies I know of

Brewster General Store
try the real kinetoscope for yourself, on rt 6A

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Monday, January 29, 2007

24 Season 6: hr 6: last 5 mins priceless, 1st 55 blah

Continuing with my reviews of 24 Season 6 - as close as I can make it to within 24 minutes of the end of the episode ... [contains spoilers]...

The last five minutes of tonight's 24, hour 6 were prime, even priceless. Jack's father is introduced, may be bad, but is revealed as being as duped by Jack's brother as everyone else in the family - except Jack, whose knowledge of the depth of his brother's evil is tantalizingly not clear at the moment. Jack seems to know something of what Graem could be capable of - but he couldn't know that Graem ordered David Palmer's assassination. Jack couldn't have known that and kept his composure tonight, in this tense, fast, family scene, bristling with possibilities...

But the rest of the hour - the first 55 minutes? - well, we've seen it all before, and maybe even more believably. I don't think Karen would have allowed herself to be bullied out of her job by Tom's blackmail - not without calling Bill first and working out all available strategies. And the Walid in prison bit was simply lame. It was not terribly believable in the first place that he would have been so fortunate to be locked up with terrorists responsible for the suitcase nukes. The revelation that the prisoners in question read about the "visitors" on the web was a nice touch, but not good enough to justify the time we spent with them.

24 has always been prone to such slow hours here and there. Start out strong, and then take a little time to regroup. That's what they made watching the whole season on DVD for - a weak hour or two doesn't matter when you can go right on to the next one, rather than having to wait a week.

But I'll survive. And though I'm sure Jack and his father will survive the presumed drive they're taking to their death (hey, didn't we see Jack in the coming attractions?), I'll be eagerly awaiting and watching with rapt attention next week anyway.

2.5 minute podcast of this review: Levinson news clips


Sunday, January 28, 2007

Rome Returns: Episode 3: The Exquisite Wheels of History

The wheels are inexorably turning in this third episode of Rome's return on HBO. Atia's on the brink of death by poison. (Atia of the Julii in HBO's Rome is only loosely based on the historical Atia Balba, so anything is possible - but our Atia's prospects do not look good.) Brutus, Cicero, and Antony are in downward spirals of one sort or another. Only Octavian, off stage and out of town, is looming more powerful with each episode.

You couldn't ask for anything more in the exquisite performances of Polly Walker (Atia), Tobias Menzies (Brutus), David Bamber (Cicero), and James Purefoy (Antony) in their roles. But tonight, for the first time in this second season of Rome, I found myself missing Ciaran Hinds' Caesar. He gave an irreplaceable center to the story - but what can you do, you can fool around with history only so much.

Meanwhile, in the fictional downstairs of the epic story, Vorenus and Pullo had one of their best nights of the entire series - meaning, for us, the viewers, the two split apart in a superbly rendered series of scenes. Kevin McKidd, especially, was extraordinary, given the transformation of his Vorenus from last year.

And he'll be due for a transformation again, when Pullo - played perfectly by Ray Stevenson - eventually reaches him with word that his children are alive...

I think we can assume that he will... But will that be in the last scene of the last episode of this series, or sooner? That is, soon enough to change whatever self-destructive course Vorenus is now undoubtedly on...

Simon Woods scored a victory tonight as the new Octavian. He had a difficult task - portray not just Octavian, but Caesar's heir as Max Pirkis had played him. And Simon Woods did it perfectly. He had the voice, the bearings, the mannerisms. And he bested Marc Antony.

Who was bloodied but clearly far from beaten. James Purefoy as Antony in a single scene practically stole the show tonight - as he has in the three previous episodes of Rome's second season on HBO.

And there was plenty of competition. The closing scene, in which Vorenus with Pullo's help finds his children brought tears to my eyes. It also was one of the best in the series - something I can keep saying just about every week.

And Atia, who escaped her poisoning by Servilia, had a powerful scene directing Timon to torture Servilia. There was lots of torture in this episode - those noble Romans had a taste for it.

And before I could let my breath out, the hour was over. The writing and acting and everything about Rome is so good, so powerful, that the months two millennia ago seem to fly by like seconds on the screen...


Rome - The Complete First Season

Rome: Music From the HBO Series

my latest novel: The Plot to Save Socrates

I, Claudius 1977 BBC-HBO series


Monday, January 22, 2007

24 Season 6: hr 5: Jack's Brother

Continuing with my reviews of 24 Season 6 - as close as I can make it to within 24 minutes of the end of the episode ... [contains spoilers]...

Whew! Talk about raising the ante! Last season on 24 we saw Jack deal with the President of the United States, who turned out to be one of the bad guys. Not the worst of the bad guys, but a conniving cooperator.

Tonight we found out an awful truth: the guy calling the shots for the bad guys last year, Graem, played by Paul McCrane, turns out to be ... Graem Bauer - Jack's brother. And Jack's father may also be involved.

We don't yet know the full connection between Jack's evil brother (not twin, they don't look much alike) and the nuke in the LA suburbs, but it's obviously substantial. Tonight's episode featured some brief but provocative references to the death of Jack's wife, Teri - the last time Jack and Graem saw each other was at her funeral - and the beginning of a glimpse into a part of Jack's life we did not know before.

Jack's father Phillip - played by James Cromwell - will make his appearance next week. My only regret is Donald Sutherland doesn't have the part.

I'm sure there's a story there, somewhere. But that's real life. And I'm enjoying this fiction far too much to far worry about it...

the 2 and 1/2 minute podcast of this review

Keith Olbermann, Jack Bauer, and Samuel Taylor Coleridge

Sunday, January 21, 2007

Rome Returns: Episode 2: Every Scene Is Memorable

Continuing my review of Season 2 of Rome. Tonight, Episode 2. Possible spoilers, as always, for the fictional part.

I realized tonight one of the many things that distinguishes HBO's Rome from anything else on television: there's not a scene wasted, not a minute, not a conversation, that you're not delighted you saw and heard.

Tonight's episode - the second in Rome's return - was especially rich in such wonderful moments. Antony and Cleopatra (played by Lindsey Marshal) were superb. Just the right chemistry. Antony and Atia were great together, too. Vorenus and Pullo have now completed their role reversals - Pullo invokes the gods, Vorenus exults in their denial. And again Antony (the night belonged to James Purefoy) and Vorenus (with Pullo) had a priceless scene, in which Antony shows his understanding of at least a part of the human condition, and pulls Vorenus out of his downward spiral.

But the scene of scenes tonight was the confrontation between Antony and Octavian. Max Pirkis as Octavian more than held his own against a scalding performance by Purefoy. For the first time, we can truly believe that Octavian will triumph over Antony - not just because history tells us so, but because we can see it with our own eyes, in this unforgettable performance.

But that's getting a little ahead of ourselves. Tonight we must content ourselves with Octavian leaving the city - a bit battered, but the furthest thing from bowed.

And, oh yes, Vorenus' children are alive. I knew they would be. In fictional television land - which this part of the story of HBO's Rome is - people are never dead unless you see them dead beyond any possible revival. I'm glad - for Vorenus, and for us.







3-minute podcast of this review


Rome - The Complete First Season

I, Claudius 1977 BBC-HBO series

my latest novel: The Plot to Save Socrates

Miami Vice - pretty nice

I saw Miami Vice - the 2006 movie - on-demand last night. I had heard mostly bad things about it - including from a few people who walked out of the thearter where it was playing earlier this year, because they found it boring.

I liked it. Certainly not a great movie, but I liked it. For the same reasons I enjoyed the original Miami Vice tv series back in the 1980s. Smooth ambience, great seamless mix of images and music - the dialogue almost doesn't matter, any more than it does in a music video.

And the plot was pretty good, with a couple of medium-good suprises. So was the acting. Jamie Foxx's haircut was laughable, but his acting as Tubbs was fine. So was Colin Farrell as Crockett. Maybe not as good Don Johnson in that role - but I'm not 100% sure Don Johnson was as good as what I remember of him on tv, either.

And the movie had Ciarian Hinds - one of my favorite actors after his superb Julius Caesar in HBO's Rome - playing an FBI chief, replete with an Al Pacino look and accent.

John Ortiz was a fine villain, and Li Gong looked and sounded good as Crockett's lover.

One thing I missed - Edward James Olmos as the Lieutenant - he was spectacular in the original tv series, the quiet powerful glue that held the characters and the stories together.

But hey, I'll see him on Battlestar Galactica as Admiral Adama tonight, so I'm not complaining...

Useful links:

Miami Vice (Unrated Director's Cut)

Miami Vice - Season One original tv series

InfiniteRegress.tv