22 December 2024: The three latest written interviews of me are here, here and here.

Tuesday, March 31, 2020

The Plot Against America 1.3: Corrosive Anti-Semitism



A chilling episode 1.3 in the alternate history that is The Plot Against America, which explores the corrosive impact on anti-semitism on the Levine family, as they take a little vacation in Lindbergh's Washington, DC.

It's not that Lindbergh has specifically done anything against the Jews - at least, not yet.  It's that American bigots, who range from people in restaurants to people who run hotels, are beginning to voice and an act upon their anti-semitism.  And the helpful police warn Herman that their patience is wearing thin, when he complains when he and his wife and kids are thrown out of their hotel, merely because they are Jewish.

That scene sums up the stark difference between The Man in the High Castle and The Plot Against America.  The Nazis winning the war is a very different kind of alternate history than Nazi sympathizers slowly gaining control of the United States, against the backdrop of Hitler winning the war in Europe,

All of which makes Rabbi Bengelsdorf an even more inexplicable character.  Surely he knows what Herman has seen and experienced.   I get that he's against the war, and therefore strongly supports Lindbergh's isolationism.   But how can the Rabbi turn a blind eye to Jews being publicly badmouthed and thrown out of restaurants?  And if Bengelsdorf  is inexplicable, Evelyn Finkel is even more so.   She'll soon know exactly what her sister's family experienced.  And the coming attractions show that she still defends Bengelsdorf  - ok, she loves him - and Lindbergh.  Could love go that far?

Well, though The Plot Against America addresses the real anti-semitism in America that simmered in the 1930s and the 1940s, the Levines are fictional characters, as is Bengelsdorf, so anything can happen.

See also The Plot Against America 1.1: Yet Another Alternate Nazi History, with Forshpeis ... The Plot Against 1.2: The 33rd President

 

Monday, March 30, 2020

Westworld 3.3: Cyberpunk World



As I said in a previous review of this third season of Westworld, the series' move out of the park(s) into the world at large has made it as much a cyberpunk as an android story, though two genres are related.  The cyberpunk ambience - the colors, the ambience, the cinematography - was even more in evidence in episode 3.3 last night, and I'm really liking it.

Dolores figures in two, thus far almost separate, stories.  One is about Charlotte Hale, who was killed at the end of the last season, and replaced by a host that looks like her with Dolores' mentality inside, but now has another host's AI mind.  She's a crucially important get for Dolores - Charlotte was/is Exec Director of Delos - and Dolores is therefore on hand in episode 3.3 to see that whoever it is inside Charlotte the host is having as smooth a transition as possible.  It's not easy.  Her son, named Nathan Hale (will he go on to have only one life to give for his country?) doesn't completely buy her as his mom.  And neither, quite, does her husband (played by Michael Ealy, who's done a good job in every series in which I've seen him, since Sleeper Cell).

To make Charlotte even more intriguing, we have no idea what host's AI is now driving her.  I've seen suggestions that it could be the Man in Black, since he had a habit of cutting himself, which the new Charlotte has, too.  I suppose there's no reason that a male AI can't be put inside a female host's body, but I don't recall this happening before.  And I'm also wondering: is there any reason a host's AI can't be in two bodies at the same time?  And, if so, why didn't Dolores just stay in Charlotte's body, after getting back into her own?

Meanwhile, a tad earlier than Dolores mentoring/nurturing Charlotte, we pick up the story of Caleb rescuing Dolores.  If Charlotte was an AI story, Caleb and Dolores are pure cyberpunk.  Their relationship is pivotal in all kinds of ways.  It shows that Dolores can have a constructive partnership with a human being, and maybe more than that.  I'll tell you one thing: if Caleb gets killed at the end of this season, and is replaced by a host, I'll be disappointed.  I'd like to see their host-human partnership develop full-throttle in this and subsequent seasons.





Homeland 8.8: The Black Box



Well, irrepressible optimist that I am, Homeland 8.8 shows I wrong about two hopes for the story this season.

I had a small hope that Haissam Haqqani might somehow survive.  It looked for a few minutes that in fact he might - at least, for 24 more hours.  He also rose up after being riddled with bullets.  But he was shot by the firing squad again.  He's definitely dead.

And I had a big hope that Max would survive.  That didn't happen either.  All of Carrie's efforts, abetted by Yevgenny, failed to save him.  He's gone now, too.

So, what's left?  The black box, from the downed presidential helicopter.  Max retrieved it, and, with one of his last breaths, told Carrie where he thinks it now is.  The information it has could provide us with the huge unanswered question: who brought the helicopter down?  Jalal Haqqani claims he did, and held up what he claims was the weapon.  But the other Taliban leader who confronted him afterward, said Jalal was not the one who brought the helicopter down.  So, who did?

I said last week that I thought it could be the pro-war clique now surrounding the President in Washington.  We saw the handiwork of two of them tonight, getting the President to practically edge the U. S. into a war with Pakistan.   Do their tentacles extend to Afghanistan?  I'd say very likely.

And who is there to oppose them?  The coming attractions, I think, show Saul back in Washington.  Carrie and Yevgenny are out to find that black box.  Even though Carrie doesn't trust Saul, I trust the odds of Saul and Carrie and Yevgenny sorting this out.







And see also  Homeland on Showtime ... Homeland 1.8: Surprises ... Homeland Concludes First Season: Exceptional


Sunday, March 29, 2020

Outlander 5.7: The Paradoxical Spark



A momentous, grim episode 5.7 of Outlander tonight, which portrays what is said to be the spark of the American Revolution, seen through the eyes of - and animated by - our time travelers.

Brianna says the battle in North Carolina, in 1771, will have profound repercussions. The Regulators (the Americans fighting the Crown) will be badly beaten by the Redcoats and their American allies, and some historians say this will be the "spark" that ignited the American Revolution five years later. Should Brianna warn the Regulators?  Tempting, but might that not risk removing the spark and therein changing history, with the result of no American Revolution?  This time-travel paradox is as fundamental as it comes: with no American Revolution, and no USA in which Brianna will be born, there would be no Brianna to travel to the past in the first place.  My favorite kind of paradox.

But, of course, Roger volunteers to try warn the Regulators, anyway, in the hope that people they know and love could be saved - such as Murtaugh - but simmering resentments will foment the American Revolution nonetheless.   A neat way of beating the paradox, but ...

Before the hour is over, Murtaugh is dead and Roger may be hanging from a tree.  The British indeed slaughtered the Regulators, so the spark has been preserved.  But at what price?  Murtaugh is definitely gone.

As for Roger, as I say many a time in my reviews of all kinds of television series, I'm a great believer in the principle that if you don't actually see the character shot in the heart or the head, he or she might somehow survive.   We didn't see Roger's face on the rope.  We saw a body wearing his clothes.  But that leaves open the possibility that the Regulators stripped him of his clothes, and the body hanging from the tree was someone else's.

Again, I haven't read the books, and I'm an eternal optimist, so I'm thinking Roger is alive.  But he may not be well, and who knows where he is.  We'll just have to see in the weeks ahead.

See also Outlander 5.1: Father of the Bride ... Outlander 5.2: Antibiotics and Time Travel ... Outlander 5.3: Misery ... Outlander 5.4: Accidental Information and the Future ... Outlander 5.5: Lessons in Penicillin and Locusts ... Outlander 5.6: Locusts, Jocasta, and Bonnet

And see also Outlander 4.1: The American Dream ... Outlander 4.2: Slavery ...Outlander 4.3: The Silver Filling ... Outlander 4.4: Bears and Worse and the Remedy ... Outlander 4.5: Chickens Coming Home to Roost ... Outlander 4.6: Jamie's Son ... Outlander 4.7: Brianna's Journey and Daddy ... Outlander 4.8: Ecstasy and Agony ... Outlander 4.9: Reunions ... Outlander 4.10: American Stone ... Outlander 4.11: Meets Pride and Prejudice ... Outlander 4.12: "Through Time and Space" ... Outlander Season 4 Finale:  Fair Trade

And see also Outlander Season 3 Debut: A Tale of Two Times and Places ...Outlander 3.2: Whole Lot of Loving, But ... Outlander 3.3: Free and Sad ... Outlander 3.4: Love Me Tender and Dylan ... Outlander 3.5: The 1960s and the Past ... Outlander 3.6: Reunion ... Outlander 3.7: The Other Wife ... Outlander 3.8: Pirates! ... Outlander 3.9: The Seas ...Outlander 3.10: Typhoid Story ... Outlander 3.11: Claire Crusoe ...Outlander 3.12: Geillis and Benjamin Button ... Outlander 3.13: Triple Ending

And see also Outlander 2.1: Split Hour ... Outlander 2.2: The King and the Forest ... Outlander 2.3: Mother and Dr. Dog ... Outlander 2.5: The Unappreciated Paradox ... Outlander 2.6: The Duel and the Offspring ...Outlander 2.7: Further into the Future ... Outlander 2.8: The Conversation ... Outlander 2.9: Flashbacks of the Future ... Outlander 2.10: One True Prediction and Counting ... Outlander 2.11: London Not Falling ... Outlander 2.12: Stubborn Fate and Scotland On and Off Screen ... Outlander Season 2 Finale: Decades

And see also Outlander 1.1-3: The Hope of Time Travel ... Outlander 1.6:  Outstanding ... Outlander 1.7: Tender Intertemporal Polygamy ...Outlander 1.8: The Other Side ... Outlander 1.9: Spanking Good ... Outlander 1.10: A Glimmer of Paradox ... Outlander 1.11: Vaccination and Time Travel ... Outlander 1.12: Black Jack's Progeny ...Outlander 1.13: Mother's Day ... Outlander 1.14: All That Jazz ... Outlander Season 1 Finale: Let's Change History

  


Ozark 3: Breakups



A superb third season of Ozark now on Netflix, which I'll try to review without any specific spoilers.  The theme of the ten episodes was breakup - of alliances, families, loyalties - final and temporary.

The basis for Marty and Wendy at odds  was set in the second season.  Wendy clearly has strategic smarts which not only complement Marty's, but offer alternate pathways.   Navarro, the Mexican head of the drug cartel that Marty is dealing with - laundering its money in Marty's casino - is impressed with Wendy's plans and instincts.

Ben, Wendy's brother, is the best new character introduced in the third season, and, indeed, right up there was Marty and Wendy, their kids, and Ruth.   Ben is charming, lovable, but can be violent.  Marty and Wendy are not happy when Ben shows up at their door, but he easily connects with Jonah, and, for other reasons, Ruth.   Tom Pelphrey's portrayal of Ben is definitely Emmy worthy.

Back to Jonah, the children - Jonah and Charlotte, and add in Helen's daughter Erin - were especially important this season.   Jonah is growing up, and we see the first time he's kissed by a girl, and his going after a perceived enemy with a point-blank shotgun.  Women play a prominent in the interweaving stories, including Helen, FBI agent Maya Miller, Darlene, and the ever-redoubtable Ruth, with a heart of gold not too far from her sleeve.

All of these characters are put to the test, in every episode, and the resolution of their profound conflicts are both surprising and thoroughly believable in retrospect.   In addition to Pelphrey, Julia Garner was just outstanding again as Ruth, and deserves another Emmy.   Laura Linney as Wendy outdid herself in season 3, and deserves not only the nominations she's received for previous seasons, but winning an award or two herself this season.  And, as always, you couldn't ask for a better performance than Jason Bateman as Marty.

From the beginning of the first season, enjoyment of Ozark required a big suspension of disbelief.  Season 3 requires more of that.  But the dividends are very much worth it.

See also Ozark: Frying Pan into the Fire ... Ozark 2: Against All Odds and More

Friday, March 27, 2020

Coronavirus and the Media



I've been interviewed over the past three months by several newspapers, websites, and a radio show, about the impact of the Coronavirus on television, the Internet, and online education and entertainment.  The titles and publications (with links) appear below.  I'll add to this list when new articles appear.

  • "Watching cable news to see inside newsmakers’ homes," KCRW Radio (Los Angeles), May 13, 2020.
  • "Legacy news, social media giants converge in new era of censorship," Just the News, May 2, 2020.
  • "Donald Trump Now Says His Disinfectant Comments Were 'Sarcastic' — But They Were Widely Taken As Serious," DEADLINE, April 24, 2020.
  • "Dr. Phil, Dr. Oz, Dr. Drew: TV Talking Heads Trigger Backlash For Coronavirus Comments," DEADLINE, 17 April 2020.
  • "The long and winding evolution of Dr. Drew, back in the spotlight after a coronavirus controversy," Washington Post, 13 April 2020.
  • "Our TVs are full of characters spreading germs and now we can never unsee it," Washington Post, 24 March 2020.  (Note: This article may be behind a paywall.  If you can't access it, you can read it here.)
  • "Can the Internet Break From Overuse?" How Stuff Works, March 25, 2020
  • "Why coronavirus may be a watershed moment in this digital age," Atlanta Journal Constitution, March 25, 2020 

The Sinner Season 3 Finale: Short Hair, with a Beard



A powerful, powerfully odd season 3 finale of The Sinner tonight, including a cut to black ending with no closing credits.

Before that, why didn't Harry shoot Jamie sooner, after Jamie came this close to killing Harry's grandson?   But Harry's reaction afterwards, trying to save then comfort the dying Jamie, and then breaking down to Sonya, that makes perfect sense.  Harry shared such an essential part of Jamie that Harry felt that he killed a part of himself.

The best thing to come out of this season for Harry is finding someone like Sonya.  She clearly felt some kind of kinship with Jamie, too.  That's why she didn't leave her home after Harry warned her that Jamie was coming to do her harm.  She had to face Jamie, to talk to him, because she felt she could better know herself via that encounter.  So Harry and Sonya have a good basis for a relationship: they both had an attraction, see something of themselves, in this deeply troubled psycho (I guess that's redundant - deeply troubled psycho - but it seems an apt description of Jamie.)

Another puzzle:  unless I imagined it, I thought I saw a shot of Jamie with short hair and the beginning of a beard in the what's-ahead splash in the commercial break.   Did I imagine that?  If not, what was that?  A shot from an alternate ending in which Jamie somehow survived?

Questions like that get to what's really unique about The Sinner: stories just this side of insanity, that quote Jung, as Jamie did tonight, that draw you in because they have just that necessary minimum of logic, but increasingly flirt with going off the rails.

More than enough for me to know I'll be watching the next season, if there is one!

See also The Sinner 3.1: Second Degree Murder, First Degree Detective ... The Sinner 3.2:  The Contractor and the Contractee ... The Sinner 3.3: The Baby Monster ... The Sinner 3.4-5: Why Doesn't Harry Just Arrest Jamie ... The Sinner 3.6: Faustian Bargains ... The Sinner 3.7: Confession and Connection

And see also The Sinner 2.1: The Boy ... The Sinner 2.2:  Heather's Story ... The Sinner 2.3: Julian's Mother ... The Sinner 2.5: The Scapegoat ... The Simmer 2.7: Occluded Past Unwound - Mostly ... The Sinner Season 2 Finale: The Ambiguity of Harry


Wednesday, March 25, 2020

Curb Your Enthusiasm Season 10 Finale: Unjust Desserts



An excellent, funny end of the tenth season of Curb Your Enthusiasm this past Sunday, which tied up all kinds of loose ends in this hilarious season.

A fundamental principle of Larry's life in this series has always been that he's punished for the risks he takes - takes on behalf of righting some more or less real wrong that was done him.  The season began with Larry objecting to the wobbly tables and tasteless coffee in Mocha Joe's.  He puts together a spite store, with all sorts of innovations for a coffee place, right next to Mocha's.

The season finale begins with one of Larry David the producer's trademarks.  Josh Mankiewicz does a full-trim NBC report on spite stores and their cultural significance, featuring Latte Larry's.  And that, folks, was highpoint for the story of Larry's store.  By the time the episode is over, the store has burned down, and the firefighter on the scene tells Larry he might be investigated for arson, since the fire was caused by all the innovations (such as no easily tappable water in the men's room) Larry put in his store.

But that's my no means it.  Very early in the season, Larry gets caught up in a sexual harassment suit.  He's innocent.  But he gets out of the suit only because his accuser loses her memory, after she passes out in a elevator, choking on a too-dry scone.  Larry is standing right next to her, but he's afraid to apply the Heimlich, because of the sexual harassment suit.  A neat little story, and a rarity, because Larry comes out ahead.

But in the finale, even this victory is snatched from Larry's battered yet still proud psyche.  The woman regains her memory, begins her persecution of Larry.  But she falls for Joe, whose store also burns down, and in the last scene we see she and Joe have bought the house next to Larry.  We have the makings of a new season, with this new couple, each of whom has reason to not like Larry, to say the least, living right next door.

And I'll be back here with a review as soon as that new season begins.

Tuesday, March 24, 2020

Paul Levinson Talks about Welcome Up on Bear Tone Podcast




Among the many people and media in music and science fiction I talk about in this podcast, recorded the day I finished recording Welcome Up: Songs of Space and Time in Old Bear Studios in Batavia, NY in November, 2018: Alan Freed, Murray the K, Stu Nitekman, The New Outlook, Ellie Greenwich, Herb Abramson, Twice Upon A Rhyme, Boris Midney, Nikita Khrushchev, Paul McCartney, Robert Christgau, The Village Voice, Tina Vozick, Record Collectors Magazine, Big Pink Records, Anthony Nyland, Chris Hoisington, Phil D'Amato, "The Chronology Protection Case", David Hartwell, Borrowed Tides, Peter Brown Called, Steve Padin, Vincent van Gogh, Jeremy Thompson, Electric Lady Studios, Egypt Station, Bill O'Reilly

The Plot Against America 1.2: The 33rd President



A powerful second episode of The Plot Against America, with its now patented mix of sharp historical details and disturbing alternate history.

The details again range from rarely heard Yiddish, like bahaimhe for cow, to those light green semi-translucent dishes on the table.  And the delicatessen looked so good I could taste it.

The alternate reality was equally, if verging on tragically, convincing.  Lindbergh, running on a me vs. war platform, beats Roosevelt in his quest for a third term in 1940.  We learn this by witnessing the Levins learning of this via the radio in their living room.  Though I knew this was going to happen in this story, it was a blow, anyway, offered at almost the same time as Herman Levin ducks into his Newark moviehouse to see the Nazis taking over Europe.  The mix of movies and radio indeed typified this time - nothing alternate about their role in history - and The Plot Against America's employment of newsreels and radio to convey its narrative makes its alternate history all the more real.

The other smack-in-your-face element is Rabbi Lionel Bengelsdorf's support of Lindbergh in his campaign for President.  The character is all the more horrifying because he's played the charismatic John Tuturro.  Bengelsdorf is so charismatic, so sure of his beliefs and so well spoken, that he even attracts Evelyn Finkel played by Winona Ryder.   Is he based on a real person?  Not that I know of, and I suppose that's one optimistic aspect of this frightening story.

Lindbergh's election as the 33rd American President means the pace of this short series will be quickening.  Alvin Levin has gone to Canada to enlist in their armed forces because he want to "kill Nazis".  Will America with Lindbergh in the White House offer Britain and Churchill no help in their heroic attempt to stave off Hitler?

I'll be back here with my report next week.

See also The Plot Against America 1.1: Yet Another Alternate Nazi History, with Forshpeis

 


Monday, March 23, 2020

Homeland 8.7: The Vice Tightens



Just about everything got worse for just about everyone in Homeland 8.7, another excellent episode in this concluding season.

Max is still alive, so in that sense things at least did not get much worse for him.  But he's in critical condition, and still in Taliban hands.  The fact that Jalal Haqqani seems to be in charge is probably a good thing, since, at very least, he can be reasoned with.  But this still doesn't leave Carrie much room.  Fortunately, Yevgeny is there to stop her from, in effect, throwing away her life in a futile attempt to rescue Max.  But it looks like Carrie and Yevgeny will not be enough to spring Max on their own.

Saul is not doing too well, either.  His attempt to get the judge to delay Haissam Haqqani's trial by a week flops when the judge is replaced at the last minute. Back in Washington, Saul's attempt to get the Chief of Staff to get the new U. S. President to intercede on Haissam Haqqani's behalf also fails, and the President is being pressured to do nothing to help Haqqani.

While all of this is swirling around, the big question still remains of who set up the two Presidents to be assassinated?  Someone in Afghanistan or the United States?  I'm thinking G'ulom, now in Washington also pressuring the U. S. President to let Haqqani be executed, is too obvious a choice.  It would more consistent with the Homeland brand that the dual assassinations were plotted out by someone in the United States.

The final season of Homeland could have been searingly relevant to our current events.  As it is, it makes a good diversion from this our age of the Coronavirus pandemic.







And see also  Homeland on Showtime ... Homeland 1.8: Surprises ... Homeland Concludes First Season: Exceptional



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