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George Santayana had irrational faith in reason - I have irrational faith in TV.

Welcome to Light On Light Through, Episode 218, in which I review Part 3 of Peter Jackson's The Beatles: Get Back documentary.
Relevant links:

Widening the focus a bit, the whole rooftop concert was a splendid, high-octane tour-de-force, finally shown in Jackson's movie in its full extent, making the original film of the concert that we've been watching all these years seem two-dimensional in comparison. That original movie has flashes of the energy of that rooftop performance, which takes full and gorgeous expression in Jackson's documentary.
It may have been the Beatles' finest moment. "I've Got a Feeling," which I always really liked, is now in my top handful of all-time favorite Beatle songs -- the energy in McCartney's voice, the oh-yeahs, the nos, Lennon's bit, the instrumentation, is all just extraordinary.
It certainly was their final moment in a public performance. Some of the earlier part of Part 3 tells us why:
And here's "It's Real Life" -- free alternate history short story about The Beatles, made into a radio play and audiobook and winner of The Mary Shelley Award 2023
Welcome to Light On Light Through, Episode 217, in which I review Part 2 of Peter Jackson's The Beatles: Get Back documentary (review of Part 3 to follow soon).
Relevant links:

A very different kind of feeling and (true) story in Part 2 of Peter Jackson's The Beatles: Get Back documentary. Up from the doldrums, George Harrison is back, Billy Preston joins them, and the sound and the ambience is often heady and exhilarating.
It's almost as if Twickenham, where the first part of the month of January 1969, and therefore the first part of Jackson's movie, took place, was infected by some kind of mold that put everyone on edge and made them depressed. In the new Apple Studios, the Beatles are transformed.
Billy Preston, who joins them, is justly given at least some of the credit by the Beatles themselves. But the four were also getting along together much better, and beginning to gel, even before Preston arrived. Lennon blossoms with "I Dig a Pony" and in fact every song written by him or McCartney or Harrison that he sings and plays. Preston does add his inimitable smile and just-right keyboard. Harrison takes an active role in arranging McCartney's "Get Back". The performances are punctuated not by complaining but joking, mostly Lennon's, with McCartney more than willing to jump in, and Harrison appreciatively laughing. Ringo is always in a good mood, except when he's sleeping.
All of this feels for all the world like this just happened, that what we're seeing on the screen took place just last week. This has to be a testament to Peter Jackson and all the people and the magic he and they brought to this documentary. It felt like a time portal, to a place where all the Beatles were alive and young.
But all's not completely well. The disagreements that nearly tore the group apart at Twickenham are not gone, merely receded. Early in the episode, back at Twickenham, Paul and John have an on-camera conversation. Paul wants more planning, more organization, in their work. John responds with lines from Beatles songs, clever in themselves, sarcastic in this context. (To some extent, I've always thought that bands are bound to fall apart, because they violate the very egos that make the band members join the band in the first place.) Near the end of this episode, we find McCartney once again discontented. It's not about how George isn't getting it right. It's McCartney's wish to end this now productive time for the Beatles not with just another album, but some kind of memorable event .
The people working for and supporting and often thinking for the Beatles come up with a solution: a rooftop performance on top of their Apple Studios. But this brings us to the door of Part 3, which I'll watch and review right here tomorrow.
And here's "It's Real Life" -- free alternate history short story about The Beatles, made into a radio play and audiobook and winner of The Mary Shelley Award 2023
See also The Beatles, Part 1: Soul Touching Anecdotes and The Beatles: Get Back, Part 3: Up on the Roof ... my review of Rob Sheffield's Dreaming the Beatles and A Vote for McCartney (my very first published article, in The Village Voice, 1971)
Welcome to Light On Light Through, Episode 216, in which I review Part 1 of Peter Jackson's The Beatles: Get Back documentary (reviews of Parts 2 and 3 to follow soon).
Relevant links:

I started watching Get Back with the absolute knowledge that The Beatles were and are one of the best things in my life, and easily THE best thing musically. For the past few years, I've listened to them about as much as to MSNBC on Sirius XM radio, which is to say, any and all the time I'm in the car driving by myself (see The Omnipotent Ear). Their arrival in the United States in 1964 coincided with my first serious girlfriend, Barbara (we met when she came to hear my doo-wop group sing at a Y on the Grand Concourse in the Bronx). By January 1969, the time we see the Beatles in the studio in Peter Jackson's The Beatles: Get Back, I was with Tina, who became my wife. We're still happily married, with wonderful children and grandchildren.
So The Beatles in general, and Peter Jackson's documentary, are that central and important to my life. Masterpiece is not quite the right word for it, because experiencing the first part of this movie was more than that, deeply personal. But I will say that this documentary -- or, at this point, Part 1-- is brilliantly made. The rapid history of how The Beatles got to 1969, with words on the screen in an almost silent movie kind of style, worked perfectly. The two hours thirty something minutes flew by. Here are some moments that especially impressed, even touched my soul:
Back to George: As I said, I don't blame him for being hurt and angry. I can't quite say the same about his leaving The Beatles, which closes out Part 1 of this life-changing documentary. But, all right -- I'm going to post this, then do a podcast about it, then watch Part 2 of this movie, and I'll be back again.
And here's the podcast:
And here's "It's Real Life" -- free alternate history short story about The Beatles, made into a radio play and audiobook and winner of The Mary Shelley Award 2023 ... and expanded into a novel
See also The Beatles: Get Back, Part 2: Back from the Threshold and The Beatles: Get Back, Part 3: Up On the Roof and my review of Rob Sheffield's Dreaming the Beatles and A Vote for McCartney (my very first published article, in The Village Voice, 1971)

[Spoilers ahead ... ]
First, I realized as soon we saw Trevante's plane land in England that he would likely come into contact with Casper and Jamila, and sure enough, he did. This is a very important development. There's no way we beings of Earth can stand a chance against the invaders unless we pool our intelligence -- the smarts and the knowledge -- that some of us have. Plus, after seeing the separate narratives play out in isolation in the previous seven episodes, it's good storytelling to see at least two of them come together now in episode eight.
But "contact" has crucial relevance in another important way. We finally learn about what's going on in Casper's head and what that has to do with the invaders. He's seen them, before they arrived. He tells Trevante and Jamila that when he has seizures, scenes of the invaders appear in his mind. More than anyone on Earth -- except Luke, who may have similar powers -- Casper may have seen things essential to the defense of this planet and the survival of its human inhabitants.
By the way, Billy Barratt as Casper and Shamier Anderson as Trevante work well together. As does India Brown as Jamila, as I mentioned last week. Only two more episodes left in what I hope is just the beginning season of Invasion. It's time to get Luke in America and Mitsuki in Tokyo into the mix. I'll be back here next week and let you know how I think that went.
See also Invasion 1.1-3: Compelling Contender ... Invasion 1.4: Three Out of Four ... Invasion 1.5: The Little Creepy Crawly Thing ... Invasion 1.6: Close Up! ... Invasion 1.7: Two Boys and their Connection to the Invaders

I've often said that what appeals to me most about this hilarious show is how often it delves into issues that I can relate to. And there was a sterling example in episode 11.5, which towers above everything else in these two episodes.
Larry talks for a second or two about how much of his white undershirt should be visible when you're wearing a polo shirt or whatever kind of shirt over it. Now, obviously, this question doesn't arise if you're wearing a tie, because then your shirt would be buttoned on top, right under the collar, so no white undershirt would be visible at all. But I almost never wear a tie, and Larry doesn't, either, at least not on the show.
Anyway, Larry has a very specific idea of how much of the white undershirt should be visible, and I think I pretty much agree with him. But that assumes the top of the undershirt is out-of-the-laundry clean, which may not always be the case. Larry frequently gets surprised by something, and if he's about to sip a cup of coffee, a splash of coffee could easily end up on this undershirt. In fact, I think that happened to Larry in episode 11.4 or 11.5, but I can't recall which one it was. I do know that, just a few days ago, as I was about to go off and teach my class at Fordham University, I looked in the mirror and noticed there was a tea stain on my white undershirt, right on the top, and therefore visible to anyone who looked at me.
I was pressed for time -- what else is new -- and didn't want to run up the stairs and take off my polo shirt, then my undershirt, then put on a new undershirt, and then put back on my polo shirt. That would be four shirt procedures, in addition to running up and the back down the stairs. So I came up with a solution:
Just take off my polo shirt, downstairs, then take off my undershirt with the tea stain, then put my polo shirt back on, and dash out of the house. Pretty good solution, right? And, actually, I think a polo shirt, even a dress shirt with an open collar, looks better with nothing on beneath.
And I'll be back here this coming Sunday with another review.
See also Curb Your Enthusiasm 11.1: Not Quite Tsuris ... Curb Your Enthusiasm 11.2: Twist on Twist ... Curb Your Enthusiasm 11.3: Highs and Lows
See also: Curb Your Enthusiasm 10.1: Reunited! ... Curb Your Enthusiasm 10.3: Garbage Cans and Apples ... Curb Your Enthusiasm 10.8: Meets Mad Men ... Curb Your Enthusiasm 10.9: Science Fiction ... Curb Your Enthusiasm Season 10 Finale: Unjust Desserts
See also: Curb Your Enthusiasm 9.1: Hilarious! ... Curb Your Enthusiasm 9.2: Wife Swapping ... Curb Your Enthusiasm 9.3: Benefits ... Curb Your Enthusiasm 9.4: "Hold You in his Armchair" ... Curb Your Enthusiasm 9.5: Schmata At Large ... Curb Your Enthusiasm 9.8: The Unexpected Advocate ... Curb Your Enthusiasm 9.9: Salmon Discretion ... Curb Your Enthusiasm 9.10: Outfit Tracker

Isaiah is not the only one we know who came to our present via a time sink upflow fountain from 12,000 years in the past to 1988. Lilly did, too. And our people in the prehistoric past are beginning to grasp the possibilities. If they went to 1988, they could see Die Hard in the movie theater and get some pizza. I saw Die Hard on a VHS tape and that was good enough for me. But yeah, I'd go up a mountain and go through time in the sky to get to a time where I could get a decent slice. Probaby.
And Scott -- who made the point in 10,000 BC about Die Hard -- also discovered a cow. With some kind of brand on its neck. Which is proof positive that it couldn't have come from 12,000 years ago, even if we didn't believe the historical fact that Europeans were the ones who introduced cattle to America (we had buffalo before then). I froze the screen and tried to make out what the brand on the cow said. Just a bunch of numbers, at least to me.
But the plot is thickening as the action is quickening. A new time sink is going to open in Seattle tomorrow -- well, next Tuesday, in our real time off the screen. But we don't know how far in the past it's going to go. Or maybe to the future?
The season one finale should tell us a little more next week, as La Brea takes its place as a time travel series on an old fashioned network that's well worth seeing. And I'll see you here next week, with my review of how some of that comes down -- or turns up.
See also La Brea 1.1: Pros and Cons of Falling Into the Past ... La Brea 1.2: Deepening Horizons ... La Brea 1.3: Descending Into the Maelstrom ... La Brea 1.4: Expanding Horizons ... La Brea 1.5: The Letter and the Resemblance ... La Brea 1.6: Cross-Temporal Communication ... La Brea 1.7: Time Sinkholes Not Only in Different Places but from Different Times ... La Brea 1.8: Clearer Visions
Welcome to Light On Light Through, Episode 215, in which Cora Buhlert, Joel McKinnon, and I talk about the first season of Foundation on Apple TV+.
Cora's reviews of the first season of Foundation are here ... also check out Joel McKinnon's Seldon Crisis podcast and his What I Like about the Show on Reddit
Talk to us on Twitter: @CoraBuhlert @JoelGMcKinnon @PaulLev
Enjoy the video of this podcast episode.
Postcard from Isaac Asimov to me in 1979 about the Foundation trilogy
In addition to Asimov's novels and autobiographies, these three books were discussed ed in this episode:
Welcome to Light On Light Through, Episode 214, in which I review Dexter: New Blood 1.3 on Showtime.
Written blog post review of Dexter: New Blood 1.3
Written review of episodes in all eight seasons of Dexter (the original series):
Reviews of Dexter Season 8 Premiere: Mercury in Retrograde, Dexter Incandescent ... Dexter 8.2: The Gift ... Dexter 8.3: The Question and the Confession ... Dexter 8.4: The "Lab Rat" and Harry's Daughter ... Dexter 8.5: Just Like Family ... Dexter 8.6: The Protege ... Dexter 8.7: Two Different Codes? ... Dexter 8.8: "A Great Future" ... Dexter 8.9: The Psycho Son ... Dexter 8.10: Watch Out, Buenos Aires ... Dexter 8.11: "Not the Old Dexter" ... Dexter Series Finale: Solitude, Style, and a Modicum of Hope
Reviews of Dexter Season 7.1-3: Sneak Preview Review ... Dexter 7.4: The Lesson in Speltzer's Smoke ... Dexter 7.5: Terminator Isaac ... Dexter 7.6: "Breaking and Entering" ... Dexter 7.7: Shakespearean Serial Killer Story ... Dexter 7.8: Love and Its Demands ... Dexter 7.9: Two Memorable Scenes and the Ascension of Isaac ... Dexter 7.11: The "Accident" ... Dexter Season 7 Finale: The Surviving Triangle
Reviews of Dexter Season 6 Sneak Preview Review ... Dexter 6.4: Two Numbers and Two Killers Equals? ... Dexter 6.5 and 6.6: Decisive Sam ... Dexter 6.7: The State of Nebraska ... Dexter 6.8: Is Gellar Really Real? .... Dexter 6.9: And Gellar Is ... ... Dexter's Take on Videogames in 6.10 ...Dexter and Debra: Dexter 6.11 ... Dexter Season 6 Finale: Through the Eyes of a Different Love
Reviews of Dexter Season 4: Sneak Preview Review ... The Family Man on Dexter 4.5 ...Dexter on the Couch in 4.6 ... Dexter 4.7: 'He Can't Kill Bambi' ... Dexter 4.8: Great Mistakes ...4.9: Trinity's Surprising Daughter ... 4.10: More than Trinity ... 4.11: The "Soulless, Anti-Family Schmuck" ... 4.12: Revenges and Recapitulations
Reviews of Season 3: Season's Happy Endings? ... Double Surprise ... Psychotic Law vs. Sociopath Science ... The Bright, Elusive Butterfly of Dexter ... The True Nature of Miguel ...Si Se Puede on Dexter ... and Dexter 3: Sneak Preview Review
Coming tomorrow, Tuesday, 23 Nov 2021 -- a conversation with Cora Buhlert, Joel McKinnon, and me about the first season of Foundation. If you're not familiar with their work, here's where you can get to know them:
Cora Buhlert's reviews of the first season of Foundation ... Joel McKinnon's Seldon Crisis podcast ... Joel's What I Like about the Show on Reddit

[Spoilers ahead ...]
until and up to and including the very end, with immensely powerful high points and low points.
First Highpoint: Emma gets out of her wheelchair, crawls up the stairs and across the porch, to save the life of her son, Will.
First Lowpoint: It looked like Baptiste died of that stabwound ...
But he didn't. So that was a second highpoint. But then the highest point comes when we see him all but reunited with his wife and family. He followed the good advice Emma gave him, that it's never too late to do what you need to do.
But there's another meaning to those good words. There were originally supposed to be three seasons of Baptiste. But series co-creator Harry Williams changed his mind, and decided to end it with two. That was the second lowpoint and the lowest point. To which I say: it's never too late ... never too late to change your mind.
Because Baptiste is a unique character in the history of fictional detectives. A remarkable blend of tenacity and vulnerability that you just don't find anyplace else. A character brought to life by a unique and immensely gifted actor, Tchéky Karyo.
So here's what I predict. Someday, with any luck in the not too distant future, Harry Williams will wake up with a great idea for a third season. Or maybe his co-creator will. Or maybe someone else will come up with that great idea, and communicate it to the creators.
And a third season will be made. And I'll see it here in New York, on PBS, some five or so months after it airs in the U.K. And then I'll review it right here. See you then.
See also Baptiste 2.1: Souls on Edge ... Baptiste 2.2:The Odd Fellow ... Baptiste 2.3: Massacre and Answers ... Baptiste 2.4: Aftermath and Paradox ... Baptiste 2.5: Will's Story ... Baptiste 1: Logic, Passion, and Unflappability ... The Missing 1: Worth Finding and The Missing 2: Unforgettable

[Spoilers ahead ... ]
The big question that looms up at the end of the episode is why is Matt's father lying about getting a phone call, FaceTime, no less, from his slain son? Either (a) someone somehow impersonated Matt on the phone (someone with superior knowledge of digital media, like perhaps Harrison?) or (b) Kurt Caldwell is lying for some reason. The second option seems more likely -- but he couldn't be lying for Dexter's sake, because Kurt was already drunk and had no idea Dexter would be driving by.
And speaking of Harrison, we now know that he's highly intelligent and physically dexterous -- pardon the pun, just like his father Dexter. And also like his father, Harrison is a charmer with the ladies, and someone who is prone to confront bullies -- of other people. Should be fun to see how this plays out in this new series.
And last but not least -- because this character is sure to come within Dexter's deadly focus -- we have the question of who is the sicko who killed and then drained the blood of that poor girl? I said last week that I thought it was most likely Kurt (maybe that's why he was so happy at the end of tonight's episode), but tonight I'd also add the rich guy Edward Oleson. (My wife says it's not Oleson, because the killer looks to be bigger and more imposing). All we know for sure at this point is the killer has watery blue eyes.
See you back here next week with my review of the next episode of this excellent reboot.
And see also Dexter Season 6 Sneak Preview Review ... Dexter 6.4: Two Numbers and Two Killers Equals? ... Dexter 6.5 and 6.6: Decisive Sam ... Dexter 6.7: The State of Nebraska ... Dexter 6.8: Is Gellar Really Real? .... Dexter 6.9: And Gellar Is ... ... Dexter's Take on Videogames in 6.10 ...Dexter and Debra: Dexter 6.11 ... Dexter Season 6 Finale: Through the Eyes of a Different Love
And see also Dexter Season 4: Sneak Preview Review ... The Family Man on Dexter 4.5 ...Dexter on the Couch in 4.6 ... Dexter 4.7: 'He Can't Kill Bambi' ... Dexter 4.8: Great Mistakes ...4.9: Trinity's Surprising Daughter ... 4.10: More than Trinity ... 4.11: The "Soulless, Anti-Family Schmuck" ... 4.12: Revenges and Recapitulations
And see also reviews of Season 3: Season's Happy Endings? ... Double Surprise ... Psychotic Law vs. Sociopath Science ... The Bright, Elusive Butterfly of Dexter ... The True Nature of Miguel ...Si Se Puede on Dexter ... and Dexter 3: Sneak Preview Review