Chuck Todd interviews me about alternate histories

Sunday, November 28, 2021

Catch and Release 1.1: Nordic Noir in the Twilight of Life

 



I just saw the first episode of Catch and Release, a new Norwegian Nordic noir series by Kristine Berg and Arne Berggren, the team who made Outlier, which I saw on Acorn via Prime Video and very much liked and reviewed here this past August.   Catch and Release is currently airing in Norway, and should be up on Acorn in 2022.  I'll definitely watch and review the rest of the series as soon as that happens.

Like Outlier, it's a very different kind of suspense thriller.  The protagonist is an elderly former police woman, Irja Lantto, who has left the force because she has only weeks or a month of so left to live.  In fact, she's putting a gun to head, to end her life right there and then, when she hears the sirens of a police car.  They're on the way to investigate the murder of a man who was fishing in the clear waters of Norway.

Of course, the current police would rather Irja go home and rest (i.e., die) rather than be troubled by her investigating the murder, but she'll have none of that.  And in this first episode, we see there is plenty to investigate, including people with all kinds of problems in all kinds of situations.   Near the end, we also learn that there's a man who lives deep in the woods, who tells Irja that there's some kind of inchoate evil afoot.

The last TV series about an elderly investigator that I recall was Barnaby Jones, in which Buddy Ebsen played Barnaby from 1973-1980 on CBS.  That show was one of the pillars of my "defective detective" theory of television back then, in which I noticed that just about every detective on television had some kind of physical problem:  Barnaby was old, Longstreet was blind, Ironside was in a wheelchair, etc.  The hero (or anti-hero, still a little early to tell) of Catch and Release would fit right in with that group, and in fact Irja will likely give a more profound accounting of herself.

I'll be back here with a review of rest, as soon as I see it.



Saturday, November 27, 2021

Podcast Review of The Beatles: Get Back, Part 3


Welcome to Light On Light Through, Episode 218, in which I review Part 3 of Peter Jackson's The Beatles: Get Back documentary.

Relevant links:


Check out this episode!

The Beatles: Get Back, Part 3: Up On the Roof


If I had to pick the single best moments in the nearly nine hours of the superb, one-of-a-kind documentary that is Peter Jackson's The Beatles: Get Back, it would be Paul McCartney saying "whew!" smiling, doing a dance, and continuing the concert, after turning and taking note of the robotic cops  (or whatever they call them in London) intruding into the Beatles' rooftop performance.  The same cops on the ground floor had been threatening arrests and claiming they weren't making threats before they demanded to go up to the roof.  Good thing they don't carry guns like the police do here in America.

Widening the focus a bit, the whole rooftop concert was a splendid, high-octane tour-de-force, finally shown in Jackson's movie in its full extent, making the original film of the concert that we've been watching all these years seem two-dimensional in comparison.  That original movie has flashes of the energy of that rooftop performance, which takes full and gorgeous expression in Jackson's documentary. 

It may have been the Beatles' finest moment.  "I've Got a Feeling," which I always really liked, is now in my top handful of all-time favorite Beatle songs -- the energy in McCartney's voice, the oh-yeahs, the nos, Lennon's bit, the instrumentation, is all just extraordinary. 

It certainly was their final moment in a public performance.  Some of the earlier part of Part 3 tells us why:

  • Paul says to George Martin -- with Paul not sure that going on the roof the next day was the best thing, John saying it was, and George Martin saying they had to respect deadlines -- "that's why I'm talking to John not you".
  • A little later, Paul's still not sure about the roof, George Harrison says he'd rather not do it, and Ringo declares they should do the roof concert.  Ringo's opinion carries the day.  But Paul is quietly a little dismayed with Ringo's opinion, or maybe that he has to put up with it.
  • George tells John he wants to do an album of just his own songs, to see "what they all sound like together".  George winds up doing none of his songs on that roof.
But there are many beautiful moments to be treasured in the footage before the concert:

  • George Harrison comes over to Ringo to help him write his song "Octopus's Garden".  It's a wonderful, redeeming moment.
  • And then George Martin gets interested in the song.  Soon we see John on drums on the song.  In previous parts, we saw Paul and George on Ringo's drums.  In an interview conducted much more recently, Ringo lamented that every time he stepped out for a cup of tea, he'd return to find someone else in The Beatles on his drums.  But it's all endearing,
  • Great jamming with Linda's daughter Heather in the studio, and it's great to see how each of The Beatles relate to her.
  • Paul really groovin' and enjoying working on one of George's songs.
  • George Harrison telling John he took John's advice, given some ten years earlier, that when you start writing a song, you should stay up and finish it.
So there was lots of love and good energy between the Beatles, even with all the problems, and the rooftop concert was magnificent.  So why didn't they stay together?  There's clearly even more to the story than Peter Jackson showed us in his documentary.  But watching it changed my perspective on The Beatles forever, largely for the better, and I'll be forever grateful Peter Jackson made it.




And here's "It's Real Life" -- free alternate history short story about The Beatles, made into a radio play and audiobook and winner of The Mary Shelley Award 2023


Podcast Review of The Beatles: Get Back, Part 2


Welcome to Light On Light Through, Episode 217, in which I review Part 2 of Peter Jackson's The Beatles: Get Back documentary (review of Part 3 to follow soon).

Relevant links:


Check out this episode!

Friday, November 26, 2021

The Beatles: Get Back, Part 2: Back from the Threshold


A very different kind of feeling and (true) story in Part 2 of Peter Jackson's The Beatles: Get Back documentary.  Up from the doldrums, George Harrison is back, Billy Preston joins them, and the sound and the ambience is often heady and exhilarating.

It's almost as if Twickenham, where the first part of the month of January 1969, and therefore the first part of Jackson's movie, took place, was infected by some kind of mold that put everyone on edge and made them depressed.  In the new Apple Studios, the Beatles are transformed.

Billy Preston, who joins them, is justly given at least some of the credit by the Beatles themselves.  But the four were also getting along together much better, and beginning to gel, even before Preston arrived.  Lennon blossoms with  "I Dig a Pony" and in fact every song written by him or McCartney or Harrison that he sings and plays.   Preston does add his inimitable smile and just-right keyboard.  Harrison takes an active role in arranging McCartney's "Get Back".  The performances are punctuated not by complaining but joking, mostly Lennon's, with McCartney more than willing to jump in, and Harrison appreciatively laughing.  Ringo is always in a good mood, except when he's sleeping.

All of this feels for all the world like this just happened, that what we're seeing on the screen took place just last week.  This has to be a testament to Peter Jackson and all the people and the magic he and they brought to this documentary.  It felt like a time portal, to a place where all the Beatles were alive and young.

But all's not completely well.  The disagreements that nearly tore the group apart at Twickenham are not gone, merely receded.  Early in the episode, back at Twickenham, Paul and John have an on-camera conversation.  Paul wants more planning, more organization, in their work.  John responds with lines from Beatles songs, clever in themselves, sarcastic in this context.  (To some extent, I've always thought that bands are bound to fall apart, because they violate the very egos that make the band members join the band in the first place.) Near the end of this episode, we find McCartney once again discontented.  It's not about how George isn't getting it right.  It's McCartney's wish to end this now productive time for the Beatles not with just another album, but some kind of memorable event .

The people working for and supporting and often thinking for the Beatles come up with a solution: a rooftop performance on top of their Apple Studios.   But this brings us to the door of Part 3, which I'll watch and review right here tomorrow.






And here's "It's Real Life" -- free alternate history short story about The Beatles, made into a radio play and audiobook and winner of The Mary Shelley Award 2023

See also The Beatles, Part 1: Soul Touching Anecdotes and The Beatles: Get Back, Part 3: Up on the Roof ...  my review of Rob Sheffield's Dreaming the Beatles and A Vote for McCartney (my very first published article, in The Village Voice, 1971)


Podcast Review of The Beatles: Get Back, Part 1


Welcome to Light On Light Through, Episode 216, in which I review Part 1 of Peter Jackson's The Beatles: Get Back documentary (reviews of Parts 2 and 3 to follow soon).

Relevant links:


Check out this episode!

The Beatles: Get Back, Part 1: Soul Touching Anecdotes



I started watching Get Back with the absolute knowledge that The Beatles were and are one of the best things in my life, and easily THE best thing musically.   For the past few years, I've listened to them about as much as to MSNBC on Sirius XM radio, which is to say, any and all the time I'm in the car driving by myself (see The Omnipotent Ear).  Their arrival in the United States in 1964 coincided with my first serious girlfriend, Barbara (we met when she came to hear my doo-wop group sing at a Y on the Grand Concourse in the Bronx).  By January 1969, the time we see the Beatles in the studio in Peter Jackson's The Beatles: Get Back, I was with Tina, who became my wife.  We're still happily married, with wonderful children and grandchildren.

So The Beatles in general, and Peter Jackson's documentary, are that central and important to my life.  Masterpiece is not quite the right word for it, because experiencing the first part of this movie was more than that, deeply personal.  But I will say that this documentary -- or, at this point, Part 1-- is brilliantly made.  The rapid history of how The Beatles got to 1969, with words on the screen in an almost silent movie kind of style, worked perfectly.  The two hours thirty something minutes flew by.  Here are some moments that especially impressed, even touched my soul:

  • George compliments Paul on his beard.  This happens at the beginning of the movie -- that is, early on in the first seven days which are the timeline of Part 1.  That's about the happiest interaction between Paul and George in this part of the movie, which is surprising, given that the movie has been billed as spotlighting the joy which was cut of out everything we saw and heard back in 1969 about The Beatles. But Paul is quietly relentless in his disparagement of George, ranging from his well-known plea to George to keep it "simple," to complaining that he can't hear himself sing with George playing, to just the expressions on Paul's face.  None of George's songs at this point in the movie are taken very seriously, with the partial exception of  "All Things Must Pass," which didn't make it into The Beatles' new album, anyway. In a word, though I'll always be a champion of Paul and his extraordinary talent, Jackson's movie makes me think that George had every right to be angry.
  • John suggests changing "wind" to "mind" in George's "All Things Must Pass" ("a mind can blow the clouds away").   By 1969, Lennon's leadership of the band had clearly given way to Paul's.  But his incisive, sparkling mind was as sharp as ever.  It looks in the movie like he's looking at the lyric sheet, when he says something along the lines of "mind" being almost the same word as "wind".  Marshall McLuhan would've loved the visual/acoustic written/verbal interplay.
  • "Get Back" (the song) semi-seriously considered to be and developed into a protest song.  There was a wave of fascistic anti-immigration fervor in England in 1968-1969 -- something we know all too well via Trump here in the United States in the past few years -- and Paul and John toy with pitching the song as a satire critique of what the right wing was calling on the Pakistanis who came to England to do.
  • Ringo, watching and hearing Paul play the piano, says he could listen to that all day.  One of sweetest, most heartwarming moments of the movie.
  • Yoko and Linda talking and laughing.  Shatters some of myths of Yoko and The Beatles, and also heartwarming.
  • The joy on Mal Evan's face every time he plays the hammer in "Maxwell's Silver Hammer" -- he's just thrilled to actually play even this smart part in a Beatles' performance. I can understand how he feels, completely.
  • The sheer abundance of Paul's contribution is just incandescent magnificent:  In addition to "Silver Hammer" and "Get Back," we get clips of "Let It Be," "Long and Winding Road," "Two of Us," even "Another Day" (which, like George's "All Things Must Pass," never made it to The Beatles album we see under preparation).

Back to George:  As I said, I don't blame him for being hurt and angry.  I can't quite say the same about his leaving The Beatles, which closes out Part 1 of this life-changing documentary. But, all right -- I'm going to post this, then do a podcast about it, then watch Part 2 of this movie, and I'll be back again.

And here's the podcast:


And here's "It's Real Life" -- free alternate history short story about The Beatles, made into a radio play and audiobook and winner of The Mary Shelley Award 2023 ... and expanded into a novel

See also The Beatles: Get Back, Part 2: Back from the Threshold and The Beatles: Get Back, Part 3: Up On the Roof and  my review of Rob Sheffield's Dreaming the Beatles and A Vote for McCartney (my very first published article, in The Village Voice, 1971)




here is one of the songs I sang with my doo-wop group, The Transits, in early 1964

Thursday, November 25, 2021

Invasion 1.8: Contact!


I don't usually entitle my reviews with the given title of an episode, but today's Invasion 1.8 on Apple TV+ was so much about contact, that I didn't have much choice.

[Spoilers ahead ... ]

First, I realized as soon we saw Trevante's plane land in England that he would likely come into contact with Casper and Jamila, and sure enough, he did.  This is a very important development.  There's no way we beings of Earth can stand a chance against the invaders unless we pool our intelligence -- the smarts and the knowledge -- that some of us have.  Plus, after seeing the separate narratives play out in isolation in the previous seven episodes, it's good storytelling to see at least two of them come together now in episode eight.

But "contact" has crucial relevance in another important way.   We finally learn about what's going on in Casper's head and what that has to do with the invaders.  He's seen them, before they arrived.  He tells Trevante and Jamila that when he has seizures, scenes of the invaders appear in his mind.  More than anyone on Earth -- except Luke, who may have similar powers -- Casper may have seen things essential to the defense of this planet and the survival of its human inhabitants.

By the way, Billy Barratt as Casper and Shamier Anderson as Trevante work well together.  As does India Brown as Jamila, as I mentioned last week.   Only two more episodes left in what I hope is just the beginning season of Invasion.  It's time to get Luke in America and Mitsuki in Tokyo into the mix.  I'll be back here next week and let you know how I think that went.





See also Invasion 1.1-3: Compelling Contender ... Invasion 1.4: Three Out of Four ... Invasion 1.5: The Little Creepy Crawly Thing ... Invasion 1.6: Close Up! ... Invasion 1.7: Two Boys and their Connection to the Invaders



Wednesday, November 24, 2021

Curb Your Enthusiasm 11.4-5: How Much of a Shirt?



Been a busy few weeks, so I didn't get a chance to review Curb Your Enthusiasm 11.4 last week and I'm just getting around to reviewing 11.5 now.  So I combined them in one review.  But it's just a sitcom, right?

I've often said that what appeals to me most about this hilarious show is how often it delves into issues that I can relate to.  And there was a sterling example in episode 11.5, which towers above everything else in these two episodes.

Larry talks for a second or two about how much of his white undershirt should be visible when you're wearing a polo shirt or whatever kind of shirt over it.   Now, obviously, this question doesn't arise if you're wearing a tie, because then your shirt would be buttoned on top, right under the collar, so no white undershirt would be visible at all.  But I almost never wear a tie, and Larry doesn't, either, at least not on the show.

Anyway, Larry has a very specific idea of how much of the white undershirt should be visible, and I think I pretty much agree with him.  But that assumes the top of the undershirt is out-of-the-laundry clean, which may not always be the case.  Larry frequently gets surprised by something, and if he's about to sip a cup of coffee, a splash of coffee could easily end up on this undershirt.  In fact, I think that happened to Larry in episode 11.4 or 11.5, but I can't recall which one it was.  I do know that, just a few days ago, as I was about to go off and teach my class at Fordham University, I looked in the mirror and noticed there was a tea stain on my white undershirt, right on the top, and therefore visible to anyone who looked at me.

I was pressed for time -- what else is new -- and didn't want to run up the stairs and take off my polo shirt, then my undershirt, then put on a new undershirt, and then put back on my polo shirt.  That would be four shirt procedures, in addition to running up and the back down the stairs.  So I came up with a solution:

Just take off my polo shirt, downstairs, then take off my undershirt with the tea stain, then put my polo shirt back on, and dash out of the house.  Pretty good solution, right?  And, actually, I think a polo shirt, even a dress shirt with an open collar, looks better with nothing on beneath.

And I'll be back here this coming Sunday with another review.

See also Curb Your Enthusiasm 11.1: Not Quite Tsuris ... Curb Your Enthusiasm 11.2: Twist on Twist ... Curb Your Enthusiasm 11.3: Highs and Lows

See also:  Curb Your Enthusiasm 10.1: Reunited! ... Curb Your Enthusiasm 10.3: Garbage Cans and Apples ... Curb Your Enthusiasm 10.8: Meets Mad Men ... Curb Your Enthusiasm 10.9: Science Fiction ... Curb Your Enthusiasm Season 10 Finale: Unjust Desserts

See alsoCurb Your Enthusiasm 9.1: Hilarious! ... Curb Your Enthusiasm 9.2: Wife Swapping ... Curb Your Enthusiasm 9.3: Benefits ... Curb Your Enthusiasm 9.4: "Hold You in his Armchair" ... Curb Your Enthusiasm 9.5: Schmata At Large ... Curb Your Enthusiasm 9.8: The Unexpected Advocate ... Curb Your Enthusiasm 9.9: Salmon Discretion ... Curb Your Enthusiasm 9.10: Outfit Tracker



La Brea 1.9: Lilly and the Cow

La Brea moved along at a fine pace tonight with episode 1.9 and a combination of progress in understanding and new revelations.

Isaiah is not the only one we know who came to our present via a time sink upflow fountain from 12,000 years in the past to 1988.  Lilly did, too. And our people in the prehistoric past are beginning to grasp the possibilities.  If they went to 1988, they could see Die Hard in the movie theater and get some pizza.  I saw Die Hard on a VHS tape and that was good enough for me.  But yeah, I'd go up a mountain and go through time in the sky to get to a time where I could get a decent slice.  Probaby.

And Scott -- who made the point in 10,000 BC about Die Hard -- also discovered a cow.  With some kind of brand on its neck.  Which is proof positive that it couldn't have come from 12,000 years ago, even if we didn't believe the historical fact that Europeans were the ones who introduced cattle to America (we had buffalo before then).  I froze the screen and tried to make out what the brand on the cow said.  Just a bunch of numbers, at least to me.

But the plot is thickening as the action is quickening.  A new time sink is going to open in Seattle tomorrow -- well, next Tuesday, in our real time off the screen.  But we don't know how far in the past it's going to go.  Or maybe to the future?  

The season one finale should tell us a little more next week, as La Brea takes its place as a time travel series on an old fashioned network that's well worth seeing.  And I'll see you here next week, with my review of how some of that comes down -- or turns up.

See also La Brea 1.1: Pros and Cons of Falling Into the Past ... La Brea 1.2: Deepening Horizons ... La Brea 1.3: Descending Into the Maelstrom ... La Brea 1.4: Expanding Horizons ... La Brea 1.5: The Letter and the Resemblance ... La Brea 1.6: Cross-Temporal Communication ... La Brea 1.7: Time Sinkholes Not Only in Different Places but from Different Times ... La Brea 1.8: Clearer Visions




 

Tuesday, November 23, 2021

Podcast: Foundation 1st Season: Cora Buhlert, Joel McKinnon, and Paul Levinson discuss


Welcome to Light On Light Through, Episode 215, in which Cora Buhlert, Joel McKinnon, and I talk about the first season of Foundation on Apple TV+.

Cora's reviews of the first season of Foundation are here  ...  also check out Joel McKinnon's Seldon Crisis podcast and his What I Like about the Show on Reddit

Talk to us on Twitter:  @CoraBuhlert @JoelGMcKinnon @PaulLev

Enjoy the video of this podcast episode.

Postcard from Isaac Asimov to me in 1979 about the Foundation trilogy

In addition to Asimov's novels and autobiographies, these three books were discussed ed in this episode:

Check out this episode!

Monday, November 22, 2021

Podcast Review of Dexter: New Blood 1.3


Welcome to Light On Light Through, Episode 214, in which I review Dexter: New Blood 1.3 on Showtime.

Written blog post review of Dexter: New Blood 1.3


Written review of episodes in all eight seasons of Dexter (the original series):

Reviews of Dexter Season 8 Premiere: Mercury in Retrograde, Dexter Incandescent ... Dexter 8.2: The Gift ... Dexter 8.3: The Question and the Confession ... Dexter 8.4: The "Lab Rat" and Harry's Daughter ... Dexter 8.5: Just Like Family ... Dexter 8.6: The Protege ... Dexter 8.7: Two Different Codes? ... Dexter 8.8: "A Great Future" ... Dexter 8.9: The Psycho Son ... Dexter 8.10: Watch Out, Buenos Aires ... Dexter 8.11: "Not the Old Dexter" ... Dexter Series Finale: Solitude, Style, and a Modicum of Hope


Reviews of  Dexter Season 7.1-3: Sneak Preview Review ... Dexter 7.4: The Lesson in Speltzer's Smoke ... Dexter 7.5: Terminator Isaac ... Dexter 7.6: "Breaking and Entering" ... Dexter 7.7: Shakespearean Serial Killer Story ... Dexter 7.8: Love and Its Demands ... Dexter 7.9: Two Memorable Scenes and the Ascension of Isaac ... Dexter 7.11: The "Accident" ... Dexter Season 7 Finale: The Surviving Triangle


Reviews of  Dexter Season 6 Sneak Preview Review ... Dexter 6.4: Two Numbers and Two Killers Equals? ... Dexter 6.5 and 6.6: Decisive Sam ... Dexter 6.7: The State of Nebraska ... Dexter 6.8: Is Gellar Really Real? .... Dexter 6.9: And Gellar Is ... ... Dexter's Take on Videogames in 6.10 ...Dexter and Debra:  Dexter 6.11 ... Dexter Season 6 Finale: Through the Eyes of a Different Love

 


Reviews of  Dexter Season 4: Sneak Preview Review ... The Family Man on Dexter 4.5 ...Dexter on the Couch in 4.6 ... Dexter 4.7: 'He Can't Kill Bambi' ... Dexter 4.8: Great Mistakes ...4.9: Trinity's Surprising Daughter ... 4.10: More than Trinity ... 4.11: The "Soulless, Anti-Family Schmuck" ... 4.12: Revenges and Recapitulations

Reviews of Season 3: Season's Happy Endings? ... Double Surprise ... Psychotic Law vs. Sociopath Science ... The Bright, Elusive Butterfly of Dexter ... The True Nature of Miguel ...Si Se Puede on Dexter ... and Dexter 3: Sneak Preview Review

 

Coming tomorrow, Tuesday, 23 Nov 2021 -- a conversation with Cora Buhlert, Joel McKinnon, and me about the first season of Foundation.  If you're not familiar with their work, here's where you can get to know them:

Cora Buhlert's reviews of the first season of Foundation ... Joel McKinnon's Seldon Crisis podcast ... Joel's What I Like about the Show on Reddit

 


Check out this episode!

Sunday, November 21, 2021

Baptiste Season 2 Finale: Never too Late


Well, it was quite a season 2 finale for Baptiste on PBS tonight, and

[Spoilers ahead ...]

until and up to and including the very end, with immensely powerful high points and low points.

First Highpoint: Emma gets out of her wheelchair, crawls up the stairs and across the porch, to save the life of her son, Will.

First Lowpoint: It looked like Baptiste died of that stabwound ...

But he didn't.  So that was a second highpoint.  But then the highest point comes when we see him all but reunited with his wife and family.   He followed the good advice Emma gave him, that it's never too late to do what you need to do.

But there's another meaning to those good words.  There were originally supposed to be three seasons of Baptiste.  But series co-creator Harry Williams changed his mind, and decided to end it with two.  That was the second lowpoint and the lowest point.  To which I say: it's never too late ... never too late to change your mind.

Because Baptiste is a unique character in the history of fictional detectives.  A remarkable blend of tenacity and vulnerability that you just don't find anyplace else.  A character brought to life by a unique and immensely gifted actor, Tchéky Karyo.

So here's what I predict.  Someday, with any luck in the not too distant future, Harry Williams will wake up with a great idea for a third season.  Or maybe his co-creator will.  Or maybe someone else will come up with that great idea, and communicate it to the creators.

And a third season will be made.  And I'll see it here in New York, on PBS, some five or so months after it airs in the U.K.  And then I'll review it right here.  See you then.

See also  Baptiste 2.1: Souls on Edge ...  Baptiste 2.2:The Odd Fellow ... Baptiste 2.3: Massacre and Answers ... Baptiste 2.4: Aftermath and Paradox ... Baptiste 2.5: Will's Story ...  Baptiste 1: Logic, Passion, and Unflappability ... The Missing 1: Worth Finding and The Missing 2: Unforgettable


Dexter: New Blood 1.3: Fathers and Sons



I'm really enjoying Dexter: New Blood -- the internal commentary from Dexter, his combination of good luck and cleverly getting out of incriminating situations, his capacity to deal with total wild cards that come his way -- all are in appealing abundance in this new series/season of Dexter, and in fine display in tonight's episode 1.3.

[Spoilers ahead ... ]

The big question that looms up at the end of the episode is why is Matt's father lying about getting a phone call, FaceTime, no less, from his slain son?  Either (a) someone somehow impersonated Matt on the phone (someone with superior knowledge of digital media, like perhaps Harrison?) or (b) Kurt Caldwell is lying for some reason.  The second option seems more likely -- but he couldn't be lying for Dexter's sake, because Kurt was already drunk and had no idea Dexter would be driving by.

And speaking of Harrison, we now know that he's highly intelligent and physically dexterous -- pardon the pun, just like his father Dexter.  And also like his father, Harrison is a charmer with the ladies, and someone who is prone to confront bullies -- of other people.  Should be fun to see how this plays out in this new series.

And last but not least -- because this character is sure to come within Dexter's deadly focus -- we have the question of who is the sicko who killed and then drained the blood of that poor girl? I said last week that I thought it was most likely Kurt (maybe that's why he was so happy at the end of tonight's episode), but tonight I'd also add the rich guy Edward Oleson.  (My wife says it's not Oleson, because the killer looks to be bigger and more imposing).  All we know for sure at this point is the killer has watery blue eyes.

See you back here next week with my review of the next episode of this excellent reboot.








And see also Dexter Season 6 Sneak Preview Review ... Dexter 6.4: Two Numbers and Two Killers Equals? ... Dexter 6.5 and 6.6: Decisive Sam ... Dexter 6.7: The State of Nebraska ... Dexter 6.8: Is Gellar Really Real? .... Dexter 6.9: And Gellar Is ... ... Dexter's Take on Videogames in 6.10 ...Dexter and Debra:  Dexter 6.11 ... Dexter Season 6 Finale: Through the Eyes of a Different Love



And see also
 Dexter Season 4: Sneak Preview Review ... The Family Man on Dexter 4.5 ...Dexter on the Couch in 4.6 ... Dexter 4.7: 'He Can't Kill Bambi' ... Dexter 4.8: Great Mistakes ...4.9: Trinity's Surprising Daughter ... 4.10: More than Trinity ... 4.11: The "Soulless, Anti-Family Schmuck" ... 4.12: Revenges and Recapitulations

And see also reviews of Season 3Season's Happy Endings? ... Double Surprise ... Psychotic Law vs. Sociopath Science ... The Bright, Elusive Butterfly of Dexter ... The True Nature of Miguel ...Si Se Puede on Dexter ... and Dexter 3: Sneak Preview Review




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