"Paul Levinson's It's Real Life is a page-turning exploration into that multiverse known as rock and roll. But it is much more than a marvelous adventure narrated by a master storyteller...it is also an exquisite meditation on the very nature of alternate history." -- Jack Dann, The Fiction Writer's Guide to Alternate History

Tuesday, July 17, 2007

John from Cincinnati: Episode Six: Time Well Spent on Honey?

"Time well spent" - that was the last line of last night's John from Cincinnati (Episode 6, Day 5 - please, don't ask me why). A part of me was hoping maybe I had misunderstood the count of episodes and "Days" of John's visit on the show even more than I have, and maybe that was the last line of the last episode of the series, which I had somehow just seen On Demand tonight, but ... no such luck ... no, no, I'm only kidding ... well, maybe not completely but at least partially, I think...

Tonight's episode featured: no Mitch (Bruce Greenwood had the Day off), Cissy a little less shrill, Cass looking better than ever in those blue jeans, Tina looking good, too, and everyone else in fine form (though I have to say, Shaun's deadpan character is beginning to wear thin ... though I don't know Greyson Fletcher's acting well enough to say whether it's his fault or the writing and direction ... hmmm... didn't this come up with Hayden Christensen and George Lucas about Star Wars?)

The plot, as usual, can be summarized in two minutes: Cissy feels bad that Shaun hears her badmouthing his mother Tina, and puts Butchie up to getting her back to see Shaunie after all. There are some profound family reveals (but not really surprising for this family) and deep currents of guilt. John also saves another soul - Cissy - in her case, from possibly committing suicide. John tells her to "baptize the pistol," a good line.

And the dialog, as usual, was excellent in parts, and this episode features a brilliant riff-sermon from John, who is finally speaking and not the "human parrot" that Bill says he is (correctly, until last night).

You can read it somewhere over on hbo.com - it's one fine piece of writing. It even has John saying stuff about the Internet - and the "zeroes and ones" in Cass's (digital) camera ...

Gratifying ... I've been saying for years that immortality would be digital code somewhere out there in the cosmos that describes our DNA and our lives.

Actually, there are a bunch of better lines on the show - not in John's riff - but in Butchie talking about Tina sucking ... but I'm trying to take the high, or at least, academic road here, folks ... so good for John for recognizing the digital revolution.

There was also some dead guy that John pulled out of the motel - I'm not sure who he is ... John's father? Maybe it's a good thing this wasn't the finale, so we can find out who this guy is ... Dead, but he delivered a stronger performance than one or two of the others ...

I'm still liking that intro theme song a lot. If you want the honey, don't kill the series....

Wait - maybe the whole Day Six - Episode Seven - next week will be just 60 minutes of silence and black ... and then-


See also reviews of other episodes ... Episode One ... Episode Two ... Episode Three ... Episode Four ... Episode Five ... Episode Seven ... Episode 8 ... Episode 9 ... Episode 10

See also John from Cincinnati: The Meaning in a Sentence or Two

12 comments:

Anonymous said...

Ditto...approximately my thoughts. I have to find the text of John's end of show monologue...it sounded a lot like Bob Dobbs stuff ( see http://fivebodied.com/index.php?sid=fae0a9bcaeebb64bfffe45dc4ee1c3e0 )

Someone on the IMBD page titled his review of the show "John is a Demon"...very intriguing! But I'm not a member and couldn't read his further comments.

Cheers,

~Foo Fighter~

Anonymous said...

One thing I love about this show is the feel of it. I just enjoy how cool it is. I enjoy the shows that require a little patience to get to the meat of things. It makes all the character setup that much better. At the end of John's monologue, they showed the whole Yost family standing at the motel. This is going to be interesting where they're taking this show.

Anonymous said...

As has been said before...the acting seems disjointed and stiff...but it is an interesting show...and at least it's not a COP/Doctor/Lawyer show thank god.

~Foo Fighter~

Anonymous said...
This comment has been removed by the author.
Anonymous said...

The dead guy was the guy from the lottery winner's past who "took liberties with a young boy in room 24"
basically I think he coerced the guy into having sex or at least oral and this is why he (lottery winner) is so fried.

Anonymous said...

Greyson Fletcher is the son of Christian Fletcher, a professional surfer, and is a professional surfer himself, not an actor. The Yost family is based loosely on the Fletchers, a surfing family. I think the granddad Herbie Fletcher is Mitch in the show. So for a nonprofessional, actor that is, I think Greyson does a pretty good job. Also, spent much time with teenage boys? They're pretty monotone. The theme song rocks, the Mescaleros with Joe Strummer. Love the show, good blog.

Anonymous said...

The dead guy from Room 24 is the corpse of Mr. Rollins, the guy who "cums on Barry's face". Notice he has what looks like a bullet hole through his forehead?

Paul Levinson said...

Great comments, folks - thanks!

To the anon before last: my son, now in his 20s, usually talked a blue streak when he was in his teens :) ... but I guess all kids aren't the same...

The Mescalerous with Joe Strummer are superb!

Great info, everyone - keep it comin!

Anonymous said...

Check out the John From Cincinnati Forums for some great discussion about John's speech and other parts of the show.

http://johnfromcincinnatifans.com/forums/index.php

Anonymous said...

Mistakenly cross posted at Ep05 thread. Sorry.

I have an idea to get rid of the obnoxious De Mornay/Cissy character. Fire the Greenewood guy who plays Mitch Yost (he's kinda lame anyway) and replace him with Leonard Cohen. De Mornay will bolt immediately.

Leonard doesn't surf or act, but neither is anyone else in the cast doing likewise. And his music might inspire a writing team whose talent falls way short of their chosen subject matter. The present ensemble are dealing with the infinite like teenyboppers doing a youtube spoof.

Cohen could show them a thing or two about Christ imagery and the human condition.

Maybe Rebecca still has a couple of CDs in her glove compartment she could lend to Milch.

Anonymous said...

The dialogue is BAD. And not in a deliberate Grindhouse, so-bad-it's-cool kind of way.

Tina to Linc:

"I never took a cock that big, and you handled it like a champ"

Oh please. Who talks like this?

And besides, "Linc", we saw you full frontal in Oz. Sorry dude, suspension of disbelief can only go so far.

Gh0st said...

"I never took a cock that big, and you handled it like a champ"

Sarchasm - noun - The gap between a speaker of a sarcasm and the twit who completely misses it.

Love when people go "sucks...because I don't get it".

Show is really intriguing and the dialogue is dead on. If you pay attention that is.

gh0st

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